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Kim Fay on The Map of Lost Memories
The Map of Lost Memories holds a special place in my heart. When I was a child, my grandfather lived with my family, and at night he would sit on the side of my bed and tell me stories about his life as a sailor in Asia in the 1930s. Together we would pore over his photos, most of which were of Shanghai and showed an exotic world of rickshaws and sampans against a backdrop of majestic European buildings.
As I grew up, my fascination with Asia simmered within me until I graduated from college and made my first trip. I was smitten by the sodden heat, the smell of incense and jasmine down hidden lanes, and the magical combination of foreignness and familiarity. I continued to return to that part of the world until finally I moved to Vietnam. It was there that I read about Andre and Clara Malraux, a French couple who looted a Cambodian temple in the 1920s to raise money for the Communist party. With that, the first glimmer of my novel appeared.
In the following years, surrounded by the remnants of French colonialism, I could not stop thinking about the Westerners who came to Asia to claim a piece of it for themselves. I began to research every bit of information available on the history of illicit art collecting at the beginning of the twentieth century. I traveled to Shanghai to trace the stories my grandfather once told me. And I went to Angkor Wat. I had read so much about this temple and thought about it for such a long time, and still its grandeur stunned me.
Shaped by all of these experiences and my great passion for Asia, The Map of Lost Memories is both an adventure novel and a time capsule.
One of my gramps' photos of Shanghai that inspired The Map of Lost Memories
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An abandoned Khmer temple in the jungles of Cambodia in the 1920s
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A deserted hallway in Cambodia's Angkor Wat temple in the 1920s
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