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Spectacular Disappearances: Celebrity and Privacy, 1696-1801 - Hardcover

 
9780472119806: Spectacular Disappearances: Celebrity and Privacy, 1696-1801
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How can people in the spotlight control their self-representations when the whole world seems to be watching? The question is familiar, but not new. Julia Fawcett examines the stages, pages, and streets of eighteenth-century London as England's first modern celebrities performed their own strange and spectacular self-representations.  They include the enormous wig that actor Colley Cibber donned in his comic role as Lord Foppington--and that later reappeared on the head of Cibber's cross-dressing daughter, Charlotte Charke. They include the black page of Tristram Shandy, a memorial to the parson Yorick (and author Laurence Sterne), a page so full of ink that it cannot be read. And they include the puffs and prologues that David Garrick used to heighten his publicity while protecting his privacy; the epistolary autobiography, modeled on the sentimental novel, of Garrick's protégée George Anne Bellamy; and the elliptical poems and portraits of the poet, actress, and royal courtesan Mary Robinson, a.k.a. Perdita.
Linking all of these representations is a quality that Fawcett terms "over-expression," the unique quality that allows celebrities to meet their spectators' demands for disclosure without giving themselves away. Like a spotlight so brilliant it is blinding, these exaggerated but illegible self-representations suggest a new way of understanding some of the key aspects of celebrity culture, both in the eighteenth century and today. They also challenge divides between theatrical character and novelistic character in eighteenth-century studies, or between performance studies and literary studies today. The book provides an indispensable history for scholars and students in celebrity studies, performance studies, and autobiography—and for anyone curious about the origins of the eighteenth-century self.

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About the Author:
Julia Fawcett is an Assistant Professor in the Department of Theater, Dance, and Performance Studies at University of California, Berkeley
Review:
“Well-written and packed with interesting information about a coterie of performer/writers whom we don’t typically read as a coterie. Fawcett’s scholarship makes an important contribution to our understanding of the ways in which some of the first public celebrities coped with their fame.”
―Judith Pascoe, University of Iowa

“This powerfully argued and beautifully written study adds rich historical perspective to celebrity studies.”
―Misty Anderson, University of Tennessee

Finalist for 2016 George Freedley Memorial Award, Theatre Library Association (George Freedley Memorial Award 2017-08-22)

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  • PublisherUniversity of Michigan Press
  • Publication date2016
  • ISBN 10 047211980X
  • ISBN 13 9780472119806
  • BindingHardcover
  • Number of pages304

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Book Description Hardcover. Condition: new. Hardcover. How can the modern individual control his or her self-representation when the whole world seems to be watching? The question is not a new one Julia Fawcett traces it back to 18th-century London-and to the strange and spectacular self-representations performed there by England's first modern celebrities. Included in Spectacular Disappearances are the enormous wig that actor, manager, and playwright Colley Cibber donned as Lord Foppingtonand that later reappeared on the head of Cibber's cross-dressing daughter, Charlotte Charke; the black page of Tristram Shandy, a page so full of ink that it cannot be read; the puffs and prologues that David Garrick used to heighten his publicity while protecting his privacy; the epistolary autobiography of Garrick's protegee George Anne Bellamy; and the elliptical poems and portraits of poet, actress, and royal courtesan Mary Robinson, known throughout her life as Perdita. Fawcett proposes the concept of ""over-expression"" as the unique quality that unites these events, allowing celebrities to meet their spectators demands for disclosure without giving themselves away. Like a spotlight so brilliant it is blinding, these exaggerated but illegible self-representations suggest a new way of understanding key aspects of celebrity culture across time. They also challenge many of the disciplinary divides between theatrical character and novelistic character in 18th-century studies, or between performance studies and literary studies today. Drawing on a wide variety of materials and methodologies, Spectacular Disappearances provides an overlooked but indispensable history for those interested in celebrity studies, performance studies, and autobiographyand anyone curious about the origins of the eighteenth-century self. How can the modern individual control his or her self-representation when the whole world seems to be watching? The question is not a new one. Julia Fawcett traces it back to 18th-century London - and to the strange and spectacular self-representations performed there by England's first modern celebrities. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9780472119806

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