Items related to The Age of Reinvention
An international bestseller and finalist for the Prix Goncourt, France's most prestigious literary award, "The Age of Reinvention "is a suspenseful Gatsbian tale of a famous New York lawyer whose charmed and glamorous life is a sham.
Top Manhattan criminal defense attorney Sam Tahar seems to have it all: fame, fortune, an enviable marriage to a prominent socialite, and two wonderful children. But his success is built on a lie--he isn't the person he pretends to be.
Growing up a poor Tunisian immigrant, crammed inside the walls of a grimy Paris apartment tower, Samir Tahar seemed destined for life as either a drug dealer or a delivery man--until he decided "he was going to cut through the bars of his social jail cell, even if he had to do it with his teeth." At law school in Montpelier, France, he became fast friends with Jewish student Samuel Baron. The two were inseparable until the irresistible Nina, torn between the men, ultimately chose Samuel. Samir fled to America, where he assumed Samuel's identity and background while his former friend remained stuck in a French suburb, a failed, neurotic writer seething at Samir's overseas triumphs.
Decades later, the three meet again in this dark, powerful story of a deeply tangled love triangle that becomes subsumed by the war on terror. Called "a masterful novel...unquestionably one of the season's best" ("Paris Match") and "a work of great magnitude" ("Le Figaro"), "The Age of Reinvention "is an intriguing tale about the wonderful possibilities and terrible costs of remaking oneself.
Top Manhattan criminal defense attorney Sam Tahar seems to have it all: fame, fortune, an enviable marriage to a prominent socialite, and two wonderful children. But his success is built on a lie--he isn't the person he pretends to be.
Growing up a poor Tunisian immigrant, crammed inside the walls of a grimy Paris apartment tower, Samir Tahar seemed destined for life as either a drug dealer or a delivery man--until he decided "he was going to cut through the bars of his social jail cell, even if he had to do it with his teeth." At law school in Montpelier, France, he became fast friends with Jewish student Samuel Baron. The two were inseparable until the irresistible Nina, torn between the men, ultimately chose Samuel. Samir fled to America, where he assumed Samuel's identity and background while his former friend remained stuck in a French suburb, a failed, neurotic writer seething at Samir's overseas triumphs.
Decades later, the three meet again in this dark, powerful story of a deeply tangled love triangle that becomes subsumed by the war on terror. Called "a masterful novel...unquestionably one of the season's best" ("Paris Match") and "a work of great magnitude" ("Le Figaro"), "The Age of Reinvention "is an intriguing tale about the wonderful possibilities and terrible costs of remaking oneself.
"synopsis" may belong to another edition of this title.
About the Author:
Karine Tuil was born in Paris in 1972. A novelist and playwright, she is the award-winning author of eight previous novels, which have been translated into several languages. The Age of Reinvention was a major bestseller in France and shortlisted for the Prix Goncourt. She lives in Paris.
