With her knack for being in trouble's way, Sookie witnesses the firebombing of Merlotte's, the bar where she works. Since Sam Merlotte is now known to be two-natured, suspicion falls immediately on the anti-shifters in the area. Sookie suspects otherwise, but her attention is divided when she realizes that her lover Eric Northman and his "child" Pam are plotting to kill the vampire who is now their master. Gradually, Sookie is drawn into the plot-which is much more complicated than she knows...
New in the #1 New York Times bestselling Sookie Stackhouse series--the basis for HBO's True Blood!
"synopsis" may belong to another edition of this title.
Charlaine Harris is the #1 New York Times bestselling author of the Sookie Stackhouse and Midnight, Texas, fantasy/mystery series and the Aurora Teagarden, Harper Connelly, and Lily Bard mystery series. Her books have inspired HBO’s True Blood, NBC’s Midnight, Texas, and the Aurora Teagarden movies for Hallmark Movies & Mysteries. She has lived in the South her entire life.Excerpt. © Reprinted by permission. All rights reserved.:
Table of Contents
Ace Books by Charlaine Harris
The Sookie Stackhouse Novels
DEAD UNTIL DARK
LIVING DEAD IN DALLAS
DEAD TO THE WORLD
DEAD AS A DOORNAIL
ALL TOGETHER DEAD
FROM DEAD TO WORSE
DEAD AND GONE
DEAD IN THE FAMILY
A TOUCH OF DEAD: SOOKIE STACKHOUSE,
THE COMPLETE SHORT STORIES
Ace Anthologies Edited by Charlaine Harris and Toni L. P. Kelner
MANY BLOODY RETURNS
WOLFSBANE AND MISTLETOE
DEATH’S EXCELLENT VACATION
Berkley Prime Crime Books by Charlaine Harris
SWEET AND DEADLY
A SECRET RAGE
The Harper Connelly Mysteries
AN ICE COLD GRAVE
The Lily Bard Mysteries
The Aurora Teagarden Mysteries
A BONE TO PICK
THREE BEDROOMS, ONE CORPSE
THE JULIUS HOUSE
DEAD OVER HEELS
A FOOL AND HIS HONEY
LAST SCENE ALIVE
POPPY DONE TO DEATH
Berkley Prime Crime Anthologies Edited by Charlaine Harris
CRIMES BY MOONLIGHT
THE BERKLEY PUBLISHING GROUP
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Library of Congress Cataloging-in-Publication Data
Dead reckoning : a Sookie Stackhouse novel / Charlaine Harris. p. cm.—(Sookie Stackhouse / True blood ; 11)
1. Stackhouse, Sookie (Fictitious character)—Fiction. 2. Vampires—Fiction.
3. Werewolves—Fiction. I. Title.
I have to dedicate this book to
the memory of my mother.
She would not have thought it strange
to have an urban fantasy novel dedicated to her.
She was my biggest fan and my most faithful reader.
There was so much to admire about my mother.
I miss her every day.
I am afraid I’ll skip someone this time around, because I am fortunate enough to have a lot of great help as I work on these books. Let me thank my assistant and best friend, Paula Woldan, first and foremost, for allowing me the peace of mind to work without worry; my friends and readers Toni L. P. Kelner and Dana Cameron, who help me focus on the important aspects of the work at hand; Victoria Koski, who tries to keep the huge world of Sookie in order; and my agent, Joshua Bilmes, and my editor, Ginjer Buchanan, who work so hard to keep my professional train on the tracks. For this book, I had the excellent advice of Ellen Dugan, writer, mother, and witch.
The attic had been kept locked until the day after my grandmother died. I’d found her key and opened it that awful day to look for her wedding dress, having the crazy idea she should be buried in it. I’d taken one step inside and then turned and walked out, leaving the door unsecured behind me.
Now, two years later, I pushed that door open again. The hinges creaked as ominously as if it were midnight on Halloween instead of a sunny Wednesday morning in late May. The broad floorboards protested under my feet as I stepped over the threshold. There were dark shapes all around me, and a very faint musty odor—the smell of old things long forgotten.
