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Politics and painting at the Venice Biennale, 1948–64: Italy and the Idea of Europe (Critical Perspectives in Art History) - Hardcover
Although cultural exchanges were named within the Council of Europe in the mid- 1950's as being second only in importance to the military as a tool for ensuring a stable and integrated Western Europe in the aftermath of the Second World War, European-led initiatives have generally been overlooked in the historiography of art of the immediate post-war period. Popularly remembered as the era of the United States' cultural "triumph", American Abstract Expressionism in particular is commonly identified as the cultural "weapon" by which that nation conquered Western European culture.
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About the Author:
Nancy Jachec is an independent scholar and currently holds a part-time research fellowship at the History of Art Department, Oxford Brookes University.
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- PublisherManchester University Press
- Publication date2007
- ISBN 10 0719068967
- ISBN 13 9780719068966
- BindingHardcover
- Number of pages224
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Politics and Paintings at the Venice Biennale 1948-64 : Italy and the Idea of Europe
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Politics and Painting at the Venice Biennale, 194864 Italy and the Idea of Europe
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Politics and Paintings at the Venice Biennale 1948-64: Italy and the 'Idea of Europe' (Critical Perspectives in Art History) Jachec, Nancy
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Politics and Painting at the Venice Biennale, 194864 Italy and the Idea of Europe
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Politics and Paintings at the Venice Biennale 1948-64: Italy and the 'Idea of Europe' (Critical Perspectives in Art History) by Jachec, Nancy [Hardcover ]
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