Excerpt. © Reprinted by permission. All rights reserved.:
The Age of Reinvention 1
Let’s begin with his wound. Yes, let’s begin there. The last of the stigmata inflicted during a brutal upbringing that Samir Tahar spent his whole life escaping, it was an inch-long gash on his neck. He’d gone to a plastic surgeon in Times Square who attempted to sand it off with a grinding wheel, but it was too late: he would keep the scar forever as a souvenir, would look at it every morning and remember where he came from, from what place/what violence. Look at it! Touch it! They looked, they touched. The first time was always a shock: the sight of/the contact with that whitish scar which betrayed the fury of its creator, signaled the taste for a power struggle, for contradiction—a form of social brutality that, brought to incandescence, presaged eroticism—a wound that he could hide beneath a scarf, a foulard, or a turtleneck sweater, so that nothing could be seen of it. That day, he was concealing it behind the starched collar of a $300 shirt—purchased in one of those luxury clothing stores that Samuel Baron only ever entered now with the vague hope of stealing from the cash register—and everything about him breathed opulence, complacency, consumerism, a zero-defect design. Everything about him denied what he had been: even his manners were affected, his voice tinged with an aristocratic accent, this man who, in law school, had been one of the most vocal supporters of the proletarian left! One of those radicals who had used their original mortification as a social weapon. Now, newly rich, an A-list lawyer, a big spender, a thunderous orator, a lex machina, everything about him spoke of identity change, vaulting ambition, social redemption—the exact counterpoint of what Samuel had become. Was he hallucinating? Maybe. This isn’t real, thinks/prays/screams Samuel; that can’t be him—Samir—that brand-new, famous, deified man, a personal and original creation, a prince surrounded by his camarilla, with his slick, specious rhetoric. On TV, he is primped and sexy, appealing to men and women, worshipped by all; an object of jealousy, perhaps, but also of respect; a virtuoso of the bar, fearless and shameless, smashing the prosecution’s argument to pieces with the jackhammer of his wit . . . That can’t be him, that artificial courtroom wolf, there, in New York, on CNN, his first name Americanized in capital letters—SAM TAHAR—and beneath it, his occupation: lawyer, while he, Samuel, was wasting away in a dingy apartment in Clichy-sous-Bois, rented for €700 per month, was slaving eight hours a day as a social worker for a charity, helping troubled youths who always seemed to ask: Baron—is that Jewish?, and would spend his evenings reading/posting on literary blogs (with the username Witold92)/writing pseudonymous books that were systematically rejected—His great social novel? We’re still waiting for it—that can’t be him, Samir Tahar, transformed beyond recognition, his face covered with a layer of beige foundation, eyes turned to the camera with the perfect command of an elite actor/lion tamer/marksman, his dark eyebrows waxed and shaped, his body corseted in a bespoke designer suit that was possibly even bought for the occasion, chosen specifically in order to seduce/persuade/attract attention, the holy trinity of political communication, the lessons that had been rammed down their throats at law school and which Samir was now putting into practice with the arrogant self-assurance of a campaigning politician. Samir, a guest on American television, representing the families of two U.S. soldiers killed in Afghanistan,1 intoning a paean to interventionism, glorifying moral fiber, trying his hand at sentimentalism! Samir, being questioned by the journalist2—who treats him with deference, as if he’s the conscience of the free world!—and remaining calm and confident, apparently having muzzled the beast within him, controlled the violence that for so long contaminated his every gesture. And yet, when you first met him, that was all you saw: the surreptitious wound, the tragic echoes of the horror of his formative years, spent inside the grimy walls of a twenty-floor tower block, fifteen or twenty of them (maybe even more) crammed on a stairwell that stank of dog/human piss; all those years spent pent-up there, on the eighteenth floor, with a view of the balconies of the tower block opposite, sweat suits swaying in the wind—fake Adidas, Nike, Puma bought for nothing in Taiwan/Ventimiglia/Marrakesh/the local Goodwill store, sweat-stained grayish undershirts, frayed underpants, rough toilet paper, plastic tablecloths, panties misshapen by too many washes/pounds lost or gained, hung out to dry in front of the satellite dishes that swarmed over the roofs/façades like rats in darkened basements where nobody ever went anymore out of fear of theft/rape/violence, where nobody ever went unless threatened with a pistol/knife/box cutter/knuckle-duster/billy club/bottle of sulfuric acid/pump-action shotgun/pepper spray/rifle/nunchuks (this was before the unrest in the East and the arrival in bulk of weapons of war from the ex-Yugoslavia—what a godsend! Just take a family vacation and—bingo!