Break No Bones

Kathy Reichs

ISBN 10: 1846570050 ISBN 13: 9781846570056

Publisher: Audiobooks, 2006

Synopsis

New York Times bestselling author Kathy Reichs’s Break No Bones is now available on audio for only $14.99.

The inspiration for the hit Fox series Bones, Kathy Reichs explores another high-stakes crime from today’s headlines—in a case that lands forensic anthropologist Tempe Brennan in the middle of a gruesome international scheme. Summoned to South Carolina to fill in for a negligent colleague, Tempe is stuck teaching at a lackluster archeology field school in the ruins of a Native American burial ground on the Charleston shore. But when Tempe stumbles upon a fresh skeleton among the ancient bones, her old friend Emma Rousseaus, the local coroner, persuades Tempe to stay on and help with the investigation. When Emma reveals a disturbing secret, it becomes more important than ever for Tempe to help her friend close the case.

The body count begins to climb. Tempe follows the trail to a free street clinic with a belligerent staff, a suspicious doctor, and a donor who is a charismatic televangelist. Clues abound in the most unlikely places as Tempe uses her unique knowledge and skills to build her case, even as the local sheriff remains dubious and her own life is threatened.

About this title

About the Author:

Kathy Reichs, like her character Temperance Brennan, is a forensic anthropologist, formerly for the Office of the Chief Medical Examiner in North Carolina and currently for the Laboratoire de sciences judiciaires et de médecine légale for the province of Quebec. A professor in the department of anthropology at the University of North Carolina at Charlotte, she is one of only seventy-nine forensic anthropologists ever certified by the American Board of Forensic Anthropology, is past Vice President of the American Academy of Forensic Sciences, and serves on the National Police Services Advisory Board in Canada. Reichs’s first book, Déja Dead, catapulted her to fame when it became a New York Times bestseller and won the 1997 Ellis Award for Best First Novel.

Excerpt. © Reprinted by permission. All rights reserved.:

Chapter One

Never fails. You're wrapping up the operation when someone blunders onto the season's big score.

OK. I'm exaggerating. But it's damn close to what happened. And the final outcome was far more disturbing than any last-minute discovery of a potsherd or hearth.

It was May 18, the second-to-the-last day of the archaeological field school. I had twenty students digging a site on Dewees, a barrier island north of Charleston, South Carolina.

I also had a journalist. With the IQ of plankton.

"Sixteen bodies?" Plankton pulled a spiral notebook as his brain strobed visions of Dahmer and Bundy. "Vics ID'd?"

"The graves are prehistoric."

Two eyes rolled up, narrowed under puffy lids. "Old Indians?"

"Native Americans."

"They got me covering dead Indians?" No political correctness prize for this guy.

"They?" Icy.

"The Moultrie News. The East Cooper community paper."

Charleston, as Rhett told Scarlett, is a city marked by the genial grace of days gone by. Its heart is the Peninsula, a district of antebellum homes, cobbled streets, and outdoor markets bounded by the Ashley and Cooper rivers. Charlestonians define their turf by these waterways. Neighborhoods are referred to as "West Ashley" or "East Cooper," the latter including Mount Pleasant, and three islands, Sullivan's, the Isle of Palms, and Dewees. I assumed plankton's paper covered that beat.

"And you are?" I asked.

"Homer Winborne."

With his five-o'clock shadow and fast food paunch, the guy looked more like Homer Simpson.

"We're busy here, Mr. Winborne."

Winborne ignored that. "Isn't it illegal?"

"We have a permit. The island's being developed, and this little patch is slated for home sites."

"Why bother?" Sweat soaked Winborne's hairline. When he reached for a hanky, I noticed a tick cruising his collar.

"I'm an anthropologist on faculty at the University of North Carolina at Charlotte. My students and I are here at the request of the state."

Though the first bit was true, the back end was a stretch. Actually, it happened like this.

UNCC's New World archaeologist normally conducted a student excavation during the short presummer term each May. In late March of this year, the lady had announced her acceptance of a position at Purdue. Busy sending out résumés throughout the winter, she'd ignored the field school. Sayonara. No instructor. No site.

Though my specialty is forensics, and I now work with the dead sent to coroners and medical examiners, my graduate training and early professional career were devoted to the not so recently deceased. For my doctoral research I'd examined thousands of prehistoric skeletons recovered from North American burial mounds.

The field school is one of the Anthropology Department's most popular courses, and, as usual, was enrolled to capacity. My colleague's unexpected departure sent the chair into a panic. He begged that I take over. The students were counting on it! A return to my roots! Two weeks at the beach! Extra pay! I thought he was going to throw in a Buick.

I'd suggested Dan Jaffer, a bioarchaeologist and my professional counterpart with the medical examiner/coroner system in the great Palmetto State to our south. I pleaded possible cases at the ME office in Charlotte, or at the Laboratoire de sciences judiciaires et de médecine légale in Montreal, the two agencies for which I regularly consult.

The chair gave it a shot. Good idea, bad timing. Dan Jaffer was on his way to Iraq.

I'd contacted Jaffer and he'd suggested Dewees as an excavation possibility. A burial ground was slated for destruction, and he'd been trying to forestall the bulldozers until the site's significance could be ascertained. Predictably, the developer was ignoring his requests.

I'd contacted the Office of the State Archaeologist in Columbia, and on Dan's recommendation they'd accepted my offer to dig some test trenches, thereby greatly displeasing the developer.

And here I was. With twenty undergraduates. And, on our thirteenth and penultimate day, plankton-brain.

My patience was fraying like an overused rope.

"Name?" Winborne might have been asking about grass seed.

