From the Back Cover:
Even now, some forty-five years after his death, the works created by Max Beckmann exert an intense influence on contemporary art. His piercing self-portraits, his enigmatic yet compelling triptychs, his incisive prints all have earned him a well-deserved reputation as a creator of provocative work that is both emotionally and intellectually stimulating. Born in Leipzig, Germany, in 1884, Beckmann lived an international life, studying and working in Weimar, Frankfurt, Paris, and Berlin. Successful almost from his earliest days as a professional artist, he exhibited work to acclaim throughout Europe and America. With the Nazis' rise to power, his style and his subjects became dangerously out of fashion, and he was forced into exile - first to Amsterdam, where he spent World War II, and eventually to the United States, where he died, in New York, in 1950. Although some scholars have categorized Beckmann as a German Expressionist, he always resisted belonging to any group, asserting that "the greatest danger which threatens mankind is collectivization". He also resisted abstraction, remaining passionately committed to the figure throughout his long career. His paintings have much to say about sex, politics, and religion - which is no doubt why they so outraged the Nazis and no doubt why they have remained so absorbing to new generations of admirers.
About the Author:
Max Beckmann was born in Leipzig in 1884 to a family of farmers. He began his formal studies in 1900 at the Weimar Art Academy and moved to Paris soon after with his new wife. Drafted into World War I, he was deemed unfit to serve in the second, and spent the war years in Germany, outlawed by Hitler from exhibiting his "degenerate" paintings. After the war he came to America, taking up the post of painter in residence at Washington University in St. Louis, Missouri. In the late 1940s he moved to Manhattan, where he died of a heart attack en route to see his work in a show at The Metropolitan Museum of Art on December 27, 1950.
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