—load the good stuff in the trunk among all the kids’ toys: assault rifles, automatic weapons, Uzis, Kalashnikovs, explosives with electronic detonators . . . even [whatever floats your boat] rocket launchers, if you buy them cash-only. So you go off to a forest where you can practice alone, no witnesses, and then you wage war in underground parking garages sticky with puddles of engine oil and urine where nobody ever went anymore unless accompanied by a cop—and cops never went down there anymore. You wage ideological warfare in squats where twenty-five-/thirty-year-old lepers rejected/remade the world, or sexual warfare in basements stinking of damp and dope smoke where fourteen-/fifteen-year-olds roasted NONCONSENTING minors, ten or twenty of them taking it in turns, ’cause they had to prove they were men, ’cause the violence inside them had to force its way out somehow—they told the judge this in their defense—’cause they needed some kind of outlet for it. Or gang warfare carried out on wasteland turned into a battleground, night and day, by dozens of people crowding around to watch rheumy-eyed pit bulls fighting, each of them named after some fallen dictator—Hitler being the most popular—betting heavily on the biggest, the most rabid, the most deadly, yelling at the beast to tear its opponent to shreds, to bite its fucking eyeballs, turned on by the blood/the ripped flesh/the groans of pain and dying), while Samir stayed upstairs, studying like a freak, refusing to accept a life with no future, no money, having to choose between a job as a cleaner/warehouseman/delivery driver/caretaker/security guard, or dealer, if you aim really high, if you’re ambitious; wanting to impress his mother, Nawel Tahar, a cleaning lady for the Brunet family.3 Nawel, a petite, black-eyed brunette and model employee, knows all about them: she cleans their laundry, their dishes, their floors, their children, scouring, scrubbing, polishing and vacuuming, declaring only half her earnings, working Saturdays and public holidays, sometimes evenings in order to wait on them/their friends, politically committed men, feverishly scanning the papers for their name, googling themselves whenever they hear that someone has written an article on them—good or bad, who cares, as long as people are talking about them—happy to fuck women under thirty in rooms rented by the year, preoccupied by their weight, the ups and downs of the stock market, their wrinkles, obsessed by the loss of their youth, their savings, their hair; people who sleep together, work together, swap jobs, wives, mistresses, take it in turns to big each other up, lick ass, and get their cocks sucked by Albanian whores—the best in the world, apparently—whom they will attempt to liberate from detention centers where they were kept by ambitious administrators, whom they will try to save by using their connections—vainly, alas—sickened by immigration policies that tear away their objects of desire, their cleaning ladies, their kids’ favorite babysitters, the construction workers paid cash-in-hand who transform industrial wastelands into luxury lofts where they continue the revolution until the Assemblée Nationale Métro station because beyond that it’s not really their area anymore, Nawel, you can have the leftovers it’s a shame to waste them and we don’t have a dog, yes, the tragic shards of fate and hate that twenty years spent swallowing the choke pear have burned into their gaze—a hardened, shadowy gaze, sharp as a carbide knife that will scalp you and yet you’ll like it all the same. But all that was before Samir’s social success as a TV puppet, animated for your pleasure: Bravo, you’ve done it! She was conquered. Because there were two of them in front of the screen, two of them suppressing their hysterical aggression, two accomplices in failure: Nina was there too, Nina who had loved him, at twenty years old, when everything was still to play for, when everything was still possible. What ambitions does she have now? (1) Obtaining a raise of €100 per month. (2) Having a child before it’s too late—but what kind of future would the kid have? (3) Moving to a two-bed apartment with a view over a soccer field/trash cans/a muddy lakeside area where two ivory-colored swans flap their wings/die—the lost territories of the French Republic. (4) Paying off their debts—but how? Short-term solution: a government debt forgiveness commission. Long-term solution: God only knows. (5) Take a vacation, one week in Tunisia maybe, at an all-inclusive beach club on Djerba . . . well, they could dream.
