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As Fascist racial laws go from strength to strength, the family, which had long isolated itself from the other inhabitants of Ferrara, opens its walled grounds and tennis court to other young Jews and even returns to the local temple. Unfortunately, the situation encourages the narrator's dream that Micol will return his love, and she is forced into cruel honesty. "She looked into my eyes, and her gaze entered me, straight, sure, hard: with the limpid inexorability of a sword."
The author has re-created a tragic era in which even nobility could not outrun events, let alone admit they needed to. (For a nonfiction account of the fates of five Italian Jewish families under fascism, see Alexander Stille's Benevolence and Betrayal.) Bassani's elision of historical and personal agony is furthermore superbly translated by William Weaver. All is foretold in the novel's Manzonian epigraph, "The heart, to be sure, always has something to say about what is to come, to him who heeds it. But what does the heart know? Only a little of what has already happened."
Giorgio Bassani was born in 1916. From 1938 onwards he became involved in various anti-fascist activities for which he was imprisoned in 1943. His works include The Gold-Rimmed Spectacles, and Five Stories of Ferrara (Within the Walls), which won the Strega Prize. The Garden of the Finzi-Continis was awarded the Viareggio Prize in 1962 and was made into a feature film.
William Weaver was an award-winning poet and translator. He died in 2013.
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Book Description Condition: New. New. In shrink wrap. Looks like an interesting title! 0.55. Seller Inventory # Q-1567310990