This is the first book to explore the influence of Japanese art on Aubrey Beardsley's work. Placing Japanese woodblock prints in the English and French cultural milieu of the last third of the Victorian era, Professor Zatlin examines Beardsley's technical and thematic adaptions of Japanese art. She shows how Japanese art enabled Beardsley to create his striking and personal style - one which permanently changed book illustration on three continents. This study is simultaneously a history of the British and French reception of Japanese art, and an examination of the ways Beardsley subverted both Victorian notions of the grotesque and male habits of viewing women. Establishing many of his sources, this book traces Beardsley's revelation of the tensions between the concepts of vice and virtue in a combination of opposites which disconcerted and threatened many viewers of the 1890s.
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This is the first book to explore the influence of Japanese art on Aubrey Beardsley's work. Placing Japanese woodblock prints in the English and French cultural milieu of the last third of the Victorian era, Professor Zatlin examines Beardsley's technical and thematic adaptions of Japanese art.Review:
'... impressively researched.' Sunday Telegraph Winner of the College Art Association Historians of British Art Book Award
' ... an excellent chapter on Victorian voyeurism and pornography ... she reproduces an example of Victorian illustrated pornography from the kind of book which Beardsley certainly knew and might well have parodied in his own work.' Richard Dorment, The Times Literary Supplement
'Miss Zatlin has much useful information on Japanese prints and on both the culture that spawned them and that which used them as a means to escape Western pictorial conventions. Her love of Japan recalls Wilde's 'Japan is not a place, it is a state of mind' and the book is excellently illustrated (placing Beardsley's work alongside ukiyo-e prints very effectively). James Malpas, The Art Newspaper
' ... the force of accumulated evidence for Beardsley's debt to Japanese art presented here is overwhelming.' Burlington Magazine
' ... well written, rigorous yet fluent and presented with attractive restraint'. The Art Book
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Book Description Cambridge University Press, 1998. Hardcover. Book Condition: Good. Dust Jacket Condition: Good. Name on front free endpaper, crimped corners, otherwise text clean and solid; slight wear and soiling to dust jacket; 9.69 X 7.44 X 0.98 inches; 318 pages. Bookseller Inventory # 175684
Book Description 1997. Hardcover. Book Condition: Fair. 1997 Cambridge University Press hardcover edition. Ex library copy with stamps and labels else good condition. Bookseller Inventory # N73-8YX-O45
Book Description Cambridge University Press. Book Condition: Good. Ex-library, so some stamps and wear, but in good overall condition. Bookseller Inventory # Z1-F-007-01464
Book Description CAMB. Bookseller Inventory # bfda823c5be2642b457915af9e699524