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Book Description Soft Cover. Condition: new. Seller Inventory # 9783838208626
Book Description Condition: New. Seller Inventory # V9783838208626
Book Description Condition: New. Seller Inventory # V9783838208626
Book Description Paperback. Condition: new. Paperback. Nadia Anwar analyzes select post-independence Nigerian dramas through the conceptual framework of metatheater, a strategy that breaks dramatic illusion to foreground the process of play making. Anwar argues that distancing, as a function of metatheater, fosters a balanced theatrical environment by allowing the emotive and cognitive aspects of reception to dominate the theatergoing experience. She draws on Bertolt Brecht, Thomas J. Scheff, and other theoreticians to critique plays by Wole Soyinka, Ola Rotimi, Femi Osofisan, Esiaba Irobi, and Stella 'Dia Oyedepo. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9783838208626
Book Description Paperback. Condition: new. Paperback. Nadia Anwar analyzes select post-independence Nigerian dramas through the conceptual framework of metatheater, a strategy that breaks dramatic illusion to foreground the process of play making. Anwar argues that distancing, as a function of metatheater, fosters a balanced theatrical environment by allowing the emotive and cognitive aspects of reception to dominate the theatergoing experience. She draws on Bertolt Brecht, Thomas J. Scheff, and other theoreticians to critique plays by Wole Soyinka, Ola Rotimi, Femi Osofisan, Esiaba Irobi, and Stella 'Dia Oyedepo. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Seller Inventory # 9783838208626