Bellocq's Ophelia: Poems - Softcover

Trethewey, Natasha

Softcover

ISBN 10: 1555973590 ISBN 13: 9781555973599

Publisher: Graywolf Press, 2002

Synopsis

Selected as a "2003 Notable Book" by the American Library Association

In the early 1900s, E.J. Bellocq photographed prostitutes in the red-light district of New Orleans. His remarkable, candid photos inspired Natasha Trethewey to imagine the life of Ophelia, the subject of Bellocq's Ophelia, her stunning second collection of poems. With elegant precision, Ophelia tells of her life on display: her white father whose approval she earns by standing very still; the brothel Madame who tells her to act like a statue while the gentlemen callers choose; and finally the camera, which not only captures her body, but also offers a glimpse into her soul.

About this title

About the Author:

Mississippi native Natasha Trethewey is the recipient of the Grolier Poetry Prize and a Pushcart Prize. Her poems have been widely published, and one of them appeared in The Best American Poetry 2000. Her first book, Domestic Work, was the first winner of the Cave Canem Poetry Prize, selected by Rita Dove and published by Graywolf in 2000. Trethewey teaches creative writing at Emory Writing.

From Publishers Weekly:

Following up her debut, Domestic Work (2000), which included a number of historical monologues, Tretheway's short sophomore effort is a quiet collection of poems in the persona of a "very white-skinned black woman mulatto, quadroon, or octoroon," a prostitute in New Orleans just before WWI. The Bellocq of the title is E.J., the Toulouse-Lautrec-like photographer whose Storyville prostitute portraits, brought out from oblivion by Lee Friedlander, inspired Louis Malle's 1978 film Pretty Baby and now this sequence. A stanza that begins "There are indeed all sorts of men who visit here" predictably yet elegantly ends "And then there are those, of course, whose desires I cannot commit to paper." Yet this is not generally a sentimentalized account of a conventional subject. Much more like Bellocq's artless, sympathetic and gorgeous portraits are lines like these, describing the "girls": "They like best, as I do, the regular meals, warm from the cooks in our own kitchen, the clean indoor toilet and hot-water bath." While the trend of the first-person historical novel (think Wittgenstein's Nephew as much as Corelli's Mandolin) has passed, the best poems here fulfill the genre's mandate to spice up the period piece with intellectual frisson; Tretheway goes two-for-two by successfully taking on the poetically dubious task of working from art and making it signify anew. (Apr.)Forecast: Despite the book's brevity, expect review attention, as well as short items in glossies profiling Tretheway with the requisite provocative Bellocq reproductions. National Poetry Month reviewers wanting to take stock of recent poetry by African-American women might place this book alongside Harryette Mullen's Sleeping with the Dictionary (Forecasts, Dec. 17, 2001) and Elizabeth Alexander's Antebellum Dream Book (published last year).

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About this edition

• Publisher: Graywolf Press
• Publication date: 2002
• ISBN 10: 1555973590
• ISBN 13: 9781555973599
• Binding: Paperback
• Number of pages: 48