About the Author:
Roberto Schezen lives and works in Milan and New York. His photographs have appeared in two previous Rizzoli volumes, Adolf Loos and Places and Memories, and he is a regular contributor to many leading international architecture, design and fashion magazines. Many of his photographs are included in the permanent collection of the Canadian Center of Photography in Toronto and the Museum of Modern Art in New York.
Jane Mulvagh is a specialist in the social history of the late nineteenth and early twentieth centuries and works as the fashion historian at British Vogue in London. She is a frequent contributor to Apollo and is the author of the Vogue History of Twentieth Century Fashion and Costume Jewelry in Vogue.
Mark A. Weber is the Manager of the Technical Preservation Services Center at the New York Landmarks Conservancy. He previously worked as a historic preservation consultant in Newport and contributed to several restoration projects of the Preservation Society of Newport County.
Robert A. M. Stern is principal of the firm Robert A. M. Stern Architects in New York. A professor at the Graduate School of Architecture, Planning and Preservation at Columbia University, he is the author of several books, including New York 1900, New York 1930 and Modern Classicism from Rizzoli.
From Library Journal:
The rich architectural history of Newport, R.I., spans several centuries. To describe them, the authors of this lavish volume have chosen a completely opposite approach from that of Antoinette F. Downing and Vincent J. Scully, Jr., in their standard The Architectural Heritage of Newport, Rhode Island 1640-1915. That book, published over 30 years ago, is a highly scholarly tome stressing colonial and early 19th-century architecture. Its small black-and-white photographs record the exteriors of demolished and then-extant structures. In marked contrast, this glorious "picture book," with its 175 photographs of interior and exterior views, focuses on currently standing buildings from the late 19th and early 20th centuries. It is obviously designed for browsing; the Contents page is the only aid for locating information. In the chatty text, discussion of architecture takes a back seat to anecdotes about colorful occupants. Artistic and visually inspiring? Yes, but in no way as informative as Downing and Scully's work.
- Kathleen Eagen Johnson, Historic Hudson Valley, Tarrytown, N.Y.
Copyright 1989 Reed Business Information, Inc.
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