No Man's Land: A Novel - Hardcover

Tolkien, Simon

4.06

1,052 ratings by Goodreads

Hardcover

ISBN 10: 038554197X ISBN 13: 9780385541978

Publisher: Nan A. Talese, 2017

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Inspired by the real-life experiences of his grandfather, J. R. R. Tolkien, during World War I, Simon Tolkien delivers a perfectly rendered novel rife with class tension, period detail, and stirring action, ranging from the sharply divided society of northern England to the trenches of the Somme.

Adam Raine is a boy cursed by misfortune. His impoverished childhood in turn-of-the-century London comes to a sudden and tragic end when his mother is killed in a workers' protest march. His father, Daniel, is barely able to cope with the loss. But a job offer in the coal mining town of Scarsdale presents one last chance, so father and son head north. The relocation is hard on Adam: the local boys prove difficult to befriend, and he never quite fits in. Meanwhile tensions between the miners and their employer, Sir John Scarsdale, escalate, and finally explode with terrible consequences.
In the aftermath, Adam's fate shifts once again, and he finds himself drawn into the opulent Scarsdale family home where he makes an enemy of Sir John's son, Brice, who subjects Adam to a succession of petty cruelties for daring to step above his station. However, Adam finds consolation in the company of Miriam, the local parson's beautiful daughter with whom he falls in love. When they become engaged and Adam wins a scholarship to Oxford, he starts to feel that his life is finally coming together—until the outbreak of war threatens to tear everything apart.
From the slums of London to the riches of an Edwardian country house; from the hot, dark seams of a Yorkshire coal mine to the exposed terrors of the trenches in France; Adam's journey from boy to man is set against the backdrop of a society violently entering the modern world.

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About the Author:

SIMON TOLKIEN was born in England in 1959 and grew up near Oxford. His grandfather was J. R. R. Tolkien. He studied modern history at Trinity College, Oxford, and then went on to become a lawyer specializing in criminal justice. His novels include Final Witness, The Inheritance, and The King of Diamonds. He lives with his wife and two children in Southern California.

1900

The first world Adam knew was the street. It came to him through his senses without mental dilution, filling up his head with sounds and smells and images that he couldn’t begin to unravel. Lying in bed at night with his eyes closed, he could see Punch and Judy bludgeoning each other with rolling pins, just as if they were right there in front of him. Down they went and up they came, again and again: gluttons for punishment. He knew that Benson, the rag-and- bone man with the blue scar across his chin, was pulling the strings behind the tattered red curtain, but that didn’t make the garishly painted puppets any less real. Just thinking about them made him laugh until his insides hurt, in the same way that he laughed years later in the bioscope when he saw Charlie Chaplin with his bow legs and stick and black moustache, marching confidently up the road towards his next disaster.

For a long time there was no cinema in Islington where they lived. There didn’t need to be—the street was a complete world, turning on its axis to the sound of the waltzes that flew up on a thousand notes out of the brightly painted barrel organ as the bald- headed grinder methodically turned the handle, looking neither to right nor left. He was solemn and sad and apparently unconnected to everything around him, even his monkey, which had a blue cap on its head with a tassel that bobbed up and down as it jumped around with the collection box. Sometimes the children danced to the music, weaving around each other in elaborate patterns, watching their feet to keep clear of the leaking tar and the horse manure. Some of them had no shoes and the tar was hard to get off the skin. You had to use margarine and even that didn’t always work.

The street was familiar and exotic all at the same time: a mael- strom of life. The muffin man carried his wares in a tray balanced on the top of his head; it swayed as he walked but it never fell. The fishmonger wheeled a barrow and, if he dared to look inside, the dead black eyes of the cod staring up out of the white-crystal ice made Adam shiver. And the flycatcher wore a tall black hat with long strips of sticky paper fastened to it, all covered with dead insects, calling out dolefully as he passed: “Flies, flies, catch them alive!”

On Saturday nights in summer Adam could look out of his bed- room window and see Baxter, the fat butcher in his bloodstained greasy white apron, standing in the doorway of his shop, lit up by the flare of a paraffin lamp, shouting out to the worse-for-wear men leaving the Cricketers’ Arms on the corner: “Buy me leg, buy me leg.” It was because the poor man couldn’t afford to keep the meat cold overnight, Adam’s father told him; by morning it would be good for nothing.

And once a month two bent-over old men came slowly up the street, pushing a small cart with long handles, from which they sold solid blocks of salt. “Any salt please, lah-di?” they asked in their sing- song foreign-sounding voices, holding up the white salt in their black fingerless gloves like an offering. Sometimes Adam’s mother bought from them and sometimes she did not. It depended on whether there was any money in the house.

