This Strange, Old World and Other Book Reviews by Katherine Anne Porter

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9780820333533: This Strange, Old World and Other Book Reviews by Katherine Anne Porter

Between 1920 and 1958 Katherine Anne Porter published more than sixty-five book review, many of which are now largely inaccessible. Although several such pieces have appeared in earlier collections of Porter's nonfiction writings, never have so many of Porter's reviews--nearly fifty--been made available in a single volume. Collectively the review reveal Porter's opinions on topics ranging from the nature of art and the place of the artist in politics and society to feminism and the role of female artists. Particularly evident in the reviews are the critical principles that guided her own work as well as her judgments of the works of other writers.

In her introductory essay Darlene Harbour Unrue provides important biographical information on Porter, traces her career as a reviewer, and links critical assumptions in the reviews to the themes and techniques of Porter's fiction. Other scholars as well have regarded Porter's critical reviews as valuable tools both for analyzing the fiction and for constructing a portrait of Porter the artist, primarily because Porter produced so little fiction (three collections of short stories and novellas, Flowering Judas, The Leaning Tower, and Pale Horse, Pale Rider, and a novel, Ship of Fools). In the preface to the first collection of her nonfiction writings, The Days Before, Porter herself urged readers to look closely at her nonfiction, for there they would discover "the shape, direction, and connective tissue of a continuous, central interest and preoccupation of a lifetime."

Most of the reviews--which appeared in such publications as the New York Herald Tribune, the New York Times, the Nation, and New Masses--she apparently undertook for financial reasons, but occasionally she would agree to review a friend's latest offering. She published no reviews after the success of her best-selling novel, Ship of Fools.

Porter's scope as a reviewer was impressively broad. Because she lived in Mexico City during the revolution, had known Diego Rivera, and had studied "primitive" Mexican art, she was often called on to review books on Mexican art and on the revolution. Porter also reviewed many books by or about women. Her reviews of the Short Novels of Colette and Katharine Anthony's translation of Catherine the Great's memoirs are particularly noteworthy for her comments about women artists and her expression of admiration for women who flout traditional roles.

These collected reviews illustrate the evolution of one of the most important American writers of the twentieth century and will interest not only Porter scholars but also anyone who appreciates her fiction.

"synopsis" may belong to another edition of this title.

About the Author:

Darlene Harbour Unrue is a distinguished professor of English at the University of Nevada, Las Vegas. She has written six books on Katherine Anne Porter. Unrue's most recent work, a biography of Porter titled Katherine Anne Porter: The Life of an Artist, won the 2005 Eudora Welty Prize for Excellence in Modern Letters.

Review:

From more than seventy-five book reviews Unrue has selected those that are most meaningful in a consideration of Katherine Anne Porter's art. Preserving Porter's intent and, largely, her grammar and spelling, Unrue has made accessible an important and neglected portion of Porter canon.

(Choice)

Shortly before her last illness, Porter had envisioned a book collecting more of her reviews. Now Unrue has achieved that for her. This book is a welcome edition to Porter scholarship.

(Studies in Short Fiction)

A significant?and overdue?contribution to Porter studies. Since Porter has such a relatively small body of published work, this largely neglected and inaccessible material will be welcome and nourishing manna upon which Porter scholars will feast.

(Southern Quarterly)

The subject matter covers a wide range of topics, including travel, fiction, Mexican history and politics, feminism, and related issues. The reviews, interesting in themselves, provide additional insights into Porter's own life and works. Editor Unrue provides a nice introduction, which places the reviews and surrounding events in Porter's life in the proper context.

(Library Journal)

Unrue's collection brings together for the first time reviews that largely have been inaccessible to Porter scholars. . . . The book is a great edition to Porter studies; its introduction valuably details many aspects of her art, while the book itself gives readers access to reviews previously buried on microfilm or in archives.

(Western American Literature)

"About this title" may belong to another edition of this title.

