A new edition of Clarice Lispector’s final masterpiece, now with a vivid introduction by Colm Tóibín.
Narrated by the cosmopolitan Rodrigo S.M., this brief, strange, and haunting tale is the story of Macabéa, one of life's unfortunates. Living in the slums of Rio and eking out a poor living as a typist, Macabéa loves movies, Coca-Colas, and her rat of a boyfriend; she would like to be like Marilyn Monroe, but she is ugly, underfed, sickly and unloved. Rodrigo recoils from her wretchedness, and yet he cannot avoid the realization that for all her outward misery, Macabéa is inwardly free/She doesn't seem to know how unhappy she should be. Lispector employs her pathetic heroine against her urbane, empty narrator―edge of despair to edge of despair―and, working them like a pair of scissors, she cuts away the reader's preconceived notions about poverty, identity, love and the art of fiction. In her last book she takes readers close to the true mystery of life and leave us deep in Lispector territory indeed."synopsis" may belong to another edition of this title.
Clarice Lispector (1920–1977), the greatest Brazilian writer of the twentieth century, has been called “astounding” (Rachel Kushner), “a penetrating genius” (Donna Seaman, Booklist), and “one of the twentieth century’s most mysterious writers” (Orhan Pamuk).
Benjamin Moser is the author of Why This World: A Biography of Clarice Lispector, a finalist for the National Book Critics' Circle award. At New Directions, he edits the new translation of Clarice Lispector's work, of which The Besieged City is the eighth volume. For promoting her work around the world, the Brazilian government awarded him the first State Prize in Cultural Diplomacy. A former books columnist at Harper’s Magazine and The New York Times Book Review, his latest book, Sontag: Her Life and Work, is published by Ecco Press.
Colm To´ibi´n is currently the Irene and Sidney B. Silverman professor of the humanities at Columbia University and succeeded Martin Amis as professor of creative writing at the University of Manchester.
Review:“Lispector is the premier Latin American woman prose writer of this century.”
- The New York Times
“A genius of character and a literary magician.”
- Publishers Weekly
“An artist of vivid imagination. If her work is thoughtful and poetic, distinguished by touching insight and human sympathy, it is also full of irony and wild humor.”
- Saturday Review
“In less than one hundred pages, Clarice Lispector tells a brilliantly multi-faceted and searing story.”
- Jesse Larsen, 500 Great Books by Women
“If she does ― dare I say it? ― touch you, she touches you like nothing else you’ve ever read.”
- Benjamin Mosher, Vanity Fair
“I felt physically jolted by genius.”
- Katherine Boo
“This text investigates the knowledge of not knowing and the rich poverty of the inner void with stratagems of obfuscation, leaps of language, and suspensions of syntax and form that are perhaps best received by the gut.”
- The Faster Times
“The reader finds herself in the throes of a master, rendered speechless with awe and terror.”
- The Brooklyn Rail
“The only antidote to stupidity is an agitated intelligence constantly prowling for blank spots in one’s outward seeming. The Hour of the Star is a romance, then, between stupidity and its neurotic observer, a restless stretching away from form, tradition, and the stupefying rules they impose on writing.”
- The New Inquiry
“This is without a doubt one of the most audacious and affecting works of fiction I've ever read.”
- Barnes and Noble Review
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Book Description Paperback. Condition: New. Second Edition. Language: English. Brand new Book. Narrated by the cosmopolitan Rodrigo S.M., this brief, strange, and haunting tale is the story of Macabea, one of life's unfortunates. Living in the slums of Rio and eking out a poor living as a typist, Macabea loves movies, Coca-Colas, and her rat of a boyfriend; she would like to be like Marilyn Monroe, but she is ugly, underfed, sickly and unloved. Rodrigo recoils from her wretchedness, and yet he cannot avoid the realization that for all her outward misery, Macabea is inwardly free/She doesn't seem to know how unhappy she should be. Lispector employs her pathetic heroine against her urbane, empty narrator-edge of despair to edge of despair-and, working them like a pair of scissors, she cuts away the reader's preconceived notions about poverty, identity, love and the art of fiction. In her last book she takes readers close to the true mystery of life and leave us deep in Lispector territory indeed. Seller Inventory # ABZ9780811219495