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The story's gothic trappings have a basis in fact. As Sundaresan writes in her afterword, the historical Mehrunissa exercised far more power than was usually allotted to an empress, issuing coins in her own name, giving orders, trading, owning property, and patronizing the arts. (Curiously, the book ends just as Mehrunissa is ascending to the throne as empress, dwelling on her years of powerlessness and struggle rather than those of her enormous political influence.) Although the empress was fabled in her time, we know next to nothing about the woman herself. Unfortunately, Sundaresan does little to flesh out this intriguing figure. Despite the vivid historical detail, the reader remains more aware of the author's presence--and her own contemporary take on women's issues--than of her characters' inner lives. --Mary Park
Indu Sundaresan was born in India to a long line of storytellers. After an undergraduate degree in economics, she came to the United States for graduate school at the University of Delaware, where her passion for writing soon took over. Her first novel, The Twentieth Wife, was awarded the 2003 Washington State Book Award.
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Book Description Condition: New. Seller Inventory # 11296639