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Book Description University of Georgia Press, United States, 2009. Paperback. Book Condition: New. 224 x 152 mm. Language: English . Brand New Book. Between 1920 and 1958 Katherine Anne Porter published more than sixty-five book review, many of which are now largely inaccessible. Although several such pieces have appeared in earlier collections of Porter s nonfiction writings, never have so many of Porter s reviews--nearly fifty--been made available in a single volume. Collectively the review reveal Porter s opinions on topics ranging from the nature of art and the place of the artist in politics and society to feminism and the role of female artists. Particularly evident in the reviews are the critical principles that guided her own work as well as her judgments of the works of other writers.In her introductory essay Darlene Harbour Unrue provides important biographical information on Porter, traces her career as a reviewer, and links critical assumptions in the reviews to the themes and techniques of Porter s fiction. Other scholars as well have regarded Porter s critical reviews as valuable tools both for analyzing the fiction and for constructing a portrait of Porter the artist, primarily because Porter produced so little fiction (three collections of short stories and novellas, Flowering Judas, The Leaning Tower, and Pale Horse, Pale Rider, and a novel, Ship of Fools ). In the preface to the first collection of her nonfiction writings, The Days Before, Porter herself urged readers to look closely at her nonfiction, for there they would discover the shape, direction, and connective tissue of a continuous, central interest and preoccupation of a lifetime. Most of the reviews--which appeared in such publications as the New York Herald Tribune, the New York Times, the Nation, and New Masses --she apparently undertook for financial reasons, but occasionally she would agree to review a friend s latest offering. She published no reviews after the success of her best-selling novel, Ship of Fools. Porter s scope as a reviewer was impressively broad. Because she lived in Mexico City during the revolution, had known Diego Rivera, and had studied primitive Mexican art, she was often called on to review books on Mexican art and on the revolution. Porter also reviewed many books by or about women. Her reviews of the Short Novels of Colette and Katharine Anthony s translation of Catherine the Great s memoirs are particularly noteworthy for her comments about women artists and her expression of admiration for women who flout traditional roles.These collected reviews illustrate the evolution of one of the most important American writers of the twentieth century and will interest not only Porter scholars but also anyone who appreciates her fiction. Bookseller Inventory # AAN9780820333533

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Book Description University of Georgia Press, United States, 2009. Paperback. Book Condition: New. 224 x 152 mm. Language: English . Brand New Book. Between 1920 and 1958 Katherine Anne Porter published more than sixty-five book review, many of which are now largely inaccessible. Although several such pieces have appeared in earlier collections of Porter s nonfiction writings, never have so many of Porter s reviews--nearly fifty--been made available in a single volume. Collectively the review reveal Porter s opinions on topics ranging from the nature of art and the place of the artist in politics and society to feminism and the role of female artists. Particularly evident in the reviews are the critical principles that guided her own work as well as her judgments of the works of other writers.In her introductory essay Darlene Harbour Unrue provides important biographical information on Porter, traces her career as a reviewer, and links critical assumptions in the reviews to the themes and techniques of Porter s fiction. Other scholars as well have regarded Porter s critical reviews as valuable tools both for analyzing the fiction and for constructing a portrait of Porter the artist, primarily because Porter produced so little fiction (three collections of short stories and novellas, Flowering Judas, The Leaning Tower, and Pale Horse, Pale Rider, and a novel, Ship of Fools ). In the preface to the first collection of her nonfiction writings, The Days Before, Porter herself urged readers to look closely at her nonfiction, for there they would discover the shape, direction, and connective tissue of a continuous, central interest and preoccupation of a lifetime. Most of the reviews--which appeared in such publications as the New York Herald Tribune, the New York Times, the Nation, and New Masses --she apparently undertook for financial reasons, but occasionally she would agree to review a friend s latest offering. She published no reviews after the success of her best-selling novel, Ship of Fools. Porter s scope as a reviewer was impressively broad. Because she lived in Mexico City during the revolution, had known Diego Rivera, and had studied primitive Mexican art, she was often called on to review books on Mexican art and on the revolution. Porter also reviewed many books by or about women. Her reviews of the Short Novels of Colette and Katharine Anthony s translation of Catherine the Great s memoirs are particularly noteworthy for her comments about women artists and her expression of admiration for women who flout traditional roles.These collected reviews illustrate the evolution of one of the most important American writers of the twentieth century and will interest not only Porter scholars but also anyone who appreciates her fiction. Bookseller Inventory # AAN9780820333533

