Stardust: A Novel - Hardcover

Kanon, Joseph

Hardcover

ISBN 10: 143915614X ISBN 13: 9781439156148

Publisher: Atria Books, 2009

Synopsis

THE ACCLAIMED, BESTSELLING AUTHOR OF
THE GOOD GERMAN AND LOS ALAMOS RETURNS
WITH HIS MOST ABSORBING AND ACCOMPLISHED
NOVEL YET -- A MESMERIZING TALE OF HOLLYWOOD,
POSTWAR POLITICAL INTRIGUE, AND ONE MAN'S
DETERMINATION TO LEARN THE TRUTH
ABOUT HIS BROTHER'S DEATH.

Hollywood, 1945. Ben Collier has just arrived from wartorn Europe to find that his brother, Daniel, has died in mysterious circumstances. Why would a man with a beautiful wife, a successful career in the movies, and a heroic past choose to kill himself?

Determined to uncover the truth, Ben enters the maze of the studio system and the uneasy world beneath the glossy shine of the movie business. For this is the moment when politics and the dream factories are beginning to collide as Communist witch hunts render the biggest stars and star makers vulnerable. Even here, where the devastation of Europe seems no more real than a painted movie set, the war casts long and dangerous shadows. When Ben learns troubling facts about his own family's past, he is caught in the middle of a web of deception that shakes his moral foundation to its core.

Rich with atmosphere and period detail, Stardust flawlessly blends fact and fiction into a haunting thriller evoking both the glory days of the movies and the emergence of a dark strain of American political life. It brilliantly proves why Joseph Kanon has been hailed as the "heir apparent to Graham Greene" (The Boston Globe).

About this title

About the Author:

Joseph Kanon is the author of four other novels, Los Alamos, The Good German, The Prodigal Spy and Alibi.  Before becoming a full-time writer, he was a book publishing executive. He lives in New York City.

Excerpt. © Reprinted by permission. All rights reserved.:

A MAN RIDES INTO TOWN

AS IT HAPPENED, Sol Lasner was also on the train. Ben spied him first on the red carpet at Grand Central posing for photographers, like one of his stars. Shorter than Ben remembered, his barrel chest wobbling on thin legs, storklike, but with the same tailored look, natty. He gave a quick, obligatory smile to the flashbulbs, then herded a group of men in suits onto the train, back to business. At Croton, where they switched over to the steam engine, most of the suits got off for the ride back to the city, but two stayed on through dinner, so Ben didn't have a chance to talk to him until they were past Albany, when the landscape had already turned dark and there was nothing to observe from the observation car but blurs of street lamps and platform lights streaking past.

He'd been sitting near the rounded back of the car, smoking and staring out at nothing, when Lasner came in, holding a cigar. He nodded to Ben, not recognizing him, and for a moment Ben was tempted to let it wait, talk later on the Army's time. The next few days were supposed to be his, little shrouds of time to wrap himself up in, prepare for the funeral, stare out windows, get used to it.

The long-distance call to Danny's wife has taken hours to put through, her voice scratchy with bad connections, or grief. What kind of accident? "A fall. It's in the papers as an accident. You know, anyone can fall. So they put it in that way." But it wasn't? Ben had asked, disconcerted, feeling his way, listening to the precious seconds tick by. "Look," she'd said finally, "you should know. You're his only family," but then went quiet again. You mean he tried to take his life? "Take his life?" she'd said, confusing him until he realized that it was a translation problem, an idiom she hadn't picked up. Hans Ostermann's daughter. Tried to kill himself, he said. "Yes," she said reluctantly, then drew a breath, moving past it. "But they didn't want to say. You know what it's like here. Everything for the good name. Nothing bad ever happens. It's better if it's an accident, in the papers. So I said it, too." There was a snort of air, like a shrug over the phone. "But his brother -- you have a right."

Rambling on, making no sense to him now, or maybe he had just stopped listening, his head dizzy with it. Not a crash, a virus, some act of fate, but something willed, a scream of unhappiness. "I'm sorry for this news," she'd said before he could ask more. "Is it possible for you to come now? He's in a coma. So still alive. I don't know how long. They don't expect -- so if you could come." And then the reserved time was running out, and instead of questions there were logistics and plans. But what answers could anyone have? Something that only made sense to Danny, the most private act there was.

To his surprise, there had been no problem having the Army move up the trip. The problem was getting there, with the trains the way they were. Then something last minute opened up on the Chief, if he was willing to sleep sitting up on the Century to meet it, so he'd packed a duffel, sent the wire, and now found himself riding with Sol Lasner. Who could wait -- the Army's assignment -- while he took his personal leave, brooding. Days to think about it, all the way to California. Meanwhile, Lasner was lighting the cigar, looking out the window and then at his watch, checking some invisible schedule.

"Any idea where we are?"

"Just past Schenectady."

Lasner drew on the cigar, looking out again. "Upstate," he said. "Goldwyn's from here. Gloversville. They made gloves. That's what he was, a glove man. Well, why not?"

Just talking to himself, not really expecting a reply, but suddenly Ben took the opening anyway. The meeting had fallen into his lap, personal leave or not.

"Mr. Lasner?"

Lasner turned, peering at him.

"Sorry. You probably don't remember. We met last month overseas, on the Army trip. Ben Collier." He held out his hand. "I was one of the liaison officers. Translator."

Lasner took his hand, looking closely, still trying to place him. "The guy with the rooms, right? The one got Eddie Mannix the Ritz in Paris."