“Look at him!” Nina shouted, eyes riveted to the screen, hypnotized by the image, drawn to it like a moth to a halogen lamp—a moth that will burn alive—and, watching him too, Samuel felt certain that Sam Tahar had long ago put behind him what had happened in 1987 at the University of L.—the incident that had destroyed Samuel forever. Twenty years spent trying to forget the tragedy of which he himself had been the unconscious orchestrator and the expiatory victim, and all for what? For it to be broadcast on CNN, at prime time.
They had met in the mid-eighties, at law school in Paris. Nina and Samuel had been together for a year when, on their first day back at school, they made the acquaintance of Samir Tahar. Like them, he was nineteen years old, but he seemed slightly older: a muscular man of medium height, with a nervous walk, whose beauty was not instantly obvious but who had you spellbound as soon as he opened his mouth. You saw him and you thought: Yes, that manly authority, that animal magnetism—fuel for sex. Everything about him promised pleasure; everything about him betrayed his desire—an aggressive, corrupting desire. That was the most disturbing thing about him, this guy they knew nothing about: his sincerity in conquest. It was the first thing you noticed: his taste for women—for sex, his weakness even then—perceptible in his ability to seduce them instantly, almost automatically, his sexual voracity, which he didn’t even try to control, which he was able to express in a single gaze (a fixed, piercing, pornographic gaze that unveiled his thoughts and was constantly on the lookout for the slightest hint of reciprocation) and which he had to sate—quickly, urgently; his self-proclaimed and unabashed hedonism, his absolute coolness in conversation, as if every friendly or social relationship with a woman or a girl could only be justified by the possibility of its being transformed into a different kind of relationship.
But there was something else too . . . You could sense the predatory nature of this son of Tunisian immigrants; you could sense the belligerence, fed on a feeling of humiliation so powerful that it was impossible to work out who, in his personal history of relationships marked by mistrust, could have had such an enduring and forceful effect upon him. He had his mother’s ambitions for himself: he wanted to succeed, to break the cycle of failure and poverty, of surrender and defeat; the family cycle, in short, which had already cost the life of his father, destroyed the dreams of his mother, and caused the breakup of a family. He was going to cut through the bars of his social jail cell, even if he had to do it with his teeth. A social climber? Sure, if you like . . . He was an immigrants’ son who refuted social mimicry—one of those who had assimilated the republican message: study hard, work hard. A role model. People envied his provocative, transgressive boldness, his aggressive way of thinking, which was not without charm. How could you not be won over by this slightly mocking student who could tell you about his childhood in the poorest part of London or in a dilapidated ghetto, then his adolescence in a tiny attic room and his return to a seedy public housing project, with a flair for the sordid details that could move you to tears and, five minutes later, talk about a meeting between Gorbachev and Mitterrand as if he had been there? His strength was his taste for politics and for stories. He could spend whole evenings reading autobiographies and speeches by Nobel Prize winners; he liked learning about these people who had achieved greatness, because that was what he wanted for himself: greatness. The aura, the charisma . . . he already had those.
For a man like Samuel, for whom the whole of existence was nothing but a mass of neuroses and whose only ambition was to use this mental suffering as material for a great book, it was a providential friendship. Because when he first met Samir, he was in pieces. Out of nowhere, he had just learned the truth about his origins—and it was chaos. His parents had waited until his eighteenth birthday to inform him that he was actually born in Poland as Krzysztof Antkowiak. There you go, son, your innocent childhood is over—welcome to the adult world! An open world of perfect transparency is opening its doors to you! Samuel would have preferred to remain in ignorance. He didn’t know what shocked him most: learning that his parents were not really his parents or discovering that his true first name was a derivative of Christ’s: Samuel had been raised, after all, by a couple who were first secular (a pure, hard, uncompromising secularism, loudly and proudly proclaimed, according to those who knew them at the time) and then Jewish Orthodox—a spectacular turnaround with no rational explanation. That story alone could fill a book. A few hours after his birth, Samuel was abandoned by his mother, Sofia Antkowiak,4 placed in an orphanage, and then adopted by a French couple of Jewish origin, Jacques and Martine Baron. Their names no longer provoke even the tiniest spark of recognition, and yet they were among the most active agitators on the French political and intellectual scene in the sixties and seventies. Members of the Union of Communist Students and the French Communist Party, friends with Alain Krivine and Henri Weber, Jacques and Martine Baron—both of them from the same middle-class assimilated Jewish background—had long ago given up any desire for recognition. Rejecting determinism and gregariousness, they decided to reinvent themse...