Adam’s mother, Lilian, believed in God but Adam’s father, Dan- iel Raine, did not. He believed in something else instead, called socialism, which Adam didn’t understand until later, even though his father tried to explain it to him sometimes. Adam’s mind wasn’t yet ready for abstract concepts. God was different. He couldn’t see God, of course, but he could feel his presence in the high fluted arches of the Holy Martyr Church with the soaring white spire that he went to with his mother on Sunday mornings. God—as Adam pictured him—had a huge head and a white snowy beard and he lived up above the grey London clouds, gazing down at his creation with big eagle eyes. He was surrounded by a throng of ancient saints who had slightly shorter beards and a lesser number of winged angels who did not. They were extra eyes in case God needed them.

And God was not happy. In fact he was angry, filled with “a righ- teous rage” according to Father Paul, an old priest with red mottled cheeks and thick grey bushy eyebrows that met in a wiry tangle in the middle of his wrinkled forehead, who was the rector of the Holy Martyr. God was incensed not by the poverty and injustice that Adam’s father complained about, but by the wickedness and debauchery, the unbridled lechery and fornication, that was going on day and night down below. Adam wasn’t clear what these sins were but he knew they were bad, very bad. “Repent; repent now before it is too late,” the rector shouted at them all from the high, elabo- rately carved pulpit. Adam watched fascinated as beads of perspira- tion formed in the crevices of the old man’s face and trickled down, dripping in globules on to his surplice. He sat very still, clutching his mother’s hand, and wanted to urinate.

“Will Daddy go to hellfire?” he asked her as they crossed the park afterwards, going back home under a leaden November sky.

“No,” Lilian said. “Definitely not. Your father is a good man.” “But he doesn’t believe,” said Adam. “And Father Paul says that if you don’t believe, you can’t be saved. That’s what he said. I heard him.”

“Jesus died for all of us,” she said, squeezing her son’s hand. “He loves us. You need to know that.” And he was grateful to his mother for the reassurance, even though what she said didn’t make much sense. Adam didn’t like to think about Jesus if he could help it, bleeding to death on the big wooden cross, stuck up there under the hot sun in that horrible Golgotha place with all those Roman soldiers gawping at him; and he was secretly glad when his father said that the Bible was all lies, stories that the rich had made up to keep the poor in their place, doing the rich man’s bidding.

“ ‘The opium of the people’: that’s what Karl Marx called religion and he was absolutely right,” Daniel Raine shouted at his wife across the kitchen. “It’s the promise of heaven to justify a hell while we’re alive. The hell we’re living in now,” he added for good measure.

When his father raised his voice, Adam was frightened and slipped down under the table where he could push the black-and- silver-painted train with real tiny wheels that his father had made for him up and down the patterned lines on the oilcloth-covered floor. They were like the web of railway tracks he had seen at King’s Cross Station when his mother had taken him there in the summer to see the steam trains coming and going in all their smoky glory.
He could still see her from where he was, standing at the range, stirring a pot with a big wooden spoon. There were onions in the soup she was preparing; he could smell them, and perhaps that was why there were tears in her eyes. Adam didn’t know and he would have liked to run to her and put his arms around her thin waist, encircling her in a tight embrace, but he knew instinctively that he had to stay where he was; that he couldn’t stop the trouble because the argument was about more than God and the man called Marx that his father so admired. It was about his father being out of work again and there not being enough money to pay for what they needed to buy.

The next day two men in brown overalls came with a horse cart and took away the piano that stood in pride of place in the front room of their small house. They brought a paper and said it was by order because Adam’s father hadn’t kept up with the payments. Adam knew what “by order” meant. It meant there was nothing you could do; it was the same as if God had ordered it as a punishment because you had sinned. There was no right of appeal.

Lilian had played the instrument sometimes in the evening, her long beautiful fingers caressing the keys, gliding in a space of their own. Her music was different from the barrel-organ waltzes the hurdy-gurdy man played—thinner and frailer and sadder, full of sweetness and loss, hinting at places far away that had vanished from the world. And Daniel would sit on an upright chair in the corner of the room, listening to his wife play with bowed head and folded hands, quite still; as though he was one of the devout worshippers in church on Sunday mornings, Adam thought, although he would never have dared say so.

Adam watched his father when the men came; watched the way his hands balled up into useless fists, rocking from side to side as he shifted his weight from one foot to the other and back again; and watched as he beat his head uselessly against the frame of the front door after they had gone.

“It doesn’t matter,” Lilian said, laying her hand gently on the back of her husband’s shoulder. “We don’t need it, Daniel . . .”

“But we do,” he shouted, refusing to turn around. “Life should be about more than grubbing around, trying to stay alive. We’re not animals to be given just enough food and fuel to keep producing goods for the capitalists to sell until we get old and sick and are no more use to them any more. We’re entitled to more than that; we must be.”

