Music Abbate, Carolyn Unsung Voices

ISBN 13: 9780691026084

Unsung Voices

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9780691026084: Unsung Voices


Who "speaks" to us in The Sorcerer's Apprentice, in Wagner's operas, in a Mahler symphony? In asking this question, Carolyn Abbate opens nineteenth-century operas and instrumental works to new interpretations as she explores the voices projected by music. The nineteenth-century metaphor of music that "sings" is thus reanimated in a new context, and Abbate proposes interpretive strategies that "de-center" music criticism, that seek the polyphony and dialogism of music, and that celebrate musical gestures often marginalized by conventional music analysis.


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Abbate, Carolyn
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Book Description Princeton University Press, United States, 1996. Paperback. Book Condition: New. Reprint. 234 x 155 mm. Language: English . Brand New Book. Who speaks to us in The Sorcerer s Apprentice, in Wagner s operas, in a Mahler symphony? In asking this question, Carolyn Abbate opens nineteenth-century operas and instrumental works to new interpretations as she explores the voices projected by music. The nineteenth-century metaphor of music that sings is thus reanimated in a new context, and Abbate proposes interpretive strategies that de-center music criticism, that seek the polyphony and dialogism of music, and that celebrate musical gestures often marginalized by conventional music analysis. Bookseller Inventory # AAH9780691026084

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Carolyn Abbate
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Book Description Princeton University Press, United States, 1996. Paperback. Book Condition: New. Reprint. 234 x 155 mm. Language: English . Brand New Book. Who speaks to us in The Sorcerer s Apprentice, in Wagner s operas, in a Mahler symphony? In asking this question, Carolyn Abbate opens nineteenth-century operas and instrumental works to new interpretations as she explores the voices projected by music. The nineteenth-century metaphor of music that sings is thus reanimated in a new context, and Abbate proposes interpretive strategies that de-center music criticism, that seek the polyphony and dialogism of music, and that celebrate musical gestures often marginalized by conventional music analysis. Bookseller Inventory # AAH9780691026084

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Book Description Princeton University Press. Paperback. Book Condition: New. Paperback. 304 pages. Dimensions: 9.2in. x 6.1in. x 0.9in.Who speaks to us in The Sorcerers Apprentice, in Wagners operas, in a Mahler symphony In asking this question, Carolyn Abbate opens nineteenth-century operas and instrumental works to new interpretations as she explores the voices projected by music. The nineteenth-century metaphor of music that sings is thus reanimated in a new context, and Abbate proposes interpretive strategies that de-center music criticism, that seek the polyphony and dialogism of music, and that celebrate musical gestures often marginalized by conventional music analysis. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Bookseller Inventory # 9780691026084

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Book Description Princeton University Press, 1996. PAP. Book Condition: New. New Book. Delivered from our UK warehouse in 3 to 5 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Bookseller Inventory # IQ-9780691026084

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