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From Nicholas Garrigan's catbird seat, Foden guides us through the horrors of Amin's Uganda. It would be simple enough to make the dictator merely monstrous, but Foden defies expectation, rendering him appealing even as he terrifies. The doctor "couldn't help feeling awed by the sheer size of him and the way, even in those unelevated circumstances, he radiated a barely restrained energy.... I felt--far from being the healer--that some kind of elemental force was seeping into me." And Garrigan makes a fine stand-in for Conrad's Marlow as he travels up a river of blood from naiveté to horrified recognition of his own complicity. As if this weren't enough, Foden also treats us to a finely drawn portrait of Africa in all its natural, political, and social complexity. The Last King of Scotland makes for dark but compelling reading. --Alix Wilber
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