Joplin's Ghost: A Novel - Softcover

Due, Tananarive

Softcover

ISBN 10: 0743449045 ISBN 13: 9780743449045

Publisher: Atria Books, 2006

Synopsis

When Phoenix Smalls was ten, she nearly died at her parents' jazz club when she was crushed by a turn-of-the-century piano. Now twenty-four, Phoenix is launching a career as an R & B singer. She's living out her dreams and seems destined for fame and fortune. But a chance visit to a historical site in St. Louis ignites a series of bizarre, erotic encounters with a spirit who may be the King of Ragtime, Scott Joplin.

The sound of Scott Joplin is strange enough to the ears of the hip-hop generation. But the idea that these antique sounds are being channeled through Phoenix? Her life is suddenly hanging in the balance. How will she find her true voice and calling? Can the power of her own inner song give Phoenix the strength to fight to live out her own future? Or will she be forever trapped in Scott Joplin's doomed, tragic past? Stunningly original, Joplin's Ghost is a novel filled with art and intrigue -- and is sure to bring music to readers' ears.

About this title

About the Author:

Tananarive Due is an American Book Award-winning, Essence bestselling author of Blood Colony, The Living Blood, The Good House, and Joplin’s Ghost. She lives in Atlanta, Georgia. Visit her blog at TananariveDue.blogspot.com.

Excerpt. © Reprinted by permission. All rights reserved.:

Prelude: A Piano

I.

1917

The new arrival wheeled himself through the day room of Manhattan State Hospital on Ward's Island, whispering to his dead wife, who always walked beside him. The man had outlived one wife and his baby girl -- pure bad luck, his first wife had called him. His second wife, Freddie, was the only one of the dead who still enjoyed his company.

He was talking to her, as he often did, about the stage set he was going to build as soon as he was able: murals of cloud banks, majestic live oaks and a sea of ripening cornstalks. Talking to Freddie was like walking onto the stage itself, standing in the stare of a footlight. The light filled him with wonder, and wonder was hard to come by these days.

But Freddie's voice interrupted him so loudly that he wondered why the droop-jawed attendant in the doorway didn't call for them to hush that racket near so many insane and dying.

There it is, Scott, Freddie said, quivering his ear. There -- do you see?

Scott Joplin gazed around the room, where the streaked windows invited in an awful dead winter sun that stole more than it gave. Institutional wooden chairs circled a scuffed old table that offered two checkerboards but no checkers, beside a Graphophone with a working motor but no needle to play the cylinders. A sobbing younger man sat cross-legged on the floor, his nest of privates in plain view from a hollow in his thin, urine-stained gown. Why would Freddie wrest him away from his beautiful setting to bring him back to this lunatic's meeting hall?

Do you see it? Freddie, as always, was persistent.

Then, he did see it: An upright piano stood against the far wall. Scott's eyes had missed it before because it was in a shadowed corner, nearly invisible in the room's bland light. It was his rosewood Rosenkranz, the piano he had found in the alleyway when he could still stand and walk. The piano he had played for Freddie during her dying days. Scott blinked, sure it was a trick of his imagination. One always must be on guard against one's imagination, he remembered."Did you do this somehow, Freddie?" Scott said. At Bellevue, his last home, he'd been forced to live without a piano within reach for the first time in memory. But here he was in a new place -- a worse place, one step closer to oblivion -- and his own piano was waiting for him.

Another hallucination, then. It wasn't the first, and wouldn't be his last, or so his doctors said. Every day held another bizarre surprise. But this hallucination was more stubborn than most. Scott flopped his arms against the wheels of his wheelchair, making slow progress across the room, and the piano remained in place. Closer, now. And closer again.

"I'll be damned," he said, panting from his effort.

Scott reached out his trembling hand. Although his wrist dangled as if it were broken, he was able to press a single key. High G. No hallucination could sound so sweet.

The single, delicate note awoke the memory of being at Lessie Mae's on Main Street in Sedalia, waiting quietly in the wings while Happy Eddie or Mo the Show clowned on the piano with acrobatic fervor for the hooting crowd. Those boys played like carnival performers, drawing men's purposeful eyes away from bold cleavage and half-empty glasses of whiskey. When it was Scott's turn to play, Lessie Mae always waved at him with her damp pink handkerchief from behind the cash register, her mark of approval. Go on, Scotty -- TEACH 'em, professor!

When he played, the carnival ended. A concert began.

"Music's swell. You play?" the sanitarium attendant said to Scott.

Scott nodded slowly. He did everything slowly now. "Used to," he said. His voice was a sick old man's, and he wasn't yet forty-nine. He couldn't always remember his age, but the sight of the burnished piano had brightened his mind. Brightened every part of him.

"Go on ahead and take five minutes, then. They say a lady donated it to the hospital in a patient's name. Mind you don't break it."

Break it! That was a stupid thing to say. The woman who sent it was my wife, you fool. Don't you know who I am? Scott thought. But that was the point, wasn't it? He was the only one who knew, and the occasional ability to forget was the only part of his illness he enjoyed. Lottie had said she'd have a surprise for him when she came to see him this Friday, but she'd never said she was sending the piano after him. God bless Lottie again.