Let’s begin with his wound. Yes, let’s begin there. The last of the stigmata inflicted during a brutal upbringing that Samir Tahar spent his whole life escaping, it was an inch-long gash on his neck. He’d gone to a plastic surgeon in Times Square who attempted to sand it off with a grinding wheel, but it was too late: he would keep the scar forever as a souvenir, would look at it every morning and remember where he came from, from what place/what violence. Look at it! Touch it! They looked, they touched. The first time was always a shock: the sight of/the contact with that whitish scar which betrayed the fury of its creator, signaled the taste for a power struggle, for contradiction—a form of social brutality that, brought to incandescence, presaged eroticism—a wound that he could hide beneath a scarf, a foulard, or a turtleneck sweater, so that nothing could be seen of it. That day, he was concealing it behind the starched collar of a $300 shirt—purchased in one of those luxury clothing stores that Samuel Baron only ever entered now with the vague hope of stealing from the cash register—and everything about him breathed opulence, complacency, consumerism, a zero-defect design. Everything about him denied what he had been: even his manners were affected, his voice tinged with an aristocratic accent, this man who, in law school, had been one of the most vocal supporters of the proletarian left! One of those radicals who had used their original mortification as a social weapon. Now, newly rich, an A-list lawyer, a big spender, a thunderous orator, a lex machina, everything about him spoke of identity change, vaulting ambition, social redemption—the exact counterpoint of what Samuel had become. Was he hallucinating? Maybe. This isn’t real, thinks/prays/screams Samuel; that can’t be him—Samir—that brand-new, famous, deified man, a personal and original creation, a prince surrounded by his camarilla, with his slick, specious rhetoric. On TV, he is primped and sexy, appealing to men and women, worshipped by all; an object of jealousy, perhaps, but also of respect; a virtuoso of the bar, fearless and shameless, smashing the prosecution’s argument to pieces with the jackhammer of his wit . . . That can’t be him, that artificial courtroom wolf, there, in New York, on CNN, his first name Americanized in capital letters—SAM TAHAR—and beneath it, his occupation: lawyer, while he, Samuel, was wasting away in a dingy apartment in Clichy-sous-Bois, rented for €700 per month, was slaving eight hours a day as a social worker for a charity, helping troubled youths who always seemed to ask: Baron—is that Jewish?, and would spend his evenings reading/posting on literary blogs (with the username Witold92)/writing pseudonymous books that were systematically rejected—His great social novel? We’re still waiting for it—that can’t be him, Samir Tahar, transformed beyond recognition, his face covered with a layer of beige foundation, eyes turned to the camera with the perfect command of an elite actor/lion tamer/marksman, his dark eyebrows waxed and shaped, his body corseted in a bespoke designer suit that was possibly even bought for the occasion, chosen specifically in order to seduce/persuade/attract attention, the holy trinity of political communication, the lessons that had been rammed down their throats at law school and which Samir was now putting into practice with the arrogant self-assurance of a campaigning politician. Samir, a guest on American television, representing the families of two U.S. soldiers killed in Afghanistan,1 intoning a paean to interventionism, glorifying moral fiber, trying his hand at sentimentalism! Samir, being questioned by the journalist2—who treats him with deference, as if he’s the conscience of the free world!—and remaining calm and confident, apparently having muzzled the beast within him, controlled the violence that for so long contaminated his every gesture. And yet, when you first met him, that was all you saw: the surreptitious wound, the tragic echoes of the horror of his formative years, spent inside the grimy walls of a twenty-floor tower block, fifteen or twenty of them (maybe even more) crammed on a stairwell that stank of dog/human piss; all those years spent pent-up there, on the eighteenth floor, with a view of the balconies of the tower block opposite, sweat suits swaying in the wind—fake Adidas, Nike, Puma bought for nothing in Taiwan/Ventimiglia/Marrakesh/the local Goodwill store, sweat-stained grayish undershirts, frayed underpants, rough toilet paper, plastic tablecloths, panties misshapen by too many washes/pounds lost or gained, hung out to dry in front of the satellite dishes that swarmed over the roofs/façades like rats in darkened basements where nobody ever went anymore out of fear of theft/rape/violence, where nobody ever went unless threatened with a pistol/knife/box cutter/knuckle-duster/billy club/bottle of sulfuric acid/pump-action shotgun/pepper spray/rifle/nunchuks (this was before the unrest in the East and the arrival in bulk of weapons of war from the ex-Yugoslavia—what a godsend! Just take a family vacation and—bingo!