Right as Rain - Hardcover

PELECANOS, George

3.87

5,167 ratings by Goodreads

Hardcover

ISBN 10: 0575071699 ISBN 13: 9780575071698

Publisher: Little Brown, 2001

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Derek Strange and Terry Quinn are ex-cops turned private detectives in Washington, DC. Hired to investigate the death of an off-duty black police officer at the hands of a white policeman, Strange and Quinn are faced with the institutionalised racism of the nation's most poorly trained and dangerous police force. As the two private detectives confront the degradation of the city's flourishing drug trade, they find themselves up against some of the most implacable, dead-eyed killers ever to grace the pages of a novel. In RIGHT AS RAIN George Pelecanos introduces a memorable pair of characters into the grittily real Washington DC landscape which has led to him being acclaimed as 'a great writer' THE TIMES

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Review:

George Pelecanos's Washington, D.C., is a far cry from the upwardly mobile, tourist-attraction-speckled enclave of Margaret Truman (Murder at the National Cathedral, Murder in Georgetown). Pelecanos's capital is a haunting terrain of drugs and death, a no man's land of posturing dealers and skeletal warehouses that shelter their buyers:

A rat scurried into a dim side room, and a withered black face receded into the darkness. The face belonged to a junkie named Tonio Morris. He was one of the many bottom-of-the-food-chain junkies, near death and too weak to cut out a space of their own on the second floor; later, when the packets were delivered to those with cash, they'd trade anything they had, anything they'd stolen that day, or any orifice on their bodies for some rock or powder.

When PI Derek Strange is hired by Chris Wilson's mother to find out why her son, a black cop, was killed by a white cop, Terry Quinn, on a dark night in that no man's land, Strange figures that the answer is painfully clear: a typical case of mistaken identity, fueled by the assumptions and preconceptions of Quinn's innate racism. But what Strange finds is a tentative kinship with Quinn, who is desperate to proclaim himself "color-blind." Kicked off the force and convinced that there's more to his own story, Quinn asks to join Strange in his investigation. As the two pry into the past, drifting through the neighborhoods both men have known all their lives, they find themselves enmeshed in a tangle of cold-blooded competition and heated personal enmity.

Pelecanos generally has a light touch with the treacherous quagmire of -isms, veering only occasionally into sententious meanderings about the consequences of an economically and racially divided society. His wry humor, particularly in his descriptions of Earl and Ray, the heroin middlemen who bring the concept of white trash to a depressingly low level, leavens the novel's noir bleakness. And Strange himself is a compelling character: a middle-aged black man who has seen more of life's callousness than he cares to admit, and whose jitteriness about personal commitment speaks volumes about his own expectations for happiness. A strong character and a good read--Pelecanos fans can settle in and look forward to Strange's next appearance. --Kelly Flynn

About the Author:

George Pelecanos lives in Washington, DC with his wife and children. He also manages Circle Films, an independent production company responsible for such films as the Coen Brothers' RAISING ARIZONA.

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