From Library Journal:
Since 1985, Conner has hauled a 40-pound banquet camera around China. This camera produces 7" x 17" negatives, which give her a panoramic view of the large, visually complex nation. The foreword by Jonathan Spence (sinology, Yale Univ.) is both an appreciation of Conner's work and a useful guide to the politics, culture, and economics that lie beneath her photographs. China, as presented here, is both a dusty relic and a carelessly patched together place full of dangling wires, unfinished projects, and flimsy-looking architecture that is an enduring eyesore. The Chinese, who move in and out of these images, are not camera shy; they appear ready for the modern world while often dwelling where it intersects with a muddy path through a shantytown. There is little beauty here, but there are carefully composed and lovingly textured images of a China that has mysteries yet to be revealed. Conner has made an important visual contribution for all Westerners interested in China. Expensive but recommended.DDavid Bryant, New Canaan Lib., CT
Copyright 2001 Reed Business Information, Inc.
From Booklist:
To mark this anniversary, Aperture has collected the images of 20 Chinese and Western photographers that convey China's political, cultural, and social life and bound those materials together with an essay by Rae Yang (The Spider Eaters, 1997) that discusses China's Communist past and its evolving present. The work is stunning, including the haunting and exhilarating photographs of Robert Capa (e.g., Female Nationalist Army Cadets, 1938) and Owen Lattimore; the captivating immediacy of Lin Heung Shing's work; Sebastiao Salgado's expressionistic compositions; and the painterly images of Hiroji Kirbota. An exhibit of the photographs opened in New York, will travel this month to Canada, and then come back to the U.S. from April 2000 until 2004. Bonnie Smothers
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