—load the good stuff in the trunk among all the kids’ toys: assault rifles, automatic weapons, Uzis, Kalashnikovs, explosives with electronic detonators . . . even [whatever floats your boat] rocket launchers, if you buy them cash-only. So you go off to a forest where you can practice alone, no witnesses, and then you wage war in underground parking garages sticky with puddles of engine oil and urine where nobody ever went anymore unless accompanied by a cop—and cops never went down there anymore. You wage ideological warfare in squats where twenty-five-/thirty-year-old lepers rejected/remade the world, or sexual warfare in basements stinking of damp and dope smoke where fourteen-/fifteen-year-olds roasted NONCONSENTING minors, ten or twenty of them taking it in turns, ’cause they had to prove they were men, ’cause the violence inside them had to force its way out somehow—they told the judge this in their defense—’cause they needed some kind of outlet for it. Or gang warfare carried out on wasteland turned into a battleground, night and day, by dozens of people crowding around to watch rheumy-eyed pit bulls fighting, each of them named after some fallen dictator—Hitler being the most popular—betting heavily on the biggest, the most rabid, the most deadly, yelling at the beast to tear its opponent to shreds, to bite its fucking eyeballs, turned on by the blood/the ripped flesh/the groans of pain and dying), while Samir stayed upstairs, studying like a freak, refusing to accept a life with no future, no money, having to choose between a job as a cleaner/warehouseman/delivery driver/caretaker/security guard, or dealer, if you aim really high, if you’re ambitious; wanting to impress his mother, Nawel Tahar, a cleaning lady for the Brunet family.3 Nawel, a petite, black-eyed brunette and model employee, knows all about them: she cleans their laundry, their dishes, their floors, their children, scouring, scrubbing, polishing and vacuuming, declaring only half her earnings, working Saturdays and public holidays, sometimes evenings in order to wait on them/their friends, politically committed men, feverishly scanning the papers for their name, googling themselves whenever they hear that someone has written an article on them—good or bad, who cares, as long as people are talking about them—happy to fuck women under thirty in rooms rented by the year, preoccupied by their weight, the ups and downs of the stock market, their wrinkles, obsessed by the loss of their youth, their savings, their hair; people who sleep together, work together, swap jobs, wives, mistresses, take it in turns to big each other up, lick ass, and get their cocks sucked by Albanian whores—the best in the world, apparently—whom they will attempt to liberate from detention centers where they were kept by ambitious administrators, whom they will try to save by using their connections—vainly, alas—sickened by immigration policies that tear away their objects of desire, their cleaning ladies, their kids’ favorite babysitters, the construction workers paid cash-in-hand who transform industrial wastelands into luxury lofts where they continue the revolution until the Assemblée Nationale Métro station because beyond that it’s not really their area anymore, Nawel, you can have the leftovers it’s a shame to waste them and we don’t have a dog, yes, the tragic shards of fate and hate that twenty years spent swallowing the choke pear have burned into their gaze—a hardened, shadowy gaze, sharp as a carbide knife that will scalp you and yet you’ll like it all the same. But all that was before Samir’s social success as a TV puppet, animated for your pleasure: Bravo, you’ve done it! She was conquered. Because there were two of them in front of the screen, two of them suppressing their hysterical aggression, two accomplices in failure: Nina was there too, Nina who had loved him, at twenty years old, when everything was still to play for, when everything was still possible. What ambitions does she have now? (1) Obtaining a raise of €100 per month. (2) Having a child before it’s too late—but what kind of future would the kid have? (3) Moving to a two-bed apartment with a view over a soccer field/trash cans/a muddy lakeside area where two ivory-colored swans flap their wings/die—the lost territories of the French Republic. (4) Paying off their debts—but how? Short-term solution: a government debt forgiveness commission. Long-term solution: God only knows. (5) Take a vacation, one week in Tunisia maybe, at an all-inclusive beach club on Djerba . . . well, they could dream.
