Black Nature is the first anthology to focus on nature writing by African American poets, a genre that until now has not commonly been counted as one in which African American poets have participated.
Black poets have a long tradition of incorporating treatments of the natural world into their work, but it is often read as political, historical, or protest poetry―anything but nature poetry. This is particularly true when the definition of what constitutes nature writing is limited to work about the pastoral or the wild.
Camille T. Dungy has selected 180 poems from 93 poets that provide unique perspectives on American social and literary history to broaden our concept of nature poetry and African American poetics. This collection features major writers such as Phillis Wheatley, Rita Dove, Yusef Komunyakaa, Gwendolyn Brooks, Sterling Brown, Robert Hayden, Wanda Coleman, Natasha Trethewey, and Melvin B. Tolson as well as newer talents such as Douglas Kearney, Major Jackson, and Janice Harrington. Included are poets writing out of slavery, Reconstruction, the Harlem Renaissance, the Black Arts Movement, and late twentieth- and early twenty-first-century African American poetic movements.
Black Nature brings to the fore a neglected and vital means of considering poetry by African Americans and nature-related poetry as a whole.
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CAMILLE T. DUNGY is the University Distinguished Professor in English at Colorado State University. She is the author of four collections of poetry, including Trophic Cascade, winner of the Colorado Book Award. Dungy currently serves as the poetry editor for Orion magazine. She is also coeditor of From the Fishouse, and assistant editor of Gathering Ground: A Reader Celebrating Cave Canem’s First Decade. Dungy is the recipient of honors including the 2021 American Academy of Poets Fellowship, a Guggenheim Fellowship, and fellowships from the National Endowment for the Arts in both poetry and prose. Her poems and essays have been published in Best American Poetry, The 100 Best African American Poems, more than forty other anthologies, and over one hundred print and online journals.
KENDRA Y. HAMILTON is an associate professor of English and director of Southern Studies at Presbyterian College. Her work has appeared in Callaloo, The Southern Review, Shenandoah, and in the anthologies Angles of Ascent: A Norton Anthology of Contemporary African American Poetry; Black Nature: Four Centuries of African American Nature Poetry; and Shaping Memories: Reflections of 25 African American Women Writers.
SEAN HILL is currently a Stegner Fellow at Stanford University. He received his MFA from the University of Houston in 2003 and was awarded a Jay C. and Ruth Halls Poetry Fellowship at the Wisconsin Institute for Creative Writing in 2006. Hill's poems have been published widely in journals, including Callaloo, Indiana Review, and Ploughshares.
MAJOR JACKSON's debut volume of poems, Leaving Saturn, selected by poet and novelist Al Young to receive the 2000 Cave Canem Poetry Prize for the best first book by an African American poet, was nominated for a 2002 National Book Critics Circle Award and has received critical attention in the Boston Globe, Christian Science Monitor, Parnassus, Philadelphia Inquirer, and on National Public Radio's All Things Considered. His poems have appeared in the American Poetry Review, Boulevard, Callaloo, Grand Street, Post Road, the New Yorker, among other literary journals. Formerly the Literary Arts Curator of the Painted Bride Art Center in Philadelphia, he is the recipient of fellowships and awards from Bread Loaf Writers' Conference, Pew Fellowship in the Arts, Fine Arts Work Center in Provincetown, as well as a commission from The Chamber Orchestra of Philadelphia. In 2003, he received the prestigious Whiting Writers' Award. He has given readings around the country and participated in many festivals including Geraldine R. Dodge Poetry Festival, Poetry Society of America's Festival of New American Poets, and The New Yorker Festival in Bryant Park, New York City. He is a graduate of Temple University and University of Oregon's Creative Writing Program. Major Jackson is an associate professor of English at University of Vermont, a faculty member of the MFA Creative Writing Program at Queens University of Charlotte in North Carolina, and a former Witter Bynner Fellow for the Library of Congress. He lives in South Burlington, Vermont.
CLARENCE MAJOR is a prizewinning poet, painter, and novelist. He is the author of thirteen previous books of poetry. As a finalist for a National Book Award he won a bronze medal for his book Configurations: New and Selected Poems, 1958–1998. Among other awards he is also the recipient of a National Council on the Arts Award, a New York Cultural Foundation Award, and the Stephen Henderson Poetry Award for Outstanding Achievement, all three for poetry. His poetry has appeared in hundreds of anthologies and periodicals, in English and in foreign languages. He is Distinguished Professor Emeritus at the University of California at Davis.
Black Nature is the first anthology to focus on nature writing by African American poets, a genre that until now has not commonly been counted as one in which African American poets have participated.
Black poets have a long tradition of incorporating treatments of the natural world into their work, but it is often read as political, historical, or protest poetry--anything but nature poetry. This is particularly true when the definition of what constitutes nature writing is limited to work about the pastoral or the wild.
Camille T. Dungy has selected 180 poems from 93 poets that provide unique perspectives on American social and literary history to broaden our concept of nature poetry and African American poetics. This collection features major writers, such as Phillis Wheatley, Rita Dove, Yusef Komunyakaa, Gwendolyn Brooks, Sterling Brown, Robert Hayden, Wanda Coleman, Natasha Trethewey, and Melvin B. Tolson, as well as newer talents, such as Douglas Kearney, Major Jackson, and Janice Harrington. Included are poets writing out of slavery, Reconstruction, the Harlem Renaissance, the Black Arts Movement, and late twentieth- and early twenty-first-century African American poetic movements.
Black Nature brings to the fore a neglected and vital means of considering poetry by African Americans and nature-related poetry as a whole.
*Starred Review* Just as nature is too often defined as wilderness when, in fact, nature is everywhere we are, our nature poetry is too often defined by Anglo-American perspectives, even though poets of all backgrounds write about the living world. By creating an anthology of nature poetry by African American writers, poet and editor Dungy enlarges our understanding of the nexus between nature and culture, and introduces a “new way of thinking about nature writing and writing by black Americans.” African American poets describe the need for practical knowledge of the wild to survive, the toil of working the land, and moments of spiritual communion with nature’s countless manifestations. Dungy provides an arresting introductory overview of 180 poems by 93 poets, and incisive essays accompany each thematic grouping. This analysis is dynamic and crucial, but the poems, beginning with Lucille Clifton’s “the earth is a living thing,” are ravishing. Dungy’s unique, enlightening, and heart-opening anthology embraces George Moses Horton, who lived as a slave, and today’s award-winning Cyrus Cassells, haiku by Richard Wright, and poems funny, smart, sexy, devastating, and exquisite by Nikki Giovanni, Janice N. Harrington, Yusef Komunyakaa, Carl Phillips, and their many resounding peers, each expressing provocative perceptions of the great tide of existence. --Donna Seaman
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