Items related to Kongo across the Waters
“A powerful statement through both word and image of how individuals of African descent have negotiated African cultural practices, whether through remembrance or rediscovery, as strategies for their physical and psychological health.”—Jean Borgatti, Boston University
“Uses an interdisciplinary approach to understanding Kongo culture in Africa and its transformation in North America. Valuable in its scope and coverage, this is an important collection of studies from the leading scholars on Kongo.”—Mariana Candido, author of An African Slaving Port and the Atlantic World
The Kingdom of Kongo, situated in today’s Angola and the DRC, had already developed a sophisticated artistic and cultural life by the time the Portuguese arrived in 1483. Europeans soon admired and collected particular forms of Kongo art while Kongo elites converted to Christianity and started communicating with European courts through writing.
With the development of the trans-Atlantic slave trade, many less fortunate Kongolese were transported to the New World. From the Chesapeake Bay to New Orleans, Kongo peoples left their imprint on the life, art, and cultures of the African diaspora. Only recently have scholars begun to fully understand the extent of this influence.
Immersing readers in Kongo history and culture, the contributors to Kongo across the Waters investigate how an African culture with considerable historical depth evolved over five centuries in West Central Africa and also contributed significantly to the process of culture formation in communities of enslaved Africans and descendants of enslaved Africans in North America. By looking at art from Kongo and from African American communities in the nineteenth and twentieth centuries, Kongo across the Waters brings to light historic links between West Central Africa and North America.
This volume allows leading scholars of Kongo history, anthropology, linguistics, archaeology, and art to examine the history of Kongo peoples from the fifteenth century through today. These essays probe the historical interactions between the Kongolese and the Atlantic world, Kongo presence and influence in the United States, and Kongo inspired artistic expression in contemporary art.
Visually and textually appealing, Kongo across the Waters is an overdue and valuable contribution to the literature on Africa’s history and its Atlantic connections.
"synopsis" may belong to another edition of this title.
From the Inside Flap:
About the Author:
The Kingdom of Kongo, situated in today’s Angola and the DRC, had already developed a sophisticated artistic and cultural life by the time the Portuguese arrived in 1483. Europeans soon admired and collected particular forms of Kongo art while Kongo elites converted to Christianity and started communicating with European courts through writing.
With the development of the trans-Atlantic slave trade, many less fortunate Kongolese were transported to the New World. From the Chesapeake Bay to New Orleans, Kongo peoples left their imprint on the life, art, and cultures of the African diaspora. Only recently have scholars begun to fully understand the extent of this influence.
Immersing readers in Kongo history and culture, the contributors to Kongo across the Waters investigate how an African culture with considerable historical depth evolved over five centuries in West Central Africa and also contributed significantly to the process of culture formation in communities of enslaved Africans and descendants of enslaved Africans in North America. By looking at art from Kongo and from African American communities in the nineteenth and twentieth centuries, Kongo across the Waters brings to light historic links between West Central Africa and North America.
This volume allows leading scholars of Kongo history, anthropology, linguistics, archaeology, and art to examine the history of Kongo peoples from the fifteenth century through today. These essays probe the historical interactions between the Kongolese and the Atlantic world, Kongo presence and influence in the United States, and Kongo inspired artistic expression in contemporary art.
Visually and textually appealing, Kongo across the Waters is an overdue and valuable contribution to the literature on Africa’s history and its Atlantic connections.
Susan Cooksey is curator of African Art at the Samuel P. Harn Museum of Art. Robin Poynor is professor of art history at the University of Florida. Hein Vanhee is a curator of African collections at the Royal Museum for Central Africa in Belgium.
"About this title" may belong to another edition of this title.
- PublisherUniversity Press of Florida
- Publication date2013
- ISBN 10 0813049458
- ISBN 13 9780813049458
- BindingPaperback
- Edition number1
- Number of pages448
- EditorSusan Cooksey, Robin Poynor, Hein Vanhee
(No Available Copies)
Search Books: Create a WantIf you know the book but cannot find it on AbeBooks, we can automatically search for it on your behalf as new inventory is added. If it is added to AbeBooks by one of our member booksellers, we will notify you!
Create a Want