“Look at him!” Nina shouted, eyes riveted to the screen, hypnotized by the image, drawn to it like a moth to a halogen lamp—a moth that will burn alive—and, watching him too, Samuel felt certain that Sam Tahar had long ago put behind him what had happened in 1987 at the University of L.—the incident that had destroyed Samuel forever. Twenty years spent trying to forget the tragedy of which he himself had been the unconscious orchestrator and the expiatory victim, and all for what? For it to be broadcast on CNN, at prime time.
They had met in the mid-eighties, at law school in Paris. Nina and Samuel had been together for a year when, on their first day back at school, they made the acquaintance of Samir Tahar. Like them, he was nineteen years old, but he seemed slightly older: a muscular man of medium height, with a nervous walk, whose beauty was not instantly obvious but who had you spellbound as soon as he opened his mouth. You saw him and you thought: Yes, that manly authority, that animal magnetism—fuel for sex. Everything about him promised pleasure; everything about him betrayed his desire—an aggressive, corrupting desire. That was the most disturbing thing about him, this guy they knew nothing about: his sincerity in conquest. It was the first thing you noticed: his taste for women—for sex, his weakness even then—perceptible in his ability to seduce them instantly, almost automatically, his sexual voracity, which he didn’t even try to control, which he was able to express in a single gaze (a fixed, piercing, pornographic gaze that unveiled his thoughts and was constantly on the lookout for the slightest hint of reciprocation) and which he had to sate—quickly, urgently; his self-proclaimed and unabashed hedonism, his absolute coolness in conversation, as if every friendly or social relationship with a woman or a girl could only be justified by the possibility of its being transformed into a different kind of relationship.
But there was something else too . . . You could sense the predatory nature of this son of Tunisian immigrants; you could sense the belligerence, fed on a feeling of humiliation so powerful that it was impossible to work out who, in his personal history of relationships marked by mistrust, could have had such an enduring and forceful effect upon him. He had his mother’s ambitions for himself: he wanted to succeed, to break the cycle of failure and poverty, of surrender and defeat; the family cycle, in short, which had already cost the life of his father, destroyed the dreams of his mother, and caused the breakup of a family. He was going to cut through the bars of his social jail cell, even if he had to do it with his teeth. A social climber? Sure, if you like . . . He was an immigrants’ son who refuted social mimicry—one of those who had assimilated the republican message: study hard, work hard. A role model. People envied his provocative, transgressive boldness, his aggressive way of thinking, which was not without charm. How could you not be won over by this slightly mocking student who could tell you about his childhood in the poorest part of London or in a dilapidated ghetto, then his adolescence in a tiny attic room and his return to a seedy public housing project, with a flair for the sordid details that could move you to tears and, five minutes later, talk about a meeting between Gorbachev and Mitterrand as if he had been there? His strength was his taste for politics and for stories. He could spend whole evenings reading autobiographies and speeches by Nobel Prize winners; he liked learning about these people who had achieved greatness, because that was what he wanted for himself: greatness. The aura, the charisma . . . he already had those.