I fought back the urge to walk away. Give him what he wants, I told myself. He'll leave. Or, with luck, die from the heat.

"Temperance Brennan."

"Temperance?" Amused.

"Yes, Homer."

Winborne shrugged. "Don't hear that name so much."

"I'm called Tempe."

"Like the town in Utah."

"Arizona."

"Right. What kind of Indians?"

"Probably Sewee."

"How'd you know stuff was here?"

"Through a colleague at USC-Columbia."

"How'd he know?"

"He spotted small mounds while doing a survey after the news of an impending development was announced."

Winborne took a moment to make notes in his spiral. Or maybe he was buying time to come up with his idea of an insightful question. In the distance I could hear student chatter and the clatter of buckets. Overhead, a gull cawed and another answered.

"Mounds?" No one was going to short-list this guy for a Pulitzer.

"Following closure of the graves, shells and sand were heaped on top."

"What's the point in digging them up?"

That was it. I hit the little cretin with the interview terminator. Jargon.

"Burial customs aren't well known for aboriginal Southeastern coastal populations, and this site could substantiate or refute ethnohistoric accounts. Many anthropologists believe the Sewee were part of the Cusabo group. According to some sources, Cusabo funerary practices involved defleshing of the corpse, then placement of the bones in bundles or boxes. Others describe the scaffolding of bodies to allow decomposition prior to burial in common graves."

"Holy crap. That's gross."

"More so than draining the blood from a corpse and replacing it with chemical preservatives, injecting waxes and perfumes and applying makeup to simulate life, then interring in airtight coffins and vaults to forestall decay?"

Winborne looked at me as though I'd spoken Sanskrit. "Who does that?"

"We do."

"So what are you finding?"

"Bones."

"Just bones?" The tick was now crawling up Winborne's neck. Give a heads-up? Screw it. The guy was irritating as hell.

I launched into my standard cop and coroner spiel. "The skeleton paints a story of an individual. Sex. Age. Height. Ancestry. In certain cases, medical history or manner of death." Pointedly glancing at my watch, I followed with my archaeological shtick. "Ancient bones are a source of information on extinct populations. How people lived, how they died, what they ate, what diseases they suffered -- "

Winborne's gaze drifted over my shoulder. I turned.

Topher Burgess was approaching, various forms of organic and inorganic debris pasted to his sunburned torso. Short and plump, with knit cap, wire rims, and muttonchop sideburns, the kid reminded me of an undergraduate Smee.

"Odd one intruding into three-east."

I waited, but Topher didn't elaborate. Not surprising. On exams, Topher's essays often consisted of single-sentence answers. Illustrated.

"Odd?" I coaxed.

"It's articulated."

A complete sentence. Gratifying, but not enlightening. I curled my fingers in a "give me more" gesture.

"We're thinking intrusive." Topher shifted his weight from one bare foot to another. It was a lot to shift.

"I'll check it out in a minute."

Topher nodded, turned, and trudged back to the excavation.

"What's that mean, 'articulated'?" The tick had reached Winborne's ear and appeared to be considering alternate routes.

"In proper anatomical alignment. It's uncommon with secondary burials, corpses put into the ground after loss of the flesh. The bones are usually jumbled, sometimes in clumps. Occasionally in these communal graves one or two skeletons will be articulated."

"Why?"

"Could be a lot of reasons. Maybe someone died immediately before closure of a common pit. Maybe the group was moving on, didn't have time to wait out decomposition."

A full ten seconds of scribbling, during which the tick moved out of sight.

"Intrusive. What's that mean?"

"A body was placed in the grave later. Would you like a closer look?"

"It's what I'm living for." Putting hanky to forehead, Winborne sighed as if he were onstage.

I crumbled. "There's a tick in your collar."

Winborne moved faster than it seemed possible for a man of his bulk to move, yanking his collar, doubling over, and batting his neck in one jerk. The tick flew to the sand and righted itself, apparently used to rejection.

I set off, skirting clusters of sea oats, their tasseled heads motionless in the heavy air. Only May, and already the mercury was hitting ninety. Though I love the Lowcountry, I was glad I wouldn't be digging here into the summer.

I moved quickly, knowing Winborne wouldn't keep up. Mean? Yes. But time was short. I had none to waste on a dullard reporter.

And I was conscience-clear on the tick.

Some student's boom-box pounded out a tune I didn't recognize by a group whose name I didn't know and wouldn't remember if told. I'd have preferred seabirds and surf, though today's selections were better than the heavy metal the kids usually blasted.

Waiting for Winborne, I scanned the excavation. Two test trenches had already been dug and refilled. The first had yielded nothing but sterile soil. The second had produced human bone, early vindication of Jaffer's suspicions.

Three other trenches were still open. At each, students worked trowels, hauled buckets, and sifted earth through mesh screens resting on sawhorse supports.

Topher was shooting pictures at the easternmost trench. The rest of his team sat cross-legged, eyeing the focus of his interest.

Winborne joined me on the cusp between panting and gasping. Mopping his forehead, he fought for breath.

"Hot day," I said.

Winborne nodded, face the color of raspberry sherbet.

"You OK?"

"Peachy."

I was moving toward Topher when Winborne's voice stopped me.

"We got company."

Turning, I saw a man in a pink Polo shirt and khaki pants hurrying across, not around, the dunes. He was small, almost child-size, with silver-gray hair b...

About this edition

• Publisher: Audiobooks
• Publication date: 2006
• ISBN 10: 1846570050
• ISBN 13: 9781846570056
• Binding: Audio Cassette
• Illustrator: Will Lee