Madeleine Thien Do Not Say We Have Nothing

ISBN 13: 9781783782666

Do Not Say We Have Nothing

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9781783782666: Do Not Say We Have Nothing

Winner of the 2016 Scotiabank Giller Prize
Finalist for the 2016 Man Booker Prize


"A vivid, magisterial novel that reaches back to China's civil war and up to the present day" ?The Guardian

“In a single year, my father left us twice. The first time, to end his marriage, and the second, when he took his own life. I was ten years old.”

Master storyteller Madeleine Thien takes us inside an extended family in China, showing us the lives of two successive generations?those who lived through Mao’s Cultural Revolution and their children, who became the students protesting in Tiananmen Square. At the center of this epic story are two young women, Marie and Ai-Ming. Through their relationship Marie strives to piece together the tale of her fractured family in present-day Vancouver, seeking answers in the fragile layers of their collective story. Her quest will unveil how Kai, her enigmatic father, a talented pianist, and Ai-Ming’s father, the shy and brilliant composer, Sparrow, along with the violin prodigy Zhuli were forced to reimagine their artistic and private selves during China’s political campaigns and how their fates reverberate through the years with lasting consequences.

With maturity and sophistication, humor and beauty, Thien has crafted a novel that is at once intimate and grandly political, rooted in the details of life inside China yet transcendent in its universality.

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About the Author:

Madeleine Thien is the author of three novels and a collection of stories, and she has been translated into twenty-five languages. Do Not Say We Have Nothing was shortlisted for the 2016 Man Booker Prize. She lives in Montreal.

Excerpt. Reprinted by permission. All rights reserved.:

On the 16th of December, 1990, Ma came home in a taxi with a new daughter who wore no coat, only a thick scarf, a woollen sweater, blue jeans and canvas shoes. I had never met a Chinese girl before, that is, one who, like my father, came from real mainland China. A pair of grey mittens dangled from a string around her neck and swayed in nervous rhythm against her legs. The fringed ends of her blue scarf fell one in front and one behind, like a scholar. The rain was falling hard, and she walked with her head down, holding a medium-sized suitcase that appeared to be empty. She was pale and her hair had the gleam of the sea.
   Casually I opened the door and widened my eyes as if I was not expecting visitors. 
   "Girl," Ma said. "Take the suitcase. Hurry up." 
   Ai-ming stepped inside and paused on the edge of the doormat. When I reached for the suitcase, my hand accidentally touched hers, but she didn’t draw back. Instead, her other hand reached out and lightly covered mine. She gazed right at me, with such openness and curiosity that, out of shyness, I closed my eyes.
   "Ai-ming," Ma was saying. "Let me introduce you. This is my Girl."
   I pulled away and opened my eyes again.
   Ma, taking off her coat, glanced first at me and then at the room. The brown sofa with its three camel-coloured stripes had seen better days, but I had spruced it up with all the flowery pillows and stuffed animals from my bed. I had also turned on the television in order to give this room the appearance of liveliness. Ma nodded vigorously at me. "Girl, greet your aunt."
   "Really, it’s okay if you call me Ai-ming. Please. I really, mmm, prefer it."
   To placate them both, I said, "Hello."
   Just as I suspected, the suitcase was very light. With my free hand, I moved to take Ai-ming’s coat, remembering too late she didn’t have one. My arm wavered in the air like a question mark. She reached out, grasped my hand and firmly shook it.
   She had a question in her eyes. Her hair, pinned back on one side, fell loosely on the other, so that she seemed forever in profile, about to turn towards me. Without letting go of my hand, she manoeuvred her shoes noiselessly off her feet, first one then the other. Pinpoints of rain glimmered on her scarf. Our lives had contracted to such a degree that I could not remember the last time a stranger had entered our home; Ai-ming’s presence made everything unfamiliar, as if the walls were crowding a few inches nearer to see her. The previous night, we had, at last, tidied Ba’s papers and notebooks, putting them into boxes and stacking the boxes under the kitchen table. Now I found the table’s surface deceitfully bare. I freed my hand, saying I would put the suitcase in her bedroom.
   Ma showed her around the apartment. I retreated to the sofa and pretended to watch the Weather Channel, which predicted rain for the rest of the week, the rest of 1990, the rest of the century, and even the remainder of all time. Their two voices ran one after the other like cable cars, interrupted now and then by silence. The intensity in the apartment crept inside me, and I had the sensation that the floor was made of paper, that there were words written everywhere I couldn’t read, and one unthinking gesture could crumple this whole place down.