Ben smiled. "And Zanuck. And Balaban. Colonel Mitchell arranged it. He figured they'd want the Ritz. Kind of people used to it."

"I got news for you," Lasner said, pointing with the cigar. "You think Harry Cohn's used to the Ritz? Some hot-sheet place down on Flower -- that's what he's used to." He shook his head. "I still don't know what that trip was. A stunt. Army puts a bunch of us in uniform, takes us around. What did they get out of it?"

What did they? Harry Cohn played poker in his suite, ignoring Paris. Everywhere the jockeying for the best hotel rooms, the special transports. Ben remembered the winding road up to Berchtesgaden, lined with jeeps, a new tourist attraction, GIs hunting for souvenirs while the executives stood at Hitler's vast picture window, little tyrants finally humbled. A ride on Hitler's yacht. Hamburg, where people had melted into the pavement during the firebombing. The camps, even worse. A few survivors still there, too emaciated and stunned to be moved. In town, packs of children, foraging. How much had they seen from their requisitioned rooms?

"It was Ike's idea. Thinks people should see it. What happened. So the State Department sends groups over. That was the studio tour. There was another for the newsreel editors. See what it's like."

"At the Ritz."

"And Dachau."

For a moment there was no sound but the click of wheels beneath them.

"I was there," Ben said quietly. Watching Lasner stagger against a building, his face in his hands, sobbing. "I know it made an impression on you."

Lasner rounded his cigar in the stand-up tray, smoothing off the ash.

"We're making a picture about it."

"Who's making?"

"I'm in the Signal Corps. We shot film there. What the newsreels didn't."

"You personally?"

"No, I collect the film. See it's put together for briefings, whether we can do something more. Information length, maybe features. If not, V shorts. Depending on the footage. What you do, in a way. Produce."

Lasner waved his hand. "And now you're out of a job."

"Not yet. The Battle of San Pietro got a lot of play. And the Tokyo film did okay on general release, so the exhibitors are still interested. And there's Ike's film coming."

"Who's releasing?" Lasner said quickly.

"Columbia."

Lasner grunted.

"You know how it works. War Activities Committee -- Freeman, at Paramount -- assigns the pictures on a rotating basis. All the majors. It was Columbia's turn."

"The majors. What am I? They still think Continental's a Poverty Row shop? Next year, we'll outgross RKO, but me they give the training films. You know what it costs me? We get four to five thousand a reel. But we throw in the production, the overhead, the salaries for chrissake. Add it up, it's more like seven thousand a reel and we just eat the difference." He tapped the cigar again, calmer. "Not that I mind. You know, for the war. But you don't hear Freeman calling me with a feature, either."

"He will be."

Lasner glanced up at him. "What's this, a pitch?"

Ben leaned forward. "We're sitting on a ton of footage. They're setting up trials. This is what they're all about. People need to see this. We want to work with a studio to put it together."

Lasner shook his head. "Let Columbia do it. You think people want to see this? Nobody wants to see this."

"They should."

"Should. You know, Freeman asks, it doesn't mean we have to do it. These war films -- it's all strictly voluntary. And now, after the war? Nobody's going to make this picture."

"I thought you'd want to."

Lasner looked at him for a long minute, then sighed.

"Let me tell you something. Nobody needs a picture about killing Jews. What else have they been doing? Since forever."

"Not like this," Ben said quietly, so that Lasner busied himself putting the cigar out, avoiding him.

"Wonderful," he said finally. "Cohn gets Eisenhower and I get -- I'll think about it. Let Freeman call. We'll see." A dodge.

"I'll be at the Signal Corps base in Culver City. A local call."

"Fort Roach." He caught Ben's look. "Hal Roach's old studio. The Army took it over. They've got some of my people down there. Drafted. My best cutter. Splicing film on VD. How does your prick look with crabs. Talk about a waste of a good technician." He glanced up. "You want to make the picture there? Fort Roach?"

"No, I want to make it at Continental. With you."

"Because we were such good pals in Germany. Looking at things."

"Freeman said you were the first call to make. You were there for the Relief Fund. You hired refugees in 'forty. You -- "

"So back to the well."

"He said the others think they're Republicans."

Lasner snorted. "Since when did Frank get funny? If I heard two cracks from him my whole life it's a lot." He shook his head, then snorted again. "Mayer keeps a picture of Hoover in his office. Hoover. And now with the horses. A Jew with horses. So he's fooling everybody." He paused. "Don't push me on this. We'll talk. In an office. We make a picture if it makes sense to make a picture. Not just someone tells me it's good for the Jews. Anyway, what kind of name is Collier?"

Ben smiled. "From Kohler. My father. It means the same thing."

"So why change it? Who changes names? Actors."

"My mother. After the divorce, we went to England. She wanted us to have English names. My father stayed in Germany."

"Stayed?"

"He was a Mischling. Half."

"And that saved him?"

"He thought it would."

Lasner looked away. "I'm sorry. So it's personal with you? That's no good, you know, in pictures. You get things mixed up."

"Not personal that way. I just want to get this done and get out of the Army. Same as everybody."

Lasner picked up the cigar again and lit it, settling in.

"Why'd you pick the Signal Corps?"

"Th...

About this edition

• Publisher: Atria Books
• Publication date: 2009
• ISBN 10: 143915614X
• ISBN 13: 9781439156148
• Binding: Hardcover
• Number of pages: 512