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Take, for example, "A Young Man with a Menu," in which Brennan watches "a young man persuade a girl to join him for dinner by reading the menu to her over the telephone." She describes the restaurant, Longchamps, as "ready-made for episodes of intrigue and pursuit" and the first appearance of the young man--"his expression as he entered the restaurant said that he was intent on something--one thing--and indifferent to everything else." She takes us through the phone call, which she observes from a distance: "He read from all sections of the menu. I had a menu of my own, so I could tell just about where he was." But, typically Brennan-like, she ushers us out of the piece just as the girl arrives, without letting us "even see the color of her hair." Every piece in this collection is as precise and as surprising as this one; anyone who loves New York, The New Yorker, or Maeve Brennan will savor The Long-Winded Lady. --Alix Wilber
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