Botticelli: Images of love and spring (Pegasus library)

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9783791320250: Botticelli: Images of love and spring (Pegasus library)

The celebrated allegorical paintings "La Primavera" and "The Birth of Venus" were the source of Botticelli's rediscovery in both the 16th and 19th centuries, and are still regarded as apogees of Florentine Renaissance painting. In this volume, the author closely examines these and other paintings of mythological content by the artist. He retells the stories of classical antiquity from which so many of Botticelli's motifs derive, equipping the reader with tools to better appreciate the narrative quality of the artist's work. Descriptions of Botticelli's artistic virtuosity and explanations as to the important role the artist played in Renaissance painting are accompanied by reproductions. In "Etruscan Spring", the vicissitudes of Botticelli's patron's lives are examined, especially in connection with the intrinsic meanings of the paintings they commissioned from the artist. The author delves into myths and mythological motifs, explores the the theory of "La Primavera" as a wedding portrait, and dwells on the intrigue of masculine desire and female dominance.

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Language Notes:

Text: English (translation)
Original Language: German

From Library Journal:

These two volumes follow 25 others in the "Pegasus Library" series, advertised as presenting "the passions that drive the masters." Waldmann, a Spanish art specialist, delves into the suspicion some people have entertained over the centuries that Francisco de Goya and one of his patrons, the 13th Duchess of Alba, had an adulterous relationship. Some intriguing paintings, drawings, and prints produced in the 1790s suggest that perhaps they did, but the salacious quotes from a romantic novel and a final image of the duchess's exhumed and decayed corpse are more suited to a tabloid. In contrast, Zollner (art history, Univ. of Leipzig) uses Sandro Botticelli's art to explore virtuous love within marriage. He discusses the intended usage of the paintings in Italian bridal chambers and cites classical and Renaissance literary references for his analysis of iconographic motifs in "La Primavera," "Birth of Venus," and several other paintings. Translated from German, the text of both books flows clearly; they are sturdily constructed, and the color illustrations complement the text well. Certain aspects, however, such as the slender physical format and dust jackets with erotic spine and cover designs, suggest that these books are intended for gift-giving or collecting rather than purchase by libraries. The exception would be libraries that acquire every title on a particular artist.?Anne Marie Lane, American Heritage Ctr., Laramie, WY
Copyright 1998 Reed Business Information, Inc.

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