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Patricia Henley spent many months traveling the roads her fictional heroine treads, gathering firsthand accounts from refugees, activists, and indigenous people. Though her novel never feels researched, every page bristles with quiet indignation at the political and military atrocities visited upon the innocent. "The maps do not tell you that the forests of Belize and Honduras were cut down to rebuild London after the Great Fires of 1666," Kate muses, sitting in her kitchen in the Guatemalan highlands.
They do not show you the scars of Nicaraguan children who lost their arms and legs when their school bus struck a Contra mine buried in the road. Nor do the maps delineate the precise number of Mayan cornfields soaked in gasoline and set afire by Guatemalan government soldiers. And they cannot tell you the exact words of the sermon given by Oscar Arnulfo Romero, the archbishop of San Salvador, before his murder at his own altar.Political novels run the risk of becoming polemical; Henley largely avoids this pitfall by concentrating on her characters' personal lives within the context of the extreme circumstances in which they find themselves. Some of her stylistic choices can prove, at times, confusing, such as her liberal use of flashback to flesh out her characters' pasts, and the occasional switch in voice from third person to first. Still, her dark tale is compelling enough to overcome such minor defects, and Hummingbird House, in the end, is an impressive first novel. --Margaret Prior
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