Take the papers that are with this, the diaries of Harker and the rest, and read them, and then find the great Un-Dead, and cut off his head and burn his heart or drive a stake through it, so that the world may rest from him. Bram Stoker's classics vampire story has haunted and disturbed the modern imagination for a hundred years. Set in Transylvania, London, and Whitby, it pits the sinister but seductive Count Dracula against a team of Vampire-hunters armed only with typewriters, phonographs, and syringes. They must obstruct his plan to conquer London before the forces of madness and depravity overwhelm them all. Vividly presented in the form of diaries and letters, the narrative blends ancient superstitions with modern technologies, and pulsates with obsessive fears of foreignness and sexuality. Blood, information, and hypnotic energy circulate furiously among the characters until he tale reaches its violent climax. This new edition has an introduction and bibliography which draw on the latest scholarship, and detailed notes which explain literary, geographical, and technological allusions in the novel.
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Dracula is one of the few horror books to be honored by inclusion in the Norton Critical Edition series. (The others are Frankenstein, The Turn of the Screw, Heart of Darkness, The Picture of Dorian Gray, and The Metamorphosis.) This 100th-anniversary edition includes not only the complete authoritative text of the novel with illuminating footnotes, but also four contextual essays, five reviews from the time of publication, five articles on dramatic and film variations, and seven selections from literary and academic criticism. Nina Auerbach of the University of Pennsylvania (author of Our Vampires, Ourselves) and horror scholar David J. Skal (author of Hollywood Gothic, The Monster Show, and Screams of Reason) are the editors of the volume. Especially fascinating are excerpts from materials that Bram Stoker consulted in his research for the book, and his working papers over the several years he was composing it. The selection of criticism includes essays on how Dracula deals with female sexuality, gender inversion, homoerotic elements, and Victorian fears of "reverse colonization" by politically turbulent Transylvania.From the Publisher:
One of the most popular stories ever told, Dracula (1897) has been re-created for the stage and screen hundreds of times in the last century. Yet it is essentially a Victorian saga, an awesome tale of thrillingly bloodthirsty vampire whose nocturnal atrocities reflect the dark underside of a supremely moralistic age. Above all, Dracula is a quintessential story of suspense and horror, boasting one of the most terrifying characters in literature: centuries-old Count Dracula, whose diabolical passions prey upon the innocent, the helpless, the beautiful. Bram Stoker, who was also the manager of the famous actor Sir Henry Irving, wrote seventeen novels. Dracula remains his most celebrated and enduring work -- even today this Gothic masterpiece has lost none of the spine-tingling impact that makes it a classic of the genre.
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Book Description Oxford University Press, USA, 1998. Paperback. Book Condition: New. New edition. Bookseller Inventory # DADAX0192833863
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Book Description Oxford University Press, 1998. Paperback. Book Condition: New. Bookseller Inventory # P110192833863