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This translation of Dante's Convito--the first in English--is from the hand of a lady whose enthusiasm for the genius of Dante has made it a chief pleasure of her life to dwell on it by translating, not his Divine Comedy only, but also the whole body of his other works. Among those works the Vita Nuova and the Convito have a distinct place, as leading up to the great masterpiece. In the New Life, Man starts on his career with human love that points to the divine. In the Banquet, he passes to mature life and to love of knowledge that declares the power and the love of God in the material and moral world about us and within us. In the Divine Comedy, the Poet passes to the world to come, and rises to the final union of the love for Beatrice, the beatifier, with the glory of the Love of God. Of this great series, the crowning work has, of course, had many translators, and there have been translators also of the book that shows the youth of love. But the noble fragment of the Convito that unites these two has, I elieve, never yet been placed within reach of the English reader, except by a translation of its poems only into unrhymed measure in Mr. Charles Lyell's "Poems of the Vita Nuova and the Convito," published in 1835.

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About the Author:
Durante degli Alighieri (1265 - 1321), was a major Italian poet of the Late Middle Ages. His Divine Comedy, originally called Comedìa and later christened Divina by Boccaccio, is widely considered the greatest literary work composed in the Italian language and a masterpiece of world literature. In the late Middle Ages, the overwhelming majority of poetry was written in Latin and therefore accessible only to affluent and educated audiences. In De vulgari eloquentia (On Eloquence in the Vernacular), however, Dante defended use of the vernacular in literature. He himself would even write in the Tuscan dialect for works such as The New Life (1295) and the aforementioned Divine Comedy; this choice, although highly unorthodox, set a hugely important precedent that later Italian writers such as Petrarch and Boccaccio would follow. As a result, Dante played an instrumental role in establishing the national language of Italy. --Wikipedia

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  • PublisherBook Jungle
  • Publication date2007
  • ISBN 10 1604241829
  • ISBN 13 9781604241822
  • BindingPaperback
  • Number of pages244
  • Rating

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Book Description Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This translation of Dante's Convito--the first in English--is from the hand of a lady whose enthusiasm for the genius of Dante has made it a chief pleasure of her life to dwell on it by translating, not his Divine Comedy only, but also the whole body of his other works. Among those works the Vita Nuova and the Convito have a distinct place, as leading up to the great masterpiece. In the New Life, Man starts on his career with human love that points to the divine. In the Banquet, he passes to mature life and to love of knowledge that declares the power and the love of God in the material and moral world about us and within us. In the Divine Comedy, the Poet passes to the world to come, and rises to the final union of the love for Beatrice, the beatifier, with the glory of the Love of God. Of this great series, the crowning work has, of course, had many translators, and there have been translators also of the book that shows the youth of love. But the noble fragment of the Convito that unites these two has, I elieve, never yet been placed within reach of the English reader, except by a translation of its poems only into unrhymed measure in Mr. Charles Lyell's 'Poems of the Vita Nuova and the Convito,' published in 1835. Seller Inventory # 9781604241822

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