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In the late 1950s Corbino moved to Sarasota, Florida with his wife and children. He found happiness in fishing and in the warm weather. Aided by the overwhelming art community in central Florida, Corbino continued to paint, finding a renewed artistic vision and audience. Today his art is represented in numerous places around Sarasota, including the Ringling College of Art and Design and the John and Mable Ringling Museum of Art. In 1956, he shared the stage with Edward Hopper in a two-man exhibition sponsored by the Rehn Gallery of New York.
Corbino's paintings, once so much a part of American culture, are remembered primarily by students of American art and a select group of collectors who are moved by the power of his work. Drawing on unprecedented access to the artist's archives, letters, and family records, as well as interviews with some of his contemporaries, Janis and Richard Londraville tell the story of a gifted and talented Italian American artist who, despite a career filled with awards and acclaim, nevertheless struggled against personal demons and a capricious public, and who, as a realist/romantic painter, felt pushed aside by the march of Abstract Expressionism. As Karal Ann Marling argues in her foreword, "the trajectory of the process whereby Giovanni Corbino became Jon Corbino, then CORBINO, and finally Jon Corbino again, illuminates a whole, neglected chapter in the twentieth-century struggle to define what American art ought to be."
Janis Londraville is a Fellow at the Independent Scholars Center of the Associated Colleges of the Saint Lawrence Valley and is on the English faculty of the State University of New York at Potsdam.
Richard Londraville is Professor Emeritus of Literature at the State University of New York at Potsdam. Together, they are the authors of The Most Beautiful Man in the World: Paul Swan, from Wilde to Warhol; John Quinn: Selected Irish Writers from His Library; and Dear Yeats, Dear Ford, Dear Pound: Jeanne Robert Foster and Her Circle of Friends.
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