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Book Description Condition: New. Editor(s): Overby, Robert. Num Pages: 320 pages, 150 b&w illustrations. BIC Classification: AGB. Category: (G) General (US: Trade). Dimension: 160 x 110 x 18. Weight in Grams: 300. . 2013. Paperback. . . . . Seller Inventory # V9783037643303
Book Description Condition: New. Editor(s): Overby, Robert. Num Pages: 320 pages, 150 b&w illustrations. BIC Classification: AGB. Category: (G) General (US: Trade). Dimension: 160 x 110 x 18. Weight in Grams: 300. . 2013. Paperback. . . . . Books ship from the US and Ireland. Seller Inventory # V9783037643303
Book Description Paperback. Condition: new. Paperback. Beginning in 1969, Robert Overby (1935-1993) produced an eclectic body of work that was rarely exhibited in his lifetime. Despite working in a diversity of media and an equally wide range of subject matter, Overby returned consistently to the human form. His polyurethane stretches and ghost-like latex casts of walls and doors belong to the history of late 1960s and early 1970s experiments in Anti-Form, Process art, and post-Minimalism. His 1980s image paintings are post-Pop combinations of figure and abstraction that explore similar issues of surface, decay and the skin between the real and its incorporeal other. Overby had a retrospective at the UCLA Hammer Museum, and his work has been collected by the Art Institute of Chicago; Whitney Museum of American Art; Museum of Contemporary Art, Los Angeles; San Francisco Museum of Modern Art; Los Angeles County Museum; and The Museum of Modern Art, New York. This book is a reprint of his first publication, 336 to 1 August 1973-July 1969, which he conceived, edited and designed himself. Published with the Estate of Robert Overby. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Seller Inventory # 9783037643303
Book Description Paperback. Condition: new. Paperback. Beginning in 1969, Robert Overby (1935-1993) produced an eclectic body of work that was rarely exhibited in his lifetime. Despite working in a diversity of media and an equally wide range of subject matter, Overby returned consistently to the human form. His polyurethane stretches and ghost-like latex casts of walls and doors belong to the history of late 1960s and early 1970s experiments in Anti-Form, Process art, and post-Minimalism. His 1980s image paintings are post-Pop combinations of figure and abstraction that explore similar issues of surface, decay and the skin between the real and its incorporeal other. Overby had a retrospective at the UCLA Hammer Museum, and his work has been collected by the Art Institute of Chicago; Whitney Museum of American Art; Museum of Contemporary Art, Los Angeles; San Francisco Museum of Modern Art; Los Angeles County Museum; and The Museum of Modern Art, New York. This book is a reprint of his first publication, 336 to 1 August 1973-July 1969, which he conceived, edited and designed himself. Published with the Estate of Robert Overby. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9783037643303