It was as if he was asking a question but Lilian didn’t have an answer, unless she told her husband to trust in the Lord, and she knew better than to do that. And he was wrong about the fuel. They had none, and that evening Daniel broke up the chairs and burnt them in the hearth. They ate bread and dripping in the light of the flames and later that night Adam heard his mother coughing on the other side of the thin wall, on and on into the small hours, making Adam’s chest constrict in sympathy so he couldn’t sleep and prayed instead to the big angry God in the clouds to give his father work.

God didn’t answer at first. The building trade was always slow in winter and Daniel hadn’t helped his prospects over the years by his largely fruitless efforts to persuade his fellow workers to stand up for themselves and join the union. What jobs there were came in dribs and drabs, and Adam’s mother had to go out to work as a charwoman, bringing back scraps of meat to feed her family. “Leav- ings from the rich man’s table,” Daniel called them in disgust, but the family missed them when Lilian fell ill, and he had to go and ask for help from the thin-lipped, tight-fisted relieving officer known to everyone on the street as “Old Dry Bones.”

Daniel came back furious. “Told me that I should put my new suit on next time I came,” he said. “I told him that if I had a new suit I’d pawn it to get what I need rather than coming cap in hand to the likes of him. Like going in front of a judge and jury it was.”

Adam’s Sunday clothes had long ago been pawned. To begin with, his mother would take them in on Monday morning and then queue up on Saturday night to redeem them for use the next day. And at church she told Adam not to kneel but just to sit on the edge of the bench and lean forward, as she was worried about him getting the trousers dirty. But when she got sick she stopped going to church and the pawn ticket stayed where it was, gathering dust on the front- room mantelpiece, across from the bare patch on the wall where the piano had once stood.

“God will understand,” she told her son. But Adam wasn’t sure she was right. He didn’t miss his tight-fitting Sunday clothes or his visits to the church with the high arches, but he thought that their non-attendance would make God significantly less inclined to help his family in their hour of need.

That said it wasn’t as if his father was being singled out for mis- fortune. Other families on the street were faring even worse. Some couldn’t pay their rent and took off without warning, piling their belongings into over-laden donkey carts so that the bailiffs couldn’t seize them when they came to levy distress. There was even a local barrow firm that advertised moves by moonlight. Friends that Adam made playing around the drinking fountain out in the street changed from day to day.

On Christmas Eve the gypsies set up a boxing ring in the mar- ketplace and a tall black-eyed Romany in a frock coat, with red lapels buttoned over a dirty lace cravat, offered five shillings to anyone foolish enough to challenge his heavy, muscled champion; double if you managed to last a three-minute round; and a sovereign if you knocked him down. The man in the frock coat held up the gold coin, twirling it between his finger and thumb so that it glinted in the winter sunlight, attracting the attention of the crowd.

The gypsy fighter sat waiting on a folding stool in the corner of the ring, which seemed barely able to hold his weight. He was stripped to the waist in defiance of the cold and behind him an old grey-haired woman with long silver hoop rings in her ears stood with her legs akimbo, massaging oil into his broad back.

Adam was fascinated by the whole spectacle, although he didn’t want to get too close. He remembered what the children sang on the street: “Take the earrings from your ears and put them through your nose and the gypsies’ll take you.” But from where he was, standing up on his tiptoes, he could see the coloured tattoos on the big fight- er’s biceps—a snake that writhed and a girl whose chest expanded each time he flexed his muscles. Thick black curly hair sprouted up on the top of the champion’s flat-shaped head, and his tiny eyes set back under a domed forehead seemed to be focused on nothing at all. Staring up at the gypsies, Adam only became aware of his father’s decision to take the challenge when it was too late to try and stop him.

“Hold these for me,” Daniel said, handing Adam his shirt and jacket. “And stay where you are. I’ll be back in a minute, I promise,” he added with a smile, seeing the look of panic on his son’s face.
“Don’t do it, Dad. He’ll knock you out,” Adam shouted, but his father had already climbed up into the ring and the gypsy man in the frock coat was leading him forward to introduce him to the crowd.
“Ladies and gentlemen, here’s a brave volunteer. What’s your name, mister?”

“Daniel. Daniel Raine,” said Adam’s father in a loud clear voice, and Adam felt a rush of pride springing up side by side with his fear. His father had to be scared—the gypsy fighter was built like a house—but he certainly wasn’t showing it.

“And what do you do, Danny?” asked the man in the frock coat. “I’m a builder when I have the work. But now I don’t, which is why I’m up here. I sure as hell wouldn’t be otherwise,” said Adam’s father, glancing over at his opponent. The crowd laughed and began to shout out words of encouragement.

“Well, good luck to you,” said the man in the frock coat, beck- oning his own fighter to approach. Standing, the man was even more formidable than he had looked sitting down. It was almost comical the way he towered over Adam’s father, watching impassively as his opponent took off his shoes and pulled on a pair of old boxing gloves. Adam felt sick. He wished his mother was there because she would know what to do and for a moment he thought of running home to fetch her, but he knew that by t...

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