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Book Description Hardcover. Condition: Very Good. Oblong folio, approx 12 1/4 x 10 1/4 in tall, 63pp, photographic illustrations, publisher s white cloth lettered in orange and white, orange endpapers (moderate dusting, slight bowing, a couple light pencil marks to rear panel, else very good). Seller Inventory # 06715
Book Description Hardcover. White cloth/oblong boards; red/black lettering. Neon red end papers. 63 pp. with color and duotone images throughout. Pages made of very thick, substantial stock. Published on the occasion of the exhibition of the same name, held January to April, 2010 in Athens. With an essay, Picasso Linocuts 1958-1963, by Donald H. Karshan. Includes an annotated and illustrated list of works at rear. Quotes about Picasso, by various of his biographers, are peppererd throughout the monograph. Fine internally but with a small smudge on front cover and soiling to back cover. Seller Inventory # 150012
Book Description Hardcover without dustjacket as issued; 64 pages; in English; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra. Seller Inventory # PaPiAt65
Book Description Hardcover. Condition: Good. Hardcover. Condition: GOOD. Possible general shelf wear to cover, spine and page edges. Possible clean ex-library copy, with their stickers and or stamp.This catalogue, which accompanies an exhibition held at Gagosian Gallery in Athens, features landmark linocut prints made by Pablo Picasso between 1959 and 1963. Pablo Picasso restlessly explored the medium of the print throughout his life, employing many techniques including lithography, etching, drypoint, and monotype. By the late 1950s, he was spending most of his time in the south of France, and the distance between him and his Parisian printers became increasingly difficult for smooth production. He turned his attention to lino-cutting, a very direct way of working whereby a design is cut into a sheet of linoleum using a knife, chisel, or gouge. His first linocut was a simple black-and-white print, but by 1959 he was using the technique as a complete means of expression. His subjects ranged from Jacqueline Roque, his muse, wife, and constant companion, to Old Master portraits in which he pays homage to El Greco. Seller Inventory # 279