About the Author:
Thomas McEvilley received a Ph.D. in Classics from the University of Cincinnati and taught at Rice University from 1969 to 2005. He has written hundreds of articles, catalogue essays, and reviews in the field of contemporary art, as well as important monographs on Yves Klein, Jannis Kounellis, Anish Kapoor, among others. A contributing editor to Artforum since 1982, he has also served as editor-in-chief of Contemoranea. Author of three published novels, most recently the controversial North of Yesterday (also with McPherson & Company), he has published a book of poems and made various contributions to literary magazines. In addition to a fourth novel in progress, Dr. McEvilley recently published The Shape of Ancient Thought: A Comparative Study of Greek and Indian Philosophies, and The Triumph of Anti-Art: Conceptual and Performance Art in the Formation of Post-Modernism.
From Publishers Weekly:
McEvilley views multiculturalism in the visual arts as a positive force, part of a historic process of decolonialization, as Third World and Eastern European countries struggle to reconstruct their cultural identities. In 10 invigorating essays previously pubished in Artforum, ART/artifact and elsewhere, he assails formalist modernism as a moribund project and seeks ways of relating to the culturally "other" free of Eurocentric bias. Beginning with a slashing critique of a 1984 exhibition on primitivism at Manhattan's Museum of Modern Art, McEvilley, a contributing editor to Artforum, goes on to consider the reception of African art in the West, postmodernism as a "global pluralization" of art, contemporary exhibition strategies and how painters in India have oscillated between Western-style individualism and the weight of collective tradition. Despite some overlap, these erudite essays reward and challenge with their overarching vision of a global artistic culture.
Copyright 1992 Reed Business Information, Inc.
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