Based on the 1892 New England Magazine text, this teaching edition of The Yellow Wallpaper includes a generous selection of historical materials. The documents are organized into thematic units and features nineteenth-century advice manuals for young women and mothers; medical texts discussing the nature of women's sexuality; social reform literature concerning women's rights, the working classes, and immigration; and excerpts from periodicals, diaries, and writers' notebooks that give students a sense of the changing literary scene that Gilman entered. Editorial features designed to help students read the novel in light of the documents include a general introduction providing historical and cultural background, a chronology o Hawthorne's life and times, an introduction to each thematic group of documents, headnotes, extensive annotations, a generous selection of illustrations, and a selected bibliography.
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Charlotte Perkins Gilman (1860-1935) was a prominent American sociologist, novelist, writer of short stories, poetry, and nonfiction, and a lecturer for social reform. She was a utopian feminist during a time when her accomplishments were exceptional for women, and she served as a role model for future generations of feminists because of her unorthodox concepts and lifestyle. Her best remembered work today is her semi-autobiographical short story The Yellow Wallpaper which she wrote after a severe bout of postpartum psychosis.
In 1892 an unnamed woman passes the slow days of summer writing down her innermost thoughts while convalescing. Her observations focus on the strange effects of the peeling, fading, yellow wallpaper in her bedroom. The Spencer Library has created a unique audio experience in this chilling tale with profound psychological and moral implications. Claudette Sutherland gives a remarkable performance. Her subtly expressive voice is so skillfully recorded that her soft intakes of breath have a desperate life of their own. The haunting beauty of Carol Nethen's original score can momentarily distract, but it supports more than it interferes, a tribute both to the composer and to the excellence of the recording standards. The listener is rewarded with a fully realized dramatic performance with a strong musical presence. C.T. (c)AudioFile, Portland, Maine
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