About the Author:
Michael Meyer teaches in the Department of English at the University of Koblenz–Landau (Germany). He has published on colonial and postcolonial literature, Gothic fiction and film, British art, autobiography, poetry, short fiction, and teaching literature.
Review:
"Word & Image in Colonial and Postcolonial Literature and Cultures" is an impressive and attractive collection. It should be borne in mind that what is not at stake in "Word & Image" is a through-going investigation into the "realpolitik" of colonialism, but rather an examination of aesthetic representation in a cross-cultural context. In this sense, the collection overall avoids the difficult politics of colonial legacies, with most essays preferring instead to concentrate on the limits of word/image representation. In this regard it is a welcome addition to the store of recent postcolonial scholarship on the ideological impulses behind words and images. - Eoghan Smith, "Carlow College, Ireland," in: "The English Messenger" 23.1 (Summer 2014), pp. 82-84"
Word & Image in Colonial and Postcolonial Literature and Cultures is an impressive and attractive collection. It should be borne in mind that what is not at stake in Word & Image is a through-going investigation into the realpolitik of colonialism, but rather an examination of aesthetic representation in a cross-cultural context. In this sense, the collection overall avoids the difficult politics of colonial legacies, with most essays preferring instead to concentrate on the limits of word/image representation. In this regard it is a welcome addition to the store of recent postcolonial scholarship on the ideological impulses behind words and images. - Eoghan Smith, Carlow College, Ireland, in: The English Messenger 23.1 (Summer 2014), pp. 82-84"
"Word & Image in Colonial and Postcolonial Literature and Cultures is an impressive and attractive collection. It should be borne in mind that what is not at stake in Word & Image is a through-going investigation into the realpolitik of colonialism, but rather an examination of aesthetic representation in a cross-cultural context. In this sense, the collection overall avoids the difficult politics of colonial legacies, with most essays preferring instead to concentrate on the limits of word/image representation. In this regard it is a welcome addition to the store of recent postcolonial scholarship on the ideological impulses behind words and images." - Eoghan Smith, Carlow College, Ireland, in: The English Messenger 23.1 (Summer 2014), pp. 82-84
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