When the second story had been added to the original Stackhouse home decades before, the new floor had been divided into bedrooms, but perhaps a third of it had been relegated to storage space after the largest generation of Stackhouses had thinned out. Since Jason and I had come to live with my grandparents after our parents had died, the attic door had been kept locked. Gran hadn’t wanted to clean up after us if we decided the attic was a great place to play.
Now I owned the house, and the key was on a ribbon around my neck. There were only three Stackhouse descendants—Jason, me, and my deceased cousin Hadley’s son, a little boy named Hunter.
I waved my hand around in the shadowy gloom to find the hanging chain, grasped it, and pulled. An overhead bulb illuminated decades of family castoffs.
Cousin Claude and Great-Uncle Dermot stepped in behind me. Dermot exhaled so loudly it was almost a snort. Claude looked grim. I was sure he was regretting his offer to help me clean out the attic. But I wasn’t going to let my cousin off the hook, not when there was another able-bodied male available to help. For now, Dermot went where Claude went, so I had two for the price of one. I couldn’t predict how long the situation would hold. I’d suddenly realized that morning that soon it would be too hot to spend time in the upstairs room. The window unit my friend Amelia had installed in one of the bedrooms kept the living spaces tolerable, but of course we’d never wasted money putting one in the attic.
“How shall we go about this?” Dermot asked. He was blond and Claude was dark; they looked like gorgeous bookends. I’d asked Claude once how old he was, to find he had only the vaguest idea. The fae don’t keep track of time the same way we do, but Claude was at least a century older than me. He was a kid compared to Dermot; my great-uncle thought he was seven hundred years my senior. Not a wrinkle, not a gray hair, not a droop anywhere, on either of them.
Since they were much more fairy than me—I was only one-eighth—we all seemed to be about the same age, our late twenties. But that would change in a few years. I would look older than my ancient kin. Though Dermot looked very like my brother, Jason, I’d realized the day before that Jason had crow’s-feet at the corners of his eyes. Dermot might not ever show even that token of aging.
Pulling myself back into the here and now, I said, “I suggest we carry things down to the living room. It’s so much brighter down there; it’ll be easier to see what’s worth keeping and what isn’t. After we get everything out of the attic, I can clean it up after you two leave for work.” Claude owned a strip club in Monroe and drove over every day, and Dermot went where Claude went. As always . . .
“We’ve got three hours,” Claude said.
“Let’s get to work,” I said, my lips curving upward in a bright and cheerful smile. That’s my fallback expression.
About an hour later, I was having second thoughts, but it was too late to back out of the task. (Getting to watch Claude and Dermot shirtless made the work a lot more interesting.) My family has lived in this house since there have been Stackhouses in Renard Parish. And that’s been well over a hundred and fifty years. We’ve saved things.
The living room began to fill up in a hurry. There were boxes of books, trunks full of clothes, furniture, vases. The Stackhouse family had never been rich, and apparently we’d always thought we could find a use for anything, no matter how battered or broken, if we kept it long enough. Even the two fairies wanted to take a break after maneuvering an incredibly heavy wooden desk down the narrow staircase. We all sat on the front porch. The guys sat on the railing, and I slumped down on the swing.
“We could just pile it all in the yard and burn it,” Claude suggested. He wasn’t joking. Claude’s sense of humor was quirky at best, minuscule the rest of the time.
“No!” I tried not to sound as irritated as I felt. “I know this stuff is not valuable, but if other Stackhouses thought it ought to be stored up there, I at least owe them the courtesy of having a look at all of it.”
“Dearest great-niece,” Dermot said, “I’m afraid Claude has a point. Saying this debris is ‘not valuable’ is being kind.” Once you heard Dermot talk, you knew his resemblance to Jason was strictly superficial.
I glowered at the fairies. “Of course to you two most of this would be trash, but to humans it might have some value,” I said. “I may call the theater group in Shreveport to see if they want any of the clothes or furniture.”
Claude shrugged. “That’ll get rid of some of it,” he said. “But most of the fabric isn’t even good for rags.” We’d put some boxes out on the porch when the living room began to be impassable, and he poked one with his toe. The label said the contents were curtains, but I could only guess what they’d originally looked like.