For a man like Samuel, for whom the whole of existence was nothing but a mass of neuroses and whose only ambition was to use this mental suffering as material for a great book, it was a providential friendship. Because when he first met Samir, he was in pieces. Out of nowhere, he had just learned the truth about his origins—and it was chaos. His parents had waited until his eighteenth birthday to inform him that he was actually born in Poland as Krzysztof Antkowiak. There you go, son, your innocent childhood is over—welcome to the adult world! An open world of perfect transparency is opening its doors to you! Samuel would have preferred to remain in ignorance. He didn’t know what shocked him most: learning that his parents were not really his parents or discovering that his true first name was a derivative of Christ’s: Samuel had been raised, after all, by a couple who were first secular (a pure, hard, uncompromising secularism, loudly and proudly proclaimed, according to those who knew them at the time) and then Jewish Orthodox—a spectacular turnaround with no rational explanation. That story alone could fill a book. A few hours after his birth, Samuel was abandoned by his mother, Sofia Antkowiak,4 placed in an orphanage, and then adopted by a French couple of Jewish origin, Jacques and Martine Baron. Their names no longer provoke even the tiniest spark of recognition, and yet they were among the most active agitators on the French political and intellectual scene in the sixties and seventies. Members of the Union of Communist Students and the French Communist Party, friends with Alain Krivine and Henri Weber, Jacques and Martine Baron—both of them from the same middle-class assimilated Jewish background—had long ago given up any desire for recognition. Rejecting determinism and gregariousness, they decided to reinvent themse...
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- PublisherScribner UK
- Publication date2015
- ISBN 10 1471153940
- ISBN 13 9781471153945
- BindingHardcover
- Number of pages416
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Book Description Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. London. Scribner / Simon & Schuster. 2015. Hard Cover. Cream cloth boards with dark brown spine titles. First Edition/First Printing. (1 in number line on copyright page). Illustrated unclipped dust wrapper protected in mylar. Both book and jacket are new. Flat signed by the author without dedication to the title page. The Age of Reinvention is a stand-alone novel written by Karine Tuil. It was originally published as L'Invention de Nos Vies by Editions Grasset & Fasquelle on August 21, 2013, and was later translated from French to English by Sam Taylor on December 1, 2015. Signed by Author(s). Seller Inventory # DEC13KH006
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The Age of Reinvention
Published by
Scribner UK
(2015)
ISBN 10: 1471153940
ISBN 13: 9781471153945
New
Hardcover
First Edition
Signed
Quantity: 3
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Book Description Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. First edition first impression in as new condition, flat signed by author to title page, no markings, the book is new and unread, jacket in removable protective sleeve, please see pics, paypal accepted, any questions please get in touch. Signed by Author(s). Seller Inventory # ABE-17514454904
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US$ 20.53
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The Age of Reinvention (Signed First Edition)
Published by
Scribner UK
(2015)
ISBN 10: 1471153940
ISBN 13: 9781471153945
New
Hardcover
First Edition
Signed
Quantity: 1
Seller:
Rating
Book Description Hardcover. Condition: New. Dust Jacket Condition: New. 1st Edition. LONDON: Scribner UK (2015). First edition, first printing (with full number line down to the 1). Hardbound. NEW. Very Fine in a very fine dust jacket. A tight, clean copy, new and unread. Comes with archival-quality mylar dust jacket protector. NOT price clipped. Shipped in well padded box. Smoke-free. SIGNED BY AUTHOR on title page, her name only, no other writing. You cannot find a better copy. Signed by Author(s). Seller Inventory # British-Signed-Fiction-3
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US$ 100.00
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