About the Author:
Michel Clayton has hunted with over 200 packs in Britain, Ireland and the USA, as Editor and hunting correspondent of Horse and Hound for 24 years, writing a weekly column 'Foxford's Hunting Diary'. He first started hunting in Dorset at the age of eight. He was Editor-in-Chief of Country Life and The Field, having previously been a BBC TV and radio correspondent. He first visited Leicestershire over 40 years ago, and became a keen resident subscriber and supporter of the Shires packs. He is the author of over 20 books on hunting and equestrianism.
Excerpt. © Reprinted by permission. All rights reserved.:
Villagers in the Vale of Belvoir have been staunch supporters of the Duke of Rutland's hounds for nearly three centuries. They have been brought up with foxhunting as a central part of their lives; they love it, and many are among the most knowledgeable of the Belvoir hounds' regular followers.
A good hunt from Clawson Thorns, soaring down past the village to right or left, involving the clearance of daunting drop fences, and going down to the pastures below, has been a treat for Belvoir mounted followers which they recall with a warm glow for the rest of their lives.
To gain some understanding of the evolution of the Belvoir pack and the development of the 'old English Foxhound' one can study portraits of three Belvoir Hounds between 1853 and 1910:
Rallywood 1853, painted by John Fernley.
Gambler 1884, by Basil Nightingale.
Daystar 1903, by Cuthbert Bradley.
A striking and beautifully-balanced hound with pure-white neck, legs and muzzle, tan quarters and head, and a black body, Rallywood displays an intelligent and well-set head and neck; a flexible but not too long top-line, proportionate depth and shape to the rib-cage, a sloping shoulder, a straight fore-leg, powerful rounded quarters rather like a harrier, and good hocks.
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