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Book Description HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # C3-9781910021897
Book Description hardback. Condition: New. Language: ENG. Seller Inventory # 9781910021897
Book Description Condition: new. Seller Inventory # ERRGUGULCE
Book Description Hardback. Condition: New. New copy - Usually dispatched within 4 working days. Seller Inventory # B9781910021897
Book Description Hardcover. Condition: Brand New. 192 pages. 8.19x6.14x0.87 inches. In Stock. Seller Inventory # __191002189X
Book Description HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # C3-9781910021897
Book Description Condition: New. Editor(s): Riach, Alan; Moffat, Alexander. Num Pages: 192 pages. BIC Classification: 1DBKS; ACX; AFC; AGB. Category: (G) General (US: Trade). Dimension: 211 x 162 x 20. Weight in Grams: 408. . 2015. Hardcover. . . . . Books ship from the US and Ireland. Seller Inventory # V9781910021897
Book Description Condition: New. Editor(s): Riach, Alan; Moffat, Alexander. Num Pages: 192 pages. BIC Classification: 1DBKS; ACX; AFC; AGB. Category: (G) General (US: Trade). Dimension: 211 x 162 x 20. Weight in Grams: 408. . 2015. Hardcover. . . . . Seller Inventory # V9781910021897
Book Description Hardcover. Condition: new. Hardcover. In 1939, Scottish artist and sculptor J.D. Fergusson was commissioned to write a fully illustrated book on modern Scottish painting. The Second World War made this difficult and the first edition of Modern Scottish Painting was published in 1943 without illustrations. This new edition edited, introduced and annotated by Alexander Moffat and Alan Riach finally brings Fergussons project to fruition, illustrating the argument with colour reproductions of Fergussons own work.Moffat and Riach frame Fergussons important art manifesto for the 21st-century reader, illuminating his views on modern art as he explores questions of technique, education, form and what it means for a painting to be truly modern. Fergusson relates these aspects of modern painting to Scottishness, showing what they mean for Scottish identity, nationalism, independence and the legacy that puritanical Calvinism has left on Scottish art a particular concern for Fergusson given his recurring subject matter of the female nude. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9781910021897