Review:
Despite challenges from Ruth Rendell and (more recently) Minette Walters, P.D. James's position as Britain's Queen of Crime remains largely unassailable. Although a certain reaction has set in to her reputation (and there are those who claim her poetry-loving copper Adam Dalgliesh doesn't correspond to any of his counterparts in the real world), her detractors can scarcely deny her astonishing literary gifts. More than any other writer, she has elevated the detective story into the realms of literature, with the psychology of the characters treated in the most complex and authoritative fashion. Her plots, too, are full of intriguing detail and studed with brilliantly observed character studies. Who cares if Dalgliesh belongs more in the pages of a book than poking around a graffiti-scrawled council estate? As a policeman, he is considerably more plausible than Doyle's Holmes, and that's never stopped us loving the Baker Street sleuth. Death in Holy Orders represents something of a challenge from James to her critics, taking on all the contentious elements and rigorously reinvigorating them. She had admitted that she was finding it increasingly difficult to find new plots for Dalgliesh, and the locale here (a theological college on a lonely stretch of the East Anglian coast) turns out to be an inspired choice. We're presented with the enclosed setting so beloved of golden age detective writers, and James is able to incorporate her theological interests seamlessly into the plot (but never in any doctrinaire way; the nonbeliever is never uncomfortable). The body of a student at the college is found on the shore, suffocated by a fall of sand. Dalgliesh is called upon to reexamine the verdict of accidental death (which the student's father would not accept). Having visited the College of St. Anselm in his boyhood, he finds the investigation has a strong nostalgic aspect for him. But that is soon overtaken by the realization that he has encountered the most horrific case of his career, and another visitor to the college dies a horrible death. As an exploration of evil--and as a piece of highly distinctive crime writing--this is James at her nonpareil best. Dalgliesh, too, is rendered with new dimensions of psychological complexity. --Barry Forshaw, Amazon.co.uk
From the Back Cover:
"There are very few thriller writers who can compete with P. D. James at her best ... One of the things that sets P. D. James apart from other writers in this genre is the intellectual assurance of her work. This is manifest in her use of language - she writes beautifully - but also in the light touch with which she displays her learning ... DEATH IN HOLY ORDERS is pure pleasure." --Charlotte Joll, The Spectator
"DEATH IN HOLY ORDERS is a page-turner ... but it is also so well-written that you linger over James's beautifully-observed descriptions of characters or scenes ... More, please, P. D. James." --Rosita Boland, The Irish Times
"James transcends the crime genre, in that hers are fully evolved novels and not just murder mysteries. They are packed with argument and insight and detail." --Victoria Glendinning, The Daily Telegraph
"This is a thoroughly satisfactory, gripping and exceptionally well-written novel." --Anne Chisholm, The Sunday Telegraph
"James is a natural storyteller when it comes to pace and atmosphere." --Sarah Dunant, The Times
"Adam Dalgliesh's latest outing possesses the confident interplay of classical discipline, contemporary morality and strong evocation of place that had hitherto distinguished James's novels. Writing for the most part within the conventions of the detective story, she has again proved its constraints to be a liberating force for the creative imagination, drawing on accepted generic elements to produce a thoughtful, beautifully-written book which is far more complex than the sum of its parts." --Nicola Upson, The Observer
"This is a grand, gothic novel of gut-wrenching suspense, satisfying at all levels. (...) Here is a novel which goes beyond mere enjoyment." --Frances Fyfield, The Sunday Express
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