About the Author:
Mark Francis is a London-based curator and writer. A director of Gagosian Gallery, he was formerly Chief Curator of the Andy Warhol Museum, Pittsburgh, and its Founding Director. He has been the curator of major exhibitions at the Carnegie Museum of Art, Pittsburgh, Whitney Museum of American Art, New York, Kunstpalast Dusseldorf, and the Centre Georges Pompidou, Paris, where in 2001 he edited the catalogue for 'Les Annees Pop'. He is the author of numerous essays and catalogues on artists including Richard Hamilton, Dan Graham, Douglas Gordon, Andy Warhol, and the Situationist International Hal Foster is Townsend Martin Professor of Art and Archaeology at Princeton University. A Founding Editor of the journal October, he is the author of Compulsive Beauty, The Return of the Real and Prosthetic Gods (MIT Press, 1993; 1996; 2004) and editor of The Anti-Aesthetic: Essays on Postmodern Culture and Recodings: Art, Spectacle, Cultural Politics (Bay Press, 1983; 1985; reissued by The New Press). A former Senior Editor of Art in America, he has contributed to numerous periodicals including Zone magazine, Diacritics, Documents and Artforum.
Review:
"Modern art and design continues to fillet the movement once known as Pop, so Phaidon's new monograph is a timely look back... Pop has it all, not just the iconic big-name images... Editor Mark Francis [...] has dug a little deeper and drawn together film, photography and even architecture."-Wallpaper* "What makes the book indispensable is the inclusion of documents in which the artists, critics and theorists speak for themselves."-Martin Coomer, Time Out "If you're looking for last-minute Christmas presents for your art-loving friends, you could do a lot worse than this. Divided into three sections - the survey by Hal Foster, a gazetteer of works and a selection of contemporary documents - this book could replace a whole bookshelf in your art library... It's a formula that should ensure that this book is one of the essential reference works on the Pop-art era."-Mark Rappolt, Modern Painters "The many strengths of this absorbing, eclectically detailed survey are concentrated most in the cultural historical networking that is achieved between image and text. What results is in part a luxurious and luxuriating immersion in the sheer visual gorgeousness of much Pop material, and in part a digest and directory of Pop's great works, sources and related texts - Pop's greatest hits, so to speak... Pop art ought never to be consigned to some ever-expanding repertoire of stylish retro-aesthetics. It is the cultural link between Surrealism and Postmodernism, and often made statements about the modern world that have yet to be improved, or updated."-Michael Bracewell, Art Monthly
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