Mascara - Hardcover

Dorfman, Ariel

3.53

91 ratings by Goodreads

Hardcover

ISBN 10: 0670823147 ISBN 13: 9780670823147

Publisher: Viking Adult, 1988

View all copies of this ISBN edition:

Presents a man who has neither loved nor been loved and a young, pursued woman whose amnesia and openness make her the perfect woman

"synopsis" may belong to another edition of this title.

About the Author:

ARIEL DORFMAN is considered to be one of “the greatest Latin American novelists” (Newsweek) and one of the United States’ most important cultural and political voices. Dorfman's numerous works of fiction and nonfiction have been translated into more than thirty languages, including Death and the Maiden, which has been produced in over one hundred countries and made into a film by Roman Polanski. Dorfman has won many international awards, including the Sudamericana Award, the Laurence Olivier, and two from the Kennedy Center. He is distinguished professor at Duke University and lives in Durham, North Carolina.

From Publishers Weekly:

Chilean exile Dorfman's latest work (after The Last Song of Manuel Sendero ) is a tantalizingly ambiguous web of deceit, intrigue and obsession, its layers of meaning gradually revealed. The first, and longest, part of the book is a paranoic monologue by a nameless man with a face that no one recognizes or remembers. Never lovedeven by his own motherbecause he is so forgettable, he turns his curse to his advantage and spies on others, blackmailing victims with photographs that he takes just when their faces reveal their true natures. His life of carefully constructed obscurity is threatened when he runs his car into that of Dr. Maleverdi, a famous plastic surgeon. Then Oriana, an amnesiac, is left in his keeping and he falls in love with her. But with Oriana, who is being tracked by two shadowy men, he is no longer unnoticed, and he realizes that someone is subverting his entire network of spies and informants. Just when it seems that the narrator is about to reveal the cause of his persecution, the narration switches to another voice, that of Oriana's real mnemonic being, which the narrator has hoped will never surface. A final section is narrated by Maleverdi, who, it turns out, has known of the faceless man since his birth, and has watched over his whole life. "A Sort of Epilogue" tantalizingly concludesbut doesn't resolvethe story, and the reader is left in delicious puzzlement.
Copyright 1988 Reed Business Information, Inc.

"About this title" may belong to another edition of this title.