“POWERFUL . . . SUSPENSEFUL . . . RICHLY TEXTURED . . . [A] CHILLING, PRECOCIOUSLY GOOD START TO A BRIGHT NEW NOVELIST’S CAREER.”
–The New York Times
“[A] gripping psychological thriller . . . In the winter of 1919, a young mother named Mathilda Neumann drowns beneath the ice of a rural Wisconsin lake. The shock of her death dramatically changes the lives of her daughter, troubled sister, and husband. . . . Told in the voices of several of the main characters and skipping back and forth in time, the narrative gradually and tantalizingly reveals the dark family secrets and the unsettling discoveries that lead to the truth of what actually happened the night of the drowning. . . . Schwarz certainly succeeds at keeping the reader engrossed.”
“DEFT AND ASSURED . . . [WITH] STRONG CHARACTERS AND A PLOT LONG ON TENSION AND SURPRISES.”
“A strong sense of portent and unusually vivid characters distinguish this mesmerizing first novel about horrifying family secrets and nearly annihilating guilt. Drowning Ruth is a complex and rewarding debut.”
Author of The Pilot’s Wife
“RIVETING . . . A VERY SUSPENSEFUL TALE, ONE THAT WILL KEEP READERS UP SHIVERING IN THE NIGHT.”
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Oprah Book Club® Selection, September 2000: For 19th-century novelists--from Jane Austen to George Eliot, Flaubert to Henry James--social constraint gave a delicious tension to their plots. Yet now our relaxed morals and social mobility have rendered many of the classics untenable. Why shouldn't Maisie know what she knows? It will all come out in family therapy anyway. The vogue for historical novels depends in part on our pleasure in reentering a world of subtle cues and repressed emotion, a time in which a young woman could destroy her life by saying yes to the wrong man. After all, there was no reliable birth control, no divorce, no chance of an independent life or a scandal-free separation.
Christina Schwarz's suspenseful debut pivots on two of the lost "virtues" of the past: silence and stoicism. Drowning Ruth opens in 1919, on the heels of the influenza epidemic that followed the First World War. Although there were telephones and motor cars and dance halls in the small towns of Wisconsin in those years, the townspeople remained rigid and forbidding. As a young woman, Amanda Starkey, a Lutheran farmer's daughter, had been firmly discouraged from an inappropriate marriage with a neighboring Catholic boy. A few years later, as a nurse in Milwaukee, she is seduced by a dishonorable man. Her shame sends her into a nervous breakdown, and she returns to the family farm. Within a year, though, her beloved sister Mathilde drowns under mysterious circumstances. And when Mathilde's husband, Carl, returns from the war, he finds his small daughter, Ruth, in Amanda's tenacious grip, and she will tell him nothing about the night his wife drowned. Amanda's parents, too, are long gone. "I killed my parents. Had I mentioned that?" muses Amanda.
I killed them because I felt a little fatigued and suffered from a slight, persistent cough. Thinking I was overworked and hadn't been getting enough sleep, I went home for a short visit, just a few days to relax in the country while the sweet corn and the raspberries were ripe. From the city I brought fancy ribbon, two boxes of Ambrosia chocolate, and a deadly gift... I gave the influenza to my mother, who gave it to my father, or maybe it was the other way around.Schwarz is a skillful writer, weaving her grim tale across several decades, always returning to the fateful night of Mathilde's death. Drowning Ruth displays her gift for pacing and her harsh insistence on the right ending, rather than the cheery one. --Regina Marler From the Back Cover:
"A strong sense of portent and unusually vivid characters distinguish this mesmerizing first novel about horrifying family secrets and nearly annihilating guilt. Drowning Ruth is a complex and rewarding debut."
--Anita Shreve, author of Fortune's Rocks and The Pilot's Wife
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