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I became familiar with the work of photographer Robert Polidori, a 55-year-old native of Montreal, comparatively recently: in the pages of The New Yorker over the past several years as he seemed to raise the bar for architectural photography with every new picture he offered. Polidori's gorgeous large-format color photographs, whether freestanding pieces anchored only by a caption, or the starting point for a long New Yorker article on a building or a place, captivated me for their knowing use of color, light, shadow and space. Polidori's images never seemed to be only about some famous architect's building -- shown off at its best with all angles and perspective correct. Polidori, as others have noted as well, always seemed to incorporate context into his photographs, as if he were as interested in a structure's surroundings as he were about the structure itself. --Frank Van Riper
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