Review:
Writing a novel after having won a Nobel Prize for Literature must be even more daunting than trying to follow a brilliant, bestselling debut. In Somersault (the title refers to an abrupt, public renunciation of the past), Kenzaburo Oe has himself leapt in a new direction, rolling away from the slim, semi-autobiographical novel that garnered the 1994 Nobel Prize (A Personal Matter) and toward this lengthy, involved account of a Japanese religious movement. Although it opens with the perky and almost picaresque accidental deflowering of a young ballerina with an architectural model, Somersault is no laugh riot. Oe's slow, deliberate pace sets the tone for an unusual exploration of faith, spiritual searching, group dynamics, and exploitation. His lavish, sometimes indiscriminate use of detail can be maddening, but it also lends itself to his sobering subject matter, as well as to some of the most beautiful, realistic sex scenes a reader is likely to encounter. --Regina Marler
About the Author:
Kenzaburo Oe was born in 1935 in the remote mountain village of Ose on Shikoku, the smallest of Japan's four main islands. Oe is considered one of the most dynamic and revolutionary writers to have emerged in Japan since World War II, and is acknowledged as the first truly modern Japanese writer. Oe is known for his powerful accounts of the atomic bombings of Hiroshima and his struggle to come to terms with a mentally handicapped son. His dark musings on moral failure came to symbolize an alienated generation in postwar Japan. Oe's influences and literary heroes are less Japanese than American and European, ranging from Henry Miller to Jean-Paul Sartre, from Blake to Camus. His prolific body of work has won almost every major international honor, including the 1989 Prix Europalia and the 1994 Nobel Prize for Literature. His many translated works include A Personal Matter, Teach Us to Outgrow Our Madness, The Silent Cry, Hiroshima Notes, and Nip the Buds, Shoot the Kids.
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