From Publishers Weekly:
In this serio-comic first play, Pulitzer Prize winner and current U.S. poet laureate Dove ( Thomas and Beulah ) takes us into the fascinating world of antebellum South Carolina. In presenting Amalia, a rich white woman who gives birth to a slave's child, she combines elements from Judaism and Christianity, highlighting parallels between the biblical book of Exodus and the flight from slavery to freedom. In the defiant, proud Augustus, the infant placed in a sewing basket and carried off, Dove creates a Moses figure, supposed leader of his people, who fails at the last moment. Amalia's husband isolates himself in his shame, handing over control of the slaves to his wife while he looks to the stars for wisdom (as per the wise men at the birth of Jesus). Tidbits of interesting trivia unfamiliar to many readers abound: we learn that slaves given Sundays off fell into two categories, players and prayers. At times unconvincing (Amalia not only gives birth to the slave child, she insists upon a slave woman as midwife), at times too contrived (Augustus's genealogy hinted at and explained through chance meetings), this is nevertheless a worthwhile contribution to African American culture and literature.
Copyright 1994 Reed Business Information, Inc.
From Booklist:
Poet laureate Dove has done an amazing thing. She has written a classical tragedy, in blank verse, based on the story of Oedipus, but set on a plantation in antebellum South Carolina. The play opens with Amalia, the plantation's white mistress, giving birth to a black baby, much to the horror of her weak and dishonest husband. Refusing to name the father, she agrees to give up her child if his life is spared and allows the newborn to be placed in a sewing basket and carried away. The next scene takes place 20 years later, and Amalia, now in charge of managing the plantation and its slaves, has just acquired a handsome, "bright-skinned" slave with a reputation for rebelliousness named Augustus. Augustus, who believes that his father was a white slave owner who forced himself upon Augustus' black mother, is filled with hate and the desire for revenge, but he can't resist Amalia's advances and the two become lovers. And they do love, not just lust. And, yes, Augustus is Amalia's exiled son. Dove's verse is stark and stirring, and her placement of the tale of Oedipus within the context of slavery and its open secret of miscegenation is brilliant, potent, and repercussive. Donna Seaman
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