"Kemp has performed a valuable service. . . . His style is lucid and he emerges as an honest broker who judiciously weighs the historical evidence. He has an impressive command of the literature of both art and optical science across much of Europe and over a span of four centuries. . . . Kemp’s thesis is amply illustrated with several hundred plates, including many of his own line drawings. . . . The reader is led gently through the history of art and the details of optical science to appreciate their interrelationship."―Geoffrey Cantor, Oxford Art Journal
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Book Description Condition: New. 1992. Reprint. Paperback. An examination of the major optically oriented examples of artistic theory and practice, from Brunelleschi's invention of perspective and its exploitation by Leonardo and Duerer to the beginnings of photography. It discusses colour theory and shows the interaction between art and science. Num Pages: 383 pages, 549 b&w illustrations, 16 colour plates, select bibliography, index. BIC Classification: ABA; AC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 282 x 254 x 27. Weight in Grams: 1806. . . . . . Seller Inventory # V9780300052411
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