Between You and Me: Queer Disclosures in the New York Art World, 1948?1963

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9780822334989: Between You and Me: Queer Disclosures in the New York Art World, 1948?1963

In the decades preceding the Stonewall riots—in the wake of the 1948 publication of Alfred Kinsey’s controversial report on male sexuality and in the midst of a cold war culture of suspicion and paranoia—discussions of homosexuality within the New York art world necessarily circulated via gossip and rumor. Between You and Me explores this informal, everyday talk and how it shaped artists’ lives, their work, and its reception. Revealing the “trivial” and “unserious” aspects of the postwar art scene as key to understanding queer subjectivity, Gavin Butt argues for a richer, more expansive concept of historical evidence, one that supplements the verifiable facts of traditional historical narrative with the gossipy fictions of sexual curiosity.

Focusing on the period from 1948 to 1963, Butt draws on the accusations and denials of homosexuality that appeared in the popular press, on early homophile publications such as One and the Mattachine Review, and on biographies, autobiographies, and interviews. In a stunning exposition of Larry Rivers’s work, he shows how Rivers incorporated gossip into his paintings, just as his friend and lover Frank O’Hara worked it into his poetry. He describes how the stories about Andy Warhol being too “swish” to be taken seriously as an artist changed following his breakthrough success, reconstructing him as an asexual dandy. Butt also speculates on the meanings surrounding a MoMA curator’s refusal in 1958 to buy Jasper Johns’s Target with Plaster Casts on the grounds that it was too scandalous for the museum to acquire. Between You and Me sheds new light on a pivotal moment in American cultural production as it signals new directions for art history.

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From the Back Cover:

""Between You and Me" is a brilliant read that flirtatiously winks and kisses its way through the New York art world of the postwar period, turning our favorite icons inside out and back in again. It's all in the gossip. Larry Rivers painted a 'visual gossip column' and was described by Frank O'Hara as a 'demented telephone, ' but it takes a smart flirt (the best kind) like Gavin Butt to see gossip's methodological promise. Taking gossip into his own mouthy hands, Butt slurs the studios of Rivers, Jasper Johns, and Andy Warhol with their own reckless talk: kisses turn into smacks, and winks into home runs. (Between you and me, that's how I like it.)"--Carol Mavor, author of "Becoming: The Photographs of Clementina, Viscountess Hawarden"

About the Author:

Gavin Butt is Senior Lecturer in the Department of Visual Cultures at Goldsmiths College, University of London. He is the editor of After Criticism: New Responses to Art and Performance.

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Book Description Duke University Press, United States, 2005. Paperback. Book Condition: New. 230 x 154 mm. Language: English . Brand New Book. In the decades preceding the Stonewall riots-in the wake of the 1948 publication of Alfred Kinsey s controversial report on male sexuality and in the midst of a cold war culture of suspicion and paranoia-discussions of homosexuality within the New York art world necessarily circulated via gossip and rumor. Between You and Me explores this informal, everyday talk and how it shaped artists lives, their work, and its reception. Revealing the trivial and unserious aspects of the postwar art scene as key to understanding queer subjectivity, Gavin Butt argues for a richer, more expansive concept of historical evidence, one that supplements the verifiable facts of traditional historical narrative with the gossipy fictions of sexual curiosity. Focusing on the period from 1948 to 1963, Butt draws on the accusations and denials of homosexuality that appeared in the popular press, on early homophile publications such as One and the Mattachine Review, and on biographies, autobiographies, and interviews. In a stunning exposition of Larry Rivers s work, he shows how Rivers incorporated gossip into his paintings, just as his friend and lover Frank O Hara worked it into his poetry.He describes how the stories about Andy Warhol being too swish to be taken seriously as an artist changed following his breakthrough success, reconstructing him as an asexual dandy. Butt also speculates on the meanings surrounding a MoMA curator s refusal in 1958 to buy Jasper Johns s Target with Plaster Casts on the grounds that it was too scandalous for the museum to acquire. Between You and Me sheds new light on a pivotal moment in American cultural production as it signals new directions for art history. Bookseller Inventory # AAJ9780822334989

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Book Description Duke University Press, United States, 2005. Paperback. Book Condition: New. 230 x 154 mm. Language: English . Brand New Book. In the decades preceding the Stonewall riots-in the wake of the 1948 publication of Alfred Kinsey s controversial report on male sexuality and in the midst of a cold war culture of suspicion and paranoia-discussions of homosexuality within the New York art world necessarily circulated via gossip and rumor. Between You and Me explores this informal, everyday talk and how it shaped artists lives, their work, and its reception. Revealing the trivial and unserious aspects of the postwar art scene as key to understanding queer subjectivity, Gavin Butt argues for a richer, more expansive concept of historical evidence, one that supplements the verifiable facts of traditional historical narrative with the gossipy fictions of sexual curiosity. Focusing on the period from 1948 to 1963, Butt draws on the accusations and denials of homosexuality that appeared in the popular press, on early homophile publications such as One and the Mattachine Review, and on biographies, autobiographies, and interviews. In a stunning exposition of Larry Rivers s work, he shows how Rivers incorporated gossip into his paintings, just as his friend and lover Frank O Hara worked it into his poetry.He describes how the stories about Andy Warhol being too swish to be taken seriously as an artist changed following his breakthrough success, reconstructing him as an asexual dandy. Butt also speculates on the meanings surrounding a MoMA curator s refusal in 1958 to buy Jasper Johns s Target with Plaster Casts on the grounds that it was too scandalous for the museum to acquire. Between You and Me sheds new light on a pivotal moment in American cultural production as it signals new directions for art history. Bookseller Inventory # AAJ9780822334989

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Book Description Duke University Press. Paperback. Book Condition: new. BRAND NEW, Between You and Me: Queer Disclosures in the New York Art World, 1948ETH1963, Gavin Butt, In the decades preceding the Stonewall riots--in the wake of the 1948 publication of Alfred Kinsey's controversial report on male sexuality and in the midst of a cold war culture of suspicion and paranoia--discussions of homosexuality within the New York art world necessarily circulated via gossip and rumour. Between You and Me explores this informal, everyday talk and how it shaped artists' lives, their work, and its reception. Revealing the "trivial" and "unserious" aspects of the post-war art scene as key to understanding queer subjectivity, Gavin Butt argues for a richer, more expansive concept of historical evidence, one that supplements the verifiable facts of traditional historical narrative with the gossipy fictions of sexual curiosity. Focusing on the period between 1948 and 1963, Butt draws on the accusations and denials of homosexuality that appeared in the popular press, on early homophile publications such as One and Mattachine Review, and on biographies, autobiographies, and interviews. In a stunning exposition of Larry Rivers's work, he shows how Rivers incorporated gossip into his paintings just as his friend and lover Frank O'Hara worked it into his poetry. He describes how the stories about Andy Warhol being too "swish" to be taken seriously as an artist changed following his breakthrough success, reconstructing him as an asexual dandy. Butt also speculates on the meanings surrounding a MOMA curator's refusal in 1958 to buy Jasper John's Target with Plaster Casts on the grounds that it was too scandalous for the museum to acquire. Between You and Me sheds new light on a pivotal moment in American cultural production as it signals new directions for art historical inquiry. Gavin Butt is Lecturer in the Visual Cultures department at Goldsmiths College, University of London. He is the editor of After Criticism: New Responses to Art and Performance. Bookseller Inventory # B9780822334989

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