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Madeleine Thien
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Book Description GRANTA BOOKS, United Kingdom, 2016. Paperback. Book Condition: New. 216 x 135 mm. Language: English . Brand New Book. WINNER OF THE SCOTIABANK GILLER PRIZE 2016 LONGLISTED FOR THE BAILEYS WOMEN S PRIZE FOR FICTION 2017 SHORTLISTED FOR THE MAN BOOKER PRIZE 2016 AND THE PARAGRAPHE HUGH MACLENNAN PRIZE FOR FICTION 2016. In Canada in 1990, ten-year-old Marie and her mother invite a guest into their home: a young woman who has fled China in the aftermath of the Tiananmen Square protests. Her name is Ai-Ming. As her relationship with Marie deepens, Ai-Ming tells the story of her family in revolutionary China, from the crowded teahouses in the first days of Chairman Mao s ascent to the Shanghai Conservatory in the 1960s and the events leading to the Beijing demonstrations of 1989. It is a history of revolutionary idealism, music, and silence, in which three musicians, the shy and brilliant composer Sparrow, the violin prodigy Zhuli, and the enigmatic pianist Kai struggle during China s relentless Cultural Revolution to remain loyal to one another and to the music they have devoted their lives to. Forced to re-imagine their artistic and private selves, their fates reverberate through the years, with deep and lasting consequences for Ai-Ming - and for Marie.Written with exquisite intimacy, wit and moral complexity, Do Not Say We Have Nothing magnificently brings to life one of the most significant political regimes of the 20th century and its traumatic legacy, which still resonates for a new generation.It is a gripping evocation of the persuasive power of revolution and its effects on personal and national identity, and an unforgettable meditation on China today. Bookseller Inventory # ARG9781783782666

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Book Description GRANTA BOOKS, United Kingdom, 2016. Paperback. Book Condition: New. 216 x 135 mm. Language: English . Brand New Book. WINNER OF THE SCOTIABANK GILLER PRIZE 2016 LONGLISTED FOR THE BAILEYS WOMEN S PRIZE FOR FICTION 2017 SHORTLISTED FOR THE MAN BOOKER PRIZE 2016 AND THE PARAGRAPHE HUGH MACLENNAN PRIZE FOR FICTION 2016. In Canada in 1990, ten-year-old Marie and her mother invite a guest into their home: a young woman who has fled China in the aftermath of the Tiananmen Square protests. Her name is Ai-Ming. As her relationship with Marie deepens, Ai-Ming tells the story of her family in revolutionary China, from the crowded teahouses in the first days of Chairman Mao s ascent to the Shanghai Conservatory in the 1960s and the events leading to the Beijing demonstrations of 1989. It is a history of revolutionary idealism, music, and silence, in which three musicians, the shy and brilliant composer Sparrow, the violin prodigy Zhuli, and the enigmatic pianist Kai struggle during China s relentless Cultural Revolution to remain loyal to one another and to the music they have devoted their lives to. Forced to re-imagine their artistic and private selves, their fates reverberate through the years, with deep and lasting consequences for Ai-Ming - and for Marie.Written with exquisite intimacy, wit and moral complexity, Do Not Say We Have Nothing magnificently brings to life one of the most significant political regimes of the 20th century and its traumatic legacy, which still resonates for a new generation.It is a gripping evocation of the persuasive power of revolution and its effects on personal and national identity, and an unforgettable meditation on China today. Bookseller Inventory # ARG9781783782666

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Book Description Book Condition: New. Publisher/Verlag: Granta Books | In Canada in 1991, ten-year-old Marie and her mother invite a guest into their home: a young woman who has fled China in the aftermath of the Tiananmen Square protests. Her name is Ai-Ming. As her relationship with Marie deepens, Ai-Ming tells the story of her family in revolutionary China, from the crowded teahouses in the first days of Chairman Mao's ascent, to the Shanghai Conservatory in the 1960s and the events leading to the Beijing demonstrations of 1989.It is a history of revolutionary idealism, music, and silence, in which three musicians, the shy and brilliant composer Sparrow, the violin prodigy Zhuli, and the enigmatic pianist Kai struggle during China's relentless Cultural Revolution to remain loyal to one another and to the music they have devoted their lives to. Forced to re-imagine their artistic and private selves, their fates reverberate through the years, with deep and lasting consequences for Ai-Ming - and for Marie. Written with exquisite intimacy, wit and moral complexity, Do Not Say We Have Nothing magnificently brings to life one of the most significant political regimes of the 20th century and its traumatic legacy, which still resonates for a new generation.It is a gripping evocation of the persuasive power of revolution and its effects on personal and national identity, and an unforgettable meditation on China today. | Format: Paperback | Language/Sprache: english | 456 gr | 216x136x31 mm | 480 pp. Bookseller Inventory # K9781783782666

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