But this piano would have followed you whether Lottie sent it or not, Scott thought, and such thoughts didn't disturb him the way they used to. Accepting the state of things had made his days easier. The Rosenkranz would follow him anywhere he went. He had found the Rosenkranz in the alley and wiped it clean with his own hands, and the Rosenkranz wouldn't forget.

"I think I will play," Scott said. His tongue was no longer useful, and his words had sounded like ayethinnniwillplayyyy, a mouthful of oatmeal.

He hadn't let anybody except Lottie hear him play a piano in two years, since that show in D.C. where they had practically pushed him on the stage. What could he have done? Sounded like a little child. That's what he heard Eubie Blake said.

"Yeah -- I'll p-play." He was excited now.

Scott's wheelchair was too low for him to reach the keyboard comfortably, so he hoisted himself into the mismatched chair at the piano's knees, another labor that took his breath. The attendant steadied him, but Scott had moved out of his chair by himself, so he wasn't helpless. For a moment, Scott felt bewildered as he stared at his hands, shivering claws against the keys. His skin didn't smell right either -- urine and talcum and something else buried beneath it all, something sickly that could only be Death. That smell was everywhere here.

"Do you know 'I'm in Love with the Mother of My Best Girl'?" the attendant said. "I love that one. It's a hoot."

Scott nodded, but only to silence him. Anything he played was sure to be unrecognizable. The Rosenkranz was not a forgiving piano; he'd learned that the first night they were reunited. But he would play, if only because Lottie wanted him to. Small solace was better than none at all.

Habit took Scott's hands to a natural pose, and his fingers plunged, striking the opening notes. The music plodded like old honey hugging the bottom of the jar, but he was shocked his fingers remembered how to move at his bidding at all. Maybe I CAN play a tune or two --

Scott's middle finger slipped, curdling the melody with a B-natural in the second measure. He cringed, playing on, but his piano didn't offer him any music -- only awful, mind-rending noise.

You coldhearted trickster, Scott thought, remembering the old conjurer from the train who had celebrated the chance to curse him with his fate all those years ago. Are you and your master happy with what you've reduced me to?

Scott let out a soundless moan, suddenly striking his hand against the keys so hard that the ragged edge of a keytop snagged his pinky, biting into his tender flesh. Droplets of Scott's warm, runny blood marked the piano keys with red fingerprints. Scott was so consumed in pain -- most of it in places people couldn't see -- that he had no senses left to notice something so trifling as torn skin. But you don't mind, do you? You know the taste of blood already, don't you, my old friend? The Rosenkranz had been soiled with blood the day he found it in the alley. If only he had recognized a bad omen when he saw one, he thought. He had been cursed all along!

Scott's lips parted to release a moan. His head drooped, suddenly too heavy to carry, and tears splashed from the tip of his nose to the piano keys, seeping between them, turning his blood pink and dampening his useless fingers. If he could choose his time and place to die, he had found it. Take me, whatever your price, and let my soul rest here. He prayed to anyone who would hear him.

Something made Scott look up, interrupting his tears. His tall, lovely girl-bride stood beside him, half-shrouded in misty light. Freddie had not shown herself to him since his confinement to this wretched place. My God! Could she be an emissary from the Hereafter? Was his prayer answered so quickly?

"Freddie?" he said, peering more closely at his beloved. Freddie's face was always dreamlike to him, in the way his dreams were often spare of details. Scott felt her spirit near him, yet he could not quite see the woman he remembered hidden in the light.

"I'm here, Scott." Her voice was not in his ear, this time, but from her lips.

"T-Take me with you." He couldn't even climb to his feet to go to her. She would have to carry him wherever he was going next.

"I'm sorry, Scott. I can't," she said. After all these years, now it was Freddie who sounded reasonable, and he had become rash. Freddie glided closer, until she stood directly over him. His nostrils longed for her scent, and he thought he smelled chrysanthemums. He tried to reach for her, but his arms failed to move, useless.

"Who're you talkin' to, Uncle?" the attendant called from across the room, where he was pushing a mop in halfhearted circles. "If you're not gonna treat that piano with respect, don't play it at all. Bang on it again like that, and you're goin' to your room."

Do you see what it's come to, Freddie? I'm treated like a child, as if I've never lived in the world. I've vanished before my eyes. How can any man endure this curse of obsolescence?

"F-Freddie..." he begged, struggling to be understood. "Take me."

Freddie's head shook back and forth, kind but firm. "Do you want me to help you play?"

"Yes," he said, relieved. Death was best, but playing would give him a moment's respite. "Yes, I w-want to play."

Freddie leaned over him, her gentle warmth draping his shoulder. She took one of his gnarled hands into hers, then the other, and raised them back to their berth on the ...

About this edition

• Publisher: Atria Books
• Publication date: 2006
• ISBN 10: 0743449045
• ISBN 13: 9780743449045
• Binding: Paperback
• Number of pages: 496