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Book Description University of Georgia Press. Paperback. Book Condition: new. BRAND NEW, "This Strange Old World" and Other Book Reviews by Katherine Anne Porter, Darlene Harbour Unrue, Between 1920 and 1958 Katherine Anne Porter published more than sixty-five book review, many of which are now largely inaccessible. Although several such pieces have appeared in earlier collections of Porter's nonfiction writings, never have so many of Porter's reviews--nearly fifty--been made available in a single volume. Collectively the review reveal Porter's opinions on topics ranging from the nature of art and the place of the artist in politics and society to feminism and the role of female artists. Particularly evident in the reviews are the critical principles that guided her own work as well as her judgments of the works of other writers.In her introductory essay Darlene Harbour Unrue provides important biographical information on Porter, traces her career as a reviewer, and links critical assumptions in the reviews to the themes and techniques of Porter's fiction. Other scholars as well have regarded Porter's critical reviews as valuable tools both for analyzing the fiction and for constructing a portrait of Porter the artist, primarily because Porter produced so little fiction (three collections of short stories and novellas, Flowering Judas, The Leaning Tower, and Pale Horse, Pale Rider, and a novel, Ship of Fools). In the preface to the first collection of her nonfiction writings, The Days Before, Porter herself urged readers to look closely at her nonfiction, for there they would discover the shape, direction, and connective tissue of a continuous, central interest and preoccupation of a lifetime.Most of the reviews--which appeared in such publications as the New York Herald Tribune, the New York Times, the Nation, and New Masses--she apparently undertook for financial reasons, but occasionally she would agree to review a friend's latest offering. She published no reviews after the success of her best-selling novel, Ship of Fools.Porter's scope as a reviewer was impressively broad. Because she lived in Mexico City during the revolution, had known Diego Rivera, and had studied primitive Mexican art, she was often called on to review books on Mexican art and on the revolution. Porter also reviewed many books by or about women. Her reviews of the Short Novels of Colette and Katharine Anthony's translation of Catherine the Great's memoirs are particularly noteworthy for her comments about women artists and her expression of admiration for women who flout traditional roles.These collected reviews illustrate the evolution of one of the most important American writers of the twentieth century and will interest not only Porter scholars but also anyone who appreciates her fiction. Bookseller Inventory # B9780820333533

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Book Description University of Georgia Press. Paperback. Book Condition: New. Paperback. 192 pages. Dimensions: 8.8in. x 6.0in. x 0.5in.Between 1920 and 1958 Katherine Anne Porter published more than sixty-five book review, many of which are now largely inaccessible. Although several such pieces have appeared in earlier collections of Porters nonfiction writings, never have so many of Porters reviews--nearly fifty--been made available in a single volume. Collectively the review reveal Porters opinions on topics ranging from the nature of art and the place of the artist in politics and society to feminism and the role of female artists. Particularly evident in the reviews are the critical principles that guided her own work as well as her judgments of the works of other writers. In her introductory essay Darlene Harbour Unrue provides important biographical information on Porter, traces her career as a reviewer, and links critical assumptions in the reviews to the themes and techniques of Porters fiction. Other scholars as well have regarded Porters critical reviews as valuable tools both for analyzing the fiction and for constructing a portrait of Porter the artist, primarily because Porter produced so little fiction (three collections of short stories and novellas, Flowering Judas, The Leaning Tower, and Pale Horse, Pale Rider, and a novel, Ship of Fools). In the preface to the first collection of her nonfiction writings, The Days Before, Porter herself urged readers to look closely at her nonfiction, for there they would discover the shape, direction, and connective tissue of a continuous, central interest and preoccupation of a lifetime. Most of the reviews--which appeared in such publications as the New York Herald Tribune, the New York Times, the Nation, and New Masses--she apparently undertook for financial reasons, but occasionally she would agree to review a friends latest offering. She published no reviews after the success of her best-selling novel, Ship of Fools. Porters scope as a reviewer was impressively broad. Because she lived in Mexico City during the revolution, had known Diego Rivera, and had studied primitive Mexican art, she was often called on to review books on Mexican art and on the revolution. Porter also reviewed many books by or about women. Her reviews of the Short Novels of Colette and Katharine Anthonys translation of Catherine the Greats memoirs are particularly noteworthy for her comments about women artists and her expression of admiration for women who flout traditional roles. These collected reviews illustrate the evolution of one of the most important American writers of the twentieth century and will interest not only Porter scholars but also anyone who appreciates her fiction. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Bookseller Inventory # 9780820333533

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