“You’re right,” I admitted. I pushed with my feet, not too energetically, and swung for a minute. Dermot went in the house and returned with a glass of peach tea with lots of ice in it. He handed it to me silently. I thanked him and stared dismally at all the old things someone had once treasured. “Okay, we’ll start a burn pile,” I said, bowing to common sense. “Round back, where I usually burn the leaves?”
Dermot and Claude glared at me.
“Okay, right here on the gravel is fine,” I said. The last time my driveway had been graveled, the parking area in front of the house, outlined with landscape timbers, had gotten a fresh load, too. “It’s not like I get a lot of visitors.”
By the time Dermot and Claude knocked off to shower and change for work, the parking area contained a substantial mound of useless items waiting for the torch. Stackhouse wives had stored extra sheets and coverlets, and most of them were in the same ragged condition as the curtains. To my deeper regret, many of the books were mildewed and mouse-chewed. I sighed and added them to the pile, though the very idea of burning books made me queasy. But broken furniture, rotted umbrellas, spotted place mats, an ancient leather suitcase with big holes in it . . . no one would ever need these items again.
The pictures we’d uncovered—framed, in albums, or loose—we placed in a box in the living room. Documents were sorted into another box. I’d found some old dolls, too. I knew from television that people collected dolls, and perhaps these were worth something. There were some old guns, too, and a sword. Where was Antiques Roadshow when you needed it?
Later that evening at Merlotte’s, I told my boss Sam about my day. Sam, a compact man who was actually immensely strong, was dusting the bottles behind the bar. We weren’t very busy that night. In fact, business hadn’t been good for the past few weeks. I didn’t know if the slump was due to the chicken processing plant closing or the fact that some people objected to Sam being a shapeshifter. (The two-natured had tried to emulate the successful transition of the vampires, but it hadn’t gone so well.) And there was a new bar, Vic’s Redneck Roadhouse, about ten miles west off the interstate. I’d heard the Redneck Roadhouse held all kinds of wet T-shirt contests, beer pong tournaments, and a promotion called “Bring in a Bubba Night”—crap like that.
Popular crap. Crap that raked in the customers.
Whatever the reasons, Sam and I had time to talk about attics and antiques.
“There’s a store called Splendide in Shreveport,” Sam said. “Both the owners are appraisers. You could give them a call.”
“How’d you know that?” Okay, maybe that wasn’t so tactful.
“Well, I do know a few things besides tending bar,” Sam said, giving me a sideways look.
I had to refill a pitcher of beer for one of my tables. When I returned, I said, “Of course you know all kinds of stuff. I just didn’t know you were into antiques.”
“I’m not. But Jannalynn is. Splendide’s her favorite place to shop.”
I blinked, trying not to look as disconcerted as I felt. Jannalynn Hopper, who’d been dating Sam for a few weeks now, was so ferocious she’d been named the Long Tooth pack enforcer—though she was only twenty-one and about as big as a seventh grader. It was hard to imagine Jannalynn restoring a vintage picture frame or planning to fit a plantation sideboard into her place in Shreveport. (Come to think of it, I had no idea where she lived. Did Jannalynn actually have a house?)
“I sure wouldn’t have guessed that,” I said, making myself smile at Sam. It was my personal opinion that Jannalynn was not good enough for Sam.
Of course, I kept that to myself. Glass houses, stones, right? I was dating a vampire whose kill list would top Jannalynn’s for sure, since Eric was over a thousand years old. In one of those awful moments you have at random, I realized that everyone I’d ever dated—though, granted, that was a short list—was a killer.
And so was I.
I had to shake this off in a hurry, or I’d be in a melancholy funk all evening.
“You have a name and phone number for this shop?” I hoped the antiques dealers would agree to come to Bon Temps. ...
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Book Description Ace (The Berkley Publishing Group), New York, 2011. Hardcover. Book Condition: Very Fine. Dust Jacket Condition: Very Fine. First Edition - First Printing. 8vo - over 7¾" - 9¾" tall. A very fine and unread copy in a very fine dust jacket, now in a clear removable protective cover. A Sookie Stackhouse novel. Basis for the hit HBO series "True Blood", second in popularity only to The Soprano's in HBO history. (And now, "Game of Thrones.)' SIGNED by Charlaine Harris on the title page. Signed by Author(s). Bookseller Inventory # 009264
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