The most comprehensive, up-to-date resource for today's photography students
Photography 11th edition offers an in-depth approach to photography that spans the ever-changing landscape of photography — from dark-room to digital print. This edition presents all facets of photography, laying out what you need to know to make photographs with digital tools as well as the integral steps to perfecting film print.
My_Lab is an integral part of the London/Upton/Stone program. Key learning applications include videos, simulations, and MediaShare.
A better teaching and learning experience
The teaching and learning experience with this program helps to:
NOTE: This is the standalone book if you want the Book/Access Card order the ISBN below:
0205960081 / 9780205960088 Photography Plus NEW MyArtsLab with eText -- Access Card Package
Package consists of
0205206565 / 9780205206568 NEW MyArtsLab with Pearson eText -- Valuepack Access Card
0205933807 / 9780205933808 Photography
"synopsis" may belong to another edition of this title.
Jim Stone is an Associate Professor of Photography at the University of New Mexico. His photographs have been collected by the Museum of Modern Art and The Smithsonian American Art Museum, among many others. Books of his work include Stranger Than Fiction (Light Work, 1993),Historiostomy (Piltdown Press, 2001), and Why My Pictures are Good (Nazraeli Press, 2005).
He has also published six higher education titles that are widely used in university courses: A User¹s Guide to the View Camera, Darkroom Dynamics, Photography, Photography: The Essential Way, A Short Course in Photography, and A Short Course in Digital Photography.
Barbara London has authored and co-authored many photography books from their first editions to their current ones, including Photography, Photography: The Essential Way, A Short Course in Photography, A Short Course in Digital Photography, The Photograph Collector's Guide, and more.
John Upton, Professor Emeritus, was for many years Chair of Photography at Orange Coast College, one of the largest photography departments in the U.S. He has curated a number of exhibitions, including Color as Form: A History of Color Photography. His work is included in many private and public collections, including the New York Metropolitan Museum of Modern Art.
"About this title" may belong to another edition of this title.
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