Designers are great white sharks, and we roam the waters ourselves. We often pretend to like and admire each other, but sometimes we don't even bother to fake it. The fashion industry is as hardworking, incestuous, and political as any other, and it's virtually impossible, given the size of designers' egos, to sincerely wish someone else well, because behind every false tribute is 'It should have been me.'
So writes Joseph Abboud, who fell in love with style at five. There in the dark of the movie house, he wasn't just some Lebanese kid with a babysitter. He was the hero, in tweeds and pocket squares. That's where he learned that clothes represented a better life—a life he wanted, and would grab, for himself. From his blue-collar childhood in Boston's South End to his spread-collar success as one of America's top designers, he has forged a remarkable path through the unglamorous business of making people look glamorous.
He transformed American menswear by replacing the traditional stiff-shouldered silhouette with a grown-up European sensuality. He was the first designer to win the coveted CFDA award as Best Menswear Designer two years in a row and the first designer to throw out the opening pitch at Fenway Park. He's been jilted by Naomi Campbell (who didn't show up on the runway for his first women's fashion show) and questioned by the FBI (who did show up in his office right after September 11 because he fit the profile). He's soared and sunk more than a few times—and lived to tell the tales.
Threads is his off-the-record take on fashion, from the inside out. With breezy irreverence, he looks at guys and taste, divas and deviousness, fabric and texture, and all those ties. He takes us to the luxe bastion of Louis Boston, where he came of age and learned the trade, and to the seductive domain of Polo Ralph Lauren, where he became associate director of menswear design. He reveals the mystique of department-store politics, what's what at the sample sale, and who copies whom. He explains the process of making great clothes, from conception and sketch to manufacturing and marketing.
Whether he's traveling by daredevil horse, plunging plane, Paris Métro, or cross-country limo, Abboud is an illuminating guide to a complex world.
"synopsis" may belong to another edition of this title.
Joseph Abboud introduced his first mens-wear collection in 1987. He won the Cutty Sark Award for Most Promising Menswear Designer in 1988 and the Council of Fashion Designers of America's Menswear Designer of the Year Award in 1989 and 1990. His clothing collections and home-furnishings products are sold throughout the world. He lives in Westchester, New York, with his wife and two daughters.
Ellen Stern has been a writer and editor at GQ, New York magazine, and the New York Daily News. Her books include Best Bets, Once Upon a Telephone, Sister Sets, and Gracie Mansion.From Publishers Weekly:
"All clothes make a statement. The right clothes make a statement that will open doors." With his user-friendly advice, Abboud, chairman emeritus and creative director of the men's clothier Joseph Abboud Company, revisits his past and, concurrently, shares fashion tips. Clients like Tom Brokaw and Wynton Marsalis are testaments to Abboud's elegance-with-an-edge style. His love affair with clothes started when he was growing up in Boston's South End in the 1950s and '60s, and he parlayed a passion for design into a job designing menswear at Polo/Ralph Lauren. When Abboud presented his own collection in 1987, he encountered the cutthroat practices of multimillion-dollar fashion empires. Abboud openly admits his career disappointments, including his foray into the lion's den of women's clothing and his trials launching a men's fragrance. Such honesty is refreshing, and Abboud's devotion to family and die-hard support for the Red Sox add to his charm. Readable and fun, the book offers lessons from Abboud's experiences to would-be designers. Bottom line: no element is inconsequential, whether it's a shoulder seam or the layout of a store display. For consumers, Abboud's credo is: "Style ought to be personal. It defines you to yourself, not to somebody else."
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