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The turning-points in his career are the Neue Gedichte (‘New Poems’) of 1907–8, together with the journal-novel of the same period, Die Aufzeichnungen des Malte Laurids Brigge (1910); and Duineser Elegeien and Die Soneete an Orpheus of 1922. His final interest was Paul Valéry whose poems, Charmes, he translated in 1925 and imitated in